2008

Diez, Renato, Art Basel. Cosa compro con 40mila euro?, in: Arte, May 2008, p.126-131
Heiser, Jörg, All of a sudden. Things That Matter in Contemporary Art, Sternberg Press: New York, 2008, p. 11, 216, 218ff., 222, 228, 230
Messner, Reinhold, El Mundo del Hielo. The World of Ice, Exposicion Internacional Zaragoza 2008, Zaragoza 2008 (exh. cat.)
von Burg, Dominique, Wertmaximierung und Imagepflege, in: NZZ am Sonntag, June 15, 2008
Morgan, Jessica, Il tempo Del Postino, in: forg, No. 6, January/June 2008, p. 198
Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, JRP Ringier Kunstverlag AG, Zurich, 2008
Smith, Roberta, An Alien Sighting on Planet Pittsburgh, in: The New York Times, May 9, 2008
McKenna, Kristine, Socal Color, in: The New York Times Style Magazine, March 9, 2008,
p. 150/151
Aspen Art Museum (ed.), Doug Aitken. 99¢ Dreams, Aspen 2008
Völzke, Daniel, Knitter, Kniffe, Knicke in Krefelder Kunsthäusern, in: Monopol, No. 3, March 2008, p. 97
Art Review, in: Art Review, March 2008, p. 50/51

2007

8, in: Artforum International, December 2007
Jordan, Rob, What are the five pieces that define your collection? – Miami Art Museum, in: Art Basel Miami Beach, December 2007, p. 175
Higgie, Jennifer, Her(his)tory, in: Frieze, no. 111, November/ December 2007, p. 175
Mulholland, Neil, Il Tempo del Postino, in: Flash Art, no. 256, October 2007, p. 67
Herbert, Martin, Birnbaum, Daniel, The Postman rings twice, on „Il Tempo del Postino“, in: Artforum International, September, 2007, p. 97-101
Griffin, Jonathan, Back, Il Tempo del Postino, in: frieze, no. 9, September, 2007, p. 176-177
Lamm, April, Für „Il Tempo del Postino“ holten Hans Ulrich Obrist und Philippe Parreno die bildende Kunst auf die Opernbühne und schufen ein Ereignis der vierten Dimension, in: Monopol, no. 9, September, 2007, p. 121
Fondazione Sandretto Re Rebaudengo, Silence. Listen to the Show, Torino 2007 (including Audio-DVD)
Cash, Stephanie, A Night in the Life, in: Art in America, April 2007, p. 105/106
Marin, Courtney J., Doug Aitken: Sleepwalkers, in: Flash Art, March/April 2007
Golden, Thelma, Doug Aitken, in: Interview, February 2007, p. 82
The Museum of Modern Art (ed.): Doug Aitken. sleepwalkers, New York, 2007
Budick, Ariella, Life in Manhattan as projected from L.A., in: Newsday, January 2007
Henry, Clare, An urban drive-in movie on Manhattan’s sidewalks, in: Financial Times, January 2007
Midtown art exhibition is the stuff of dreams, in: Daily News, January 2007
Vanderbilt, Tom: City of Glass, in: Artforum, New York, January 2007, pp. 45-46
Smith, Roberta, The Museum That Thought It Was a Drive-In, in: The New York Times, January 18, 2007
Köhler, Andrea, Doug Aitkens „ Sleepwalker" in New York, in: Neue Zürcher Zeitung, Zürich, no. 21, January 26, 2007, p. 45
Michel, Sia, MoMA Does a Drive-In. Doug Aitken's video installation turns the museum inside out, in: New York magazine, New York January 15, 2007, pp. 65-65
Opie, Catherine, A+, in: W Magazine, No. 1, Vol. 36, January 2007
Hanson, Sarah P., Outside the White Cube, in: Art News, January 2007
Yablonsky, Linda, Night at the museum, in: Time Out New York, New York, January 11-17, 2007, pp.28-29
Finkel, Jori, MoMA’s Off-the-Wall Cinema, in: The New York Times, January 7, 2007
Alpert, Lukas L, MoMA’s wall-star cast, New York Post, January 4, 2007
Myers,Terry R., Sharing City Secrets at MoMA, IN: Art Review, January 2007, p. 69-73
Zeitz, Lisa, Wo die Bilder fliegen lernen: Nach Einbruch der Dunkelheit lässt Doug Aitken an de Fassade des Museums of Modern Art in New York im Januar die „Sleepwalkers“ tanzen, in: Monopol, No. 1, January 2007, p. 106-109
Finkel, Jori, MoMA's Off-the-Wall-Cinema, in: The New York Times, January 7, 2007

2006

All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Edizioni Charta, October 2006 (exh. cat.)
Teerlinck, Hilde, Contemporary Art in the Periphery, Crac Alsace, p. 86-87
Grosenick, Uta, video art, Taschen Verlag, 2006, p. 32-33
Doug Aitken, in: frame – the state of art, no. 16/17, March/April 2006, p. 73
Schwerfel, Heinz Peter, Ein Surfer durch Licht und Zeit, in: art. Das Kunstmagazin, Hamburg, January – March 2006
Doug Aitken (portfolio), in: M mouvement l'indisciplinaire des arts vivants, no. 38, Paris, January – March 2006
Daniel, Noel/Aitken, Doug, Broken Screen, Distributed Art Publishers, Inc., New York, 2006
Eichler, Dominic, Universal Experience, in : Frieze, London, January/February 2006, pp. 146-147
Sandback, Fred, Doug Aitken. Signs of Time, in: art press. La révue de l'art contemporaine, Paris, no. 319, January 2006

2005

ARC / Musée d’Art moderne de la Ville de Paris (ed.): Doug Aitken. ALPHA, JRP|Ringier, Zurich, 2005
Schönwald, Cédric: Ultraworld, in: Art 21, December 2005 – January 2006
Miles, Christopher: Doug Aitken. Regen Projects, in: Artforum, December 2005, p. 285
Ramade, Bénédicte: L'ultramonde de Doug Aitken, in: L'Oeil, Paris, December 2005
Baron, Marie-Guy: En symbiose avec Doug Aitken, in: Le Figaro, Paris, December 27, 2005
Bellet, Harry: Pris au piège des vidéos de Doug  Aitken, in: Le Monde, Paris, December 26, 2005
Lebovici, Elisabeth: Doug Aitken, dramaturge de l'image, in: Libération, Paris, December 23, 2005
Lorent, Claude: Le visiteur intégré de l'art, in: La Libre Belgique, Brussels, December 7, 2005
de Bourbon, Aude: Douglas Aitken. «Je propose de pénétrer la vie et pas seulement de la regarder», in: Art Actuel, Paris, November – December 2005
Mouléne, Claire: Doug Aitken, ultramoderne solitude, in: Les Inrockuptibles, Paris, November 23, 2005
Moidon, Stéphanie:  Doug Aitken, in: L'Officiel, Paris, Autumn/Winter 2005/2006
Moisdon, Stéphanie: Doug Aitken. A la recherche de mondes perdus, in: Beaux Arts magazine, Paris, November 2005
snd: Doug Aitken: The Moment, in: Modern Painters, November 2005, p. 108
Tate, Natalie: Native Artist Returns Home, in: The Daily Bruin Magazine, October 13, 2005, p. 11
Wiesmayer, Andre: (interview) in: Tokion, Sept/Oct. 2005, p. 79-81
Willis, Holly: Time Machines, in: LA Weekly, September 16-25, 2005, pp. 73-73
Knight, Christopher: Modern experience, dissected 11 different ways, in: Los Angeles Times, September 30, 2005, p. E1
Lewine Edward: Art That Has to Sleep in the Garage’, in: Arts & Leisure, The New York Times, June 26, p. 1, 26
Kerr, Merrily, Universal Experience: Art, Life and the Tourist’s Eye, in: Flash Art, May/June 2005
Dakar, Senegal: 10 days without sleep, in: Ryuko Tsushin, vol. 501,  March 2005, pp. 86-91
(interview), in: Boundless, no. 1, Art Center College of Design, pp. 10-13
Marsh, Margaret: Art 2 Practice (textbook), Oxford Press, pp. 254-355
Grabner, Michelle: A different kind of animal, in: Art Review, May 2005
Johnson, Ken: Eager Globe-Trotters Shrink the Art World, in: New York Times, April 29, 2005
Hawkins, Margaret: At MCA show, love of travel is truly ‚Universal’, in: Chicago Sun-Times, February 17, 2005
Steward, Sue: A focus on six of the best, in: The Evening Standard, January 19, 2005

2004

Broken screen, project for Artforum, November 2004, p.194–201.
Eleey, Peter: Doug Aitken talks to Ed Ruscha: Earth is the alien planet. Frieze. Issue 84, Summer. London: Durian Publications Ltd, 2004, pp. 100-105.
Cornell, Lauren: Hard Light, in: Time Out New York, August 5–12.
Smith, Roberta: Summertime at P:S:1: Where Opposites Like Hands On/Hand Off Attract, in: New York Times, July 16.
Doug Aitken: in: Le Cool, July 2004.
Doug Aitken. Estaremos seguros mientras todo se mueva, in: El arte de Barcelona, July 2004.
Capdevila, Jordi, El poder regenerador del caos, in: Avui, July 2004.
Aguilar, Xavi, Imatges en moviment com a simptoma vital, in: El Punt, July 2004.
Fernandez, Victor: CaixaForum presenta la primera muestra del artista Doug Aitken en Espana, in: La Razon, July 2004, p.29.
Cuesta, Elena: El caos de Doug Aitken envuelve Caixaforum, in: el Mundo Cataluna, July 2004, p.12
Fontova, Rosario: Caixa Forum exhibe los videos gigantes de Doug Aitken, in: Exit, July 2004, p.78.
El videoartista Doug Aitken muestra sus instalaciones sobre el desorden perceptivo, in: La Vanguardia, July 2004, p.39
Bosco, Roberta: El videoartista Doug Aitken despliega sus perturbadoras instalaciones en Caixaforum, in: El Pais, Madrid, July 2004, p.34.
Bunn, Michael: An innovative video exhibition that fractures space and time, in: Catalonia Today, July 8, p.11.
Hontoria, Javier: Doug Aitken. „Quiero dar al sonido una dimension escultorica.“ in: El Mundo, July 2004, pp. 36-37.
Bergstein, Yael: Bice Curiger on the Hypermental and Georgia O’Keefe, in: Israeli Art Magazine, no. 151, March, p. 32–39

2003

Tegeder, Dannielle, in: Bomb, Spring Issue Number 83, p.44-46
Focus Video and Film, in:  Flash Art, Jan-Feb, vol. 36, no. 288, p. 88
Huck, Img Jon: a shifting breakfast, label, no. 9, in: spring, p. 92-7
Affentranger-Kirchrath, Angelika, Der elektrisierende Blick: Doug Aitken in der Kunsthalle Zürich, in: Neue Zürcher Zeitung, Zürich, June 12, 2002
Olonetzky, Nadine: Ein zeitgenössischer Romantiker, in: Tages Anzeiger, Zürich, June 13, 2003
Eleey, Peter, frieze, Jan-Feb, no. 72, p. 93

2002

Renard, Emilie: Critics’ Picks, artforum.com
Griffin, Tim: review, in: Artforum, December, 2002, p. 137
Honigman, Ana Finel: review, contemporary, November, p. 85
Heartney, Eleanor: review, Art in America, November, p. 155-6
Halle, Howard: review, Time Out New York, New York, October 7, no. 367
Kastner, Jeffrey: No Labels, No Boundaries: An Artist of the Moment, Arts & Leisure, The New York Times, October, p. 36-7
Smith, Roberta: review, in: The New York Times, October 18
Photo, Goings On About Town: in: The New Yorker, October 14-21
Doug Aitken (review), in: The New Yorker, October 7, p. 23
Griffin, Tim: Doug Aitken, in: Index Magazine, September-October, p. 40
Newhall, Edith: Too Much Information, in: New York Magazine, Sept. 9, Vol. 35, No. 30, p. 70
Rez, September-October, p. 22
Withers, Rachel (review), in: Tema Celeste, no. 89, January-February, p. 74
Uta Grosenick/Burkhard Riemschneider (ed.), Art Now, Cologne, 2002, p. 16
Firstenberg, Lauri: Urban Pornographic, make, London, special edition 92, p. 9
Morton, Tom: review, Modern Painters, Winter, Vol. 14, No. 4, p. 102-3
Kihm, Christophe: les gestes de Doug Aitken, in: art press, 282, September 2002, p.46-50
-, Doug Aitken, in: Index Magazine, New York, June/July, 2002, p. 18, ill. (including cover sheet)

2001

Doug Aitken, [texts by Birnbaum Daniel, Sharp Amanda, Heiser Jörg], London: Phaidon Contemporary Artist Series, 2001
Hirvi, Maria (ed.), ARS 01. Unfolding Perspectives. 30.9.2001-20.1.2002, Helsinki: Museum of Contemporary Art, 2001, pp. 48 f., ill. (exh. catalogue)
Kunstmuseum Wolfsburg (ed.): Notes for New Religon. Notes for No Religion, [text by Henry Grunwald, Francesco Bonami, Jörg Heiser], Ostfildern-Ruit: Cantz-Verlag and Kunstmuseum Wolfsburg, 2001 (artist book)
Frehner, Matthias, Neue Ernsthaftigkeit. „ARS 01“ – internationale Gegewartskunst in Helsinki, in: Neue Zürcher Zeitung, Zurich, no. 264, November 13, 2001, p. 61
Ratnam, Niru, The Man Who Fell to Earth, in: The Face, London, November 2001,
Guzik, Jon Alain, A Twilight of Perception, in: Dazed & Confused, London, November 2001, pp. 130-139
Januszczak, Waldemar, Going underground, in: The Sunday Times, London, October 21, 2001
Dorment, Richard, On the road to nowhere, in: The Daily Telgraph, London, October 17, 2001
Cork, Richard, Flood warnings, in: The Times, London, London, October 17, 2001
Searle, Adrian, Attention all shipping, in: The Guardian, London, October 16, 2001
Packer, William, A lighshow that sheds no light, in: Financial Times, London, October 16, 2001
Cork, Richard, Richard Cork’s choice: Doug Aitken, in: The Times, London, October 13, 2001
Güner, Fisun, doug aitken: new ocean [review], in: Metro, London, October 15, 2001
Bishop, Claire, Adventures in white space, in: Evening Standard, London, October 11, 2001
Buck, Louisa, quick flicks, in: Vogue, London, October 2001
Firstenberg, Lauri, Doug Aitken. Das Idiom des zeitgenössischen Visualisieren: Doug Aitkens Fotografie, in: Camera Austria International, Graz/A, no. 74, 2001, pp. 6-17, ill.
--, Doug Aitken Diamond Sea [book review], in: Tema Celeste, Milan, May-June, 2001, p.20, ill.
Vogel, Sabine B., Die Welt im Zwischenraum. Zu Doug Aitkens Videoinstallationen, in: Kunst-Bulletin, Zurich, no. 4, April 2001, pp. 12-17 (ill. and cover)
Spinelli, Claudia, Mediale Entgrenzung. Der Videokünstler Doug Aitken in Wolfsburg, in: Neue Zürcher Zeitung, Zurich, no. 96, April 26, 2001, p. 65
Kold, Anders, ‚Flydende tid’, in: Louisiana Magasin, Humlebeak/DK, no. 1, March 2001, pp. 46-48 (ill.)
Rodenstock, Inge, Vier Heidis und ein Grossvater, in: Wirtschaftswoche, Düsseldorf, March 29, 2001, p. 186
--, Doug Aitken, in: Die Tageszeitung / Special issue (Kunstmuseum Wolfsburg), Berlin, March 2001, ill.
--, Berlin’s Best, in: Der Tagesspiegel, March 16, 2001
Büsing, Nicole; Klaas Heiko, Schwarzer ist schlaflos in Los Angeles. Video- und Fotokünstler Doug Aitken stellt in Wolfsburg aus, in: Stader Tagblatt, Stad/D, March 9, 2001, ill.
Büsing Nicole, Klaas Heiko, Zuckungen in der Endlosschleife. „Metallic Sleep“: Der Video- und Fotokünstler Doug Aitken im Kunstmuseum Wolfsburg und in den Kunst-Werken Berlin, in: Saarbrücker Zeitung, Saarbrücken/D, March 9, 2001, ill.
--, Berlin’s Best, in: Der Tagesspiegel, March 9, 2001
Wahjudi, Claudia, Frau ohne Eigenschaften. Der männliche Blick auf eine zerbrochene Welt: Doug Aitken in den Kunst-Werken und im Kunstmuseum Wolfsburg, in: Zitty, Berlin, no. 6, March 8-21, 2001, ill.
Walde, Gabriela, Der Grobstadtnomade von Los Angeles. Deutschlandpremiere: Der amerikanische Video-Künstler Doug Aitken mit einer Doppelausstellung in Berlin und Wolfsburg, in: Die Welt, Berlin, March 8, 2001, ill.
Ebeling, Knut, Parabeln der Unbehaustheit. Der amerikanische Videokünstler Doug Aitken in Wolfsburg und in den Berliner Kunst-Werken, in: Berliner Zeitung, Berlin, March 6, 2001, ill.
--, in: Flyer, no. 137, March 5-18, 2001
Stoeber, Michael, Die Unsicherheit aller Verhältnisse. Es geht ums Sehen: Fotografien und Videoinstallationen von Doug Aitken in Wolfsburg und Berlin, in: Hannoversche Allgemeine Zeitung, Hannover, March 5, 2001, ill.
--, Highlights der Woche, in: Stern, March 1, 2001
--, Doug Aitken, in: Die Tageszeitung [Sonderbeilage Kunstmuseum Wolfsburg], March 2001
--, Berlin, in: Frankfurter Allgemeine Zeitung, February 28, 2001
Hilgenstock, Andrea, Der Poet unter den Videokünstlern. Arbeiten von Doug Aitken in Wolfsburg und Berlin, in: Die Rheinpfalz Ludwigshafen Rundschau, Ludwigshafen/D, February 26, 2001, ill.
Wulffen, Thomas, Amor vacui. Ein neuer Konstruktivismus: Doug Aitken in den Kunst-Werken, in: Frankfurter Allgemeine Zeitung, Frankfurt, February 26, 2001, ill.
mos, Medium als Message. Doug Aitkens Videoinstallation „I am in you“, in: Der Tagesspiegel, Berlin, February 22, 2001, ill.
--, Netzwerk, in: Zitty, February 22, 2001
Buhr, Elke, Der perfekte Moment. Der kalifornische Fotograf und Videokünstler Doug Aitken in Wolfsburg und Berlin, in: Frankfurter Rundschau, Frankfurt, February 21, 2001, ill.
Hilgenstock, Andrea, Gigi in der Geisterstadt. Im Schleudergang durch die Lichternacht: Videokünstler Doug Aitken zeigt erstmals in Wolfsburg und Berlin seine suggestiven Bilderwelten, in: Berliner Morgenpost, Berlin, February 20, 2001, ill.
Fricke, Harald, Leben unter dem Stroboskop, in: Die Tageszeitung, Berlin, February 20, 2001, ill.
Kuhn, Nicola, Wüsten der Grobstadt.  Doppelausstellung in Berlin und Wolfsburg mit dem amerikanischen Video-Künstler Doug Aitken, in: Tagesspiegel, Berlin, February 20, 2001, ill.
Kuhn, Nicola, Der Rap der Grobstadt. Doppelausstellung in Berlin und Wolfsburg mit dem amerikanischen Video-Künstler Doug Aitken, in: Potsdamer Neueste Nachrichten, Potsdam/D, February 19, 2001, ill.
Suborg, Jörn, „Überraschende Ansichten urbaner Landschaften“, in: Wolfsburger Kurier, Wolfsburg/D, February 18, 2001, ill.
Karweik, Hans-Adelbert, Ein Mädchen entdeckt die Welt, in der sie lebt, in: Wolfsburger Nachrichten, Wolfsburg/D, February 17, 2001, ill.
a-s, Eine akustisch anregende Videowelt, in: Wolfsburger Nachrichten, Wolfsburg/D, February 17, 2001
syt, Doug Aitken: Videos als raumfüllende Gebilde, in: Wolfsburger Allgemeine Zeitung, Wolfsburg/D, February 16, 2001, ill.
--, Los Angeles leuchtet – Wolfsburg zeigt Werke von Doug Aitken, in: Neue Presse, Hannover, February 16, 2001, ill.
Franke, Anselm, Doug Aitken: Videos als raumfullendes Gebilde, in: Wolfsburger Allgemeine Zeitung, February 16, 2001
Nehring, Lydia, Elektrische Liebeserklärung ?!, in: Berliner Morgenpost, Berlin, February 15, 2001, ill.
Poschardt, Ulf, Surfen statt Zappen, in: Welt am Sonntag, Berlin, February 11, 2001, ill.
Franke, Anselm, Doug Aitken variiert in seinen Installationen. Ensembles von Film, Video, Foto, Architektur, und Sound, in: KW Magazine, Berlin, no. 01/01, 2001, pp. 86-87, ill. [translation in English p. 78]
Kuipers, Dean, Speed As Identity. Long-Haul Truckers Lost in Place, in: KW Magazine, Berlin, no. 01/01, 2001, pp. 88-103, ill. [excerpt from: I Am A Bullet: Scenes from an Accelerating Culture, New York: Randon House, 2000]
Pardo, Patrick, The Politics of Landscape, in: NYArts, vol. 6, no. 2, February 2001, p. 75
Hecht, Axel, ‚Paris: „Au-delà du spectacle“. Das Museum als Luna-Park, in: art, Hamburg, no. 2, February 2001, p. 90
Spiegl, Andreas, Doug Aitken. Wiener Secession, Wien, 18.10.-23.11.2000, in: Camera Austria International, Graz/A, no. 73, 2001, pp. 78-79, ill.
Kuni, Verena, <Just what it is...>. Hypermental. Wahnhafte Wirklichkeit 1950-2000 von Salvador Dali bis Jeff Koons, in: Kunst Bulletin, Zurich, no. 2, January/February 2001, pp.10-17
Romano, Gianni, Doug Aitken. Secession [review], in: Flash Art, Milan, vol. 34, no. 216, January-February 2001, pp. 121-122, ill.
Jothady, Manish, Reisen in den Inner space, in: frame, Vienna, no. 5, January/February 2001, pp. 67-73, ill.
Fuchs, Christian; Erdamann, Petra, How to disappear Completely: Doug Aitken, in: Ahead, January 2001, pp. 64-65
Vachtova, Ludmila, Mad Reality. Hypermental curated by Bice Curiger, Kunsthaus Zürich, in: Umelec, Prag, vol. 4, no. 1, 2001, pp. 82-83

2000

Stefan Kalmar (ed.), Diamond Sea. Namib Desert. Southwestern Africa. 70.000 Square Kilometers. Restricted Access, London: Book Works, 2000
Fresh Cream. Contemporary Art in Culture, London: Phaidon Press, 2000, pp. 58-63
Emerson, Stephanie (ed.), Flight Patterns, Los Angeles: The Museum of Contemporary Art, 2000, pp.100-103, ill. (exh. cat.)
Heiser, Jörg, Raserei im Fluss, in: Secession (ed.), Doug Aitken, Publikation anlässlich der Ausstellung Glass Horizon, (18.10.-23.11.2000), Secession, Vienna, 2000, ill. (exh. cat.)
Walker Art Center (ed.), Let’s Entertain: Life’s Guilty Pleasures, Minneapolis: Walker Art Center, 2000, ill. (exh.cat.)
Whitney Museum of American Art (ed.), Whitney Biennial 2000, New York, 2000, pp. 34-35, cover, ill. (exh.cat.)
The Aldrich Museum of Contemporay Art (ed.), Speed of Vision: On the Construction and Perception of Time in Video Art, Ridgefield/CT: The Aldrich Museum of Contemporary Art, 2000 (exh. cat.)
The Danish Film Institute, Copenhagen (ed.), Crossing Boundaries 2000, ?: Copenhagen, 2000, p. 54
Fujimori, Manami, Hasewaga Yuko + [et al.], Very New Art 2000 / 100 Artists of the Year, Tokyo: Bijutsu Shuppan-Sha, 2000, pp. 011-009, ill.
Buck, Louisa, Moving Targets 2. A User’s Guide to British Art Now, London: Tate Publishing, 2000, pp. 179, 240, 256
Daniel Birnbaum, Best of 2000: Top Ten, in: Artforum International, Milan, vol. XXXIX, no. 4 (special issue), December 2000, pp. 126-127, ill.
Feinstein, Roni, Report from Sydney. The Biennale of Reconciliation, in: Art in America, New York, December 2000, pp. 38-45
Muchnic, Suzanne, She’s Trying to Reorient LA’s Compass, in: Art and Architecture, December 2000
Vorkoeper, Ute, Doug Aitken: ‚I AM IN YOU’, in: springerin, Vienna, vol. VI, no. 3, October-December, 2000, p. 75, ill.
Willis, Holly, Signal to Noise. Doug Aitken’s Blow Debris, in: LA Weekly, Los Angeles, December 8-14, 2000
Pagel, David, Flight Pattern Ventures Far, in: Calendar Arts and Entertainment, November 23, 2000, p. 63
Bonetti, David, dark views of battered landscape in LA show, in: San Francisco Examiner, November 16, 2000
Verkoeper, Ute, I am in You, in: Springerin [Ausstellungen], 2000
Vogel, Sabine B., Zwischen Zehen zerrinnt die Zeit. Blinzeln im Kampf gegen den Schlaf. Video Installationen von Doug Aitken in der Wiener Secession, in: Frankfurter Allgemeine Zeitung, Francfort/M., no. November 7, 2000, p.
heho, Bewegung ist eine sinnlose Abfolge von Geste, in: Kurier, Vienna, November 2, 2000, p. 26, ill.
Gerstler, Amy, Man in Motion: The Video Nomad Goes Home, in: Los Angeles Magazine, no. 186, November 2000, pp. 122-127
Anton, Saul, Dead Meat: From Aitken to Barney through Hitchcock, Fiction: or Other Accounts of Photography, in: Dazibao, Montreal, November 2000, pp. 47-55,
Lacagnina, Salvatore, Doug Aitken, in: Tema Celeste, no. 82, October-December 2000, p. 91, ill.
--, Ausstellungsempfehlung. Secession, Wien. 18.10 – 23.10.2000, in: Portofolio. Newsletter, Vienna, no. 2, 2000, p. 14
Dusini, Mathias, Netzhaut unter Strom, in: Falter, Vienna, no. 43, October 27, 2000
Mittringer, Markus, Hyperaktive Stagnation, in: Der Standard, Vienna, October 21, 2000, ill.
Grzonka, Patricia, Clever & Smart. Mit Sarah Morris und Doug Aitken werden zwei Exponenten einer jungen und geschäftstüchtigen Künstlergeneration in Wien präsentiert, in: Profil, Vienna, no. 43, October 23, 2000, pp. 182-184, ill.
Steininger, Florian, Wüste gegen Urbanität, in: Die Presse, Vienna, October 25, 2000, ill.
--, Larry Aldrich Foundation Award 2000, in: Flash Art, Milan, vol. 33, no. 214, October 2000
Reininghaus, Alexandra, Das Publikum muss warten, in: Art, Hamburg, no. 10, October 2000, pp. 92-93, ill.
Anton, Saul, Doug Aitken New York, in: Res, October 2000
RW, Guy Wired, in: Artforum, New York, vol. XXXIX, no. 1, September 2000, p. 78, ill.
Green, Charles, The Biennale of Sydney 2000, in: Artforum, New York, vol. XXXIX, no. 1, September 2000, pp. 186-187, ill.
Martin, Frank Edgerton, That’s Entertainment, Let’s Entertain Life’s Guilty Pleasures. Portland Art Museum, in: Architecture, August 2000, p. 63
Rush, Michael, New Media Rampant, in: Art in America, New York, July 2000, p. 41
phi, Kunstszenen, in: Neue Zürcher Zeitung, Zurich, July 19, 2000, p. 42
Rubinstein, Raphaël, Regional Hopes & Recycled Tropes, in: Art in America, July 2000, pp. 38-43, ill.
Maurer Simon, Doug Aitken, in: Züritipp, Zurich: TA Media AG, June 16 – June 22, 2000, p. 64, ill.
Gilman-Sevcik, Frantiska and Tim, New York’s Mega-Shows, in: Flash Art, Milan, vol. 33, no. 212, May-June 2000, pp. 88-90, ill.
Frehner, Matthias, Hors-Sol und Vollwertkost. Die Whitney-Biennale und «Making Choices» im MoMA, in: Neue Zürcher Zeitung, Zurich, no. 121, May 25, 2000, p. 65
Anton, Saul, A Thousand Words. Doug Aitken Talks About Electric Earth, in: Artforum, New York, vol. 38, no. 9. May 2000, p. 161, ill.
Constanze, Ruhm, Planet of the Scapes, in: Style and the Family Tunes, no. 30, April/May, 2000, pp. 34-39
Boyer Guy, Hennessy Luziah, Collection Re Rebaudengo, du chic au choc, in: L’Œil, Paris, no. 515, April 2000, pp. 64-69, ill.
Halle, Howard, 2000 and None: The Whitney Blows the Franchise, in: Time Out, New York, no. 237, April 6-13, 2000, p. 72
Doswald, Christoph, Hollywood der Kunst, in: Facts, Zurich, no. 15, April 13, 2000, pp. 158-164, ill.
Paini, Dominique, Le retour du flâneur. The return of the Flâneur, in: artpress, Paris, no. 225, March 2000, pp. 33-41, ill.
Kristine, McKenna, Biennial Man, in: LA Weekly, Los Angeles, March 17-23, 2000
Bronson, A.A., Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession, in: Association of Visual Artists, January 3, 2000
--, Very New Art, in: Bijutsu Techo, Tokyo, no. 782, January 2000
Myers, Molly, Horizons, Art Photography (mostly) at MOCA and the Getty, in: LA Weekly, 2000

1999

Fogle Douglas (ed.), Marsilio Venice, dAPERTutto. La Biennale di Venezia: 48a Esposizione Internazionale d’Arte, Venice, 1999, pp. 286-289 (exh. cat.)
Frohne, Ursula (ed.), video cult/ures. Multimediale Installationen der 90er Jahre, DuMont: Cologne, 1999, pp. 158-163, ill. (exh.cat.)
Anton, Saul, Doug Aitken’s moment, in: Tate, London, no. 19, Winter 1999, pp. 53-58
Macel, Christine, profile, in: Beaux-Arts, Paris, December 1999, pp. 78-81
Ryan, Orla, [review of Biennale], in: Circa, no. 89, 1999, pp. 16-17
--, ‚Random space’ images Doug Aitken, in: Big, 1999, pp. 102-109
Herbert, Martin, in: Londonart, London, October 22, 1999
Roberts, James, Omega Man, in: Parkett, Zurich, no. 57, 1999, pp. 22-23, ill.
Bonami, Francesco, Liquid Time, in: Parkett, Zurich, no. 57, 1999, pp. 29-32, ill.
Van Assche, Christine, Doug Aitken, the „Stalker“ of this Fin de Siècle, in: Parkett, Zurich, no. 57, 1999, pp. 54-58, ill.
Heiser, Jörg, Just Add Water. Jörg Heiser on the 1999 Venice Biennale, in: Frieze, London, no. 48, September-October 1999, pp. 66-71.
Wagner, Anselm, Venezianischer Kunstsupermarkt. Wie Harald Szeemann auf der Biennale von Venedig vieles anders und nur sehr wenig besser macht, in: Noema Art Journal, Vienna, no. 52, August-October 1999, pp. 88-103, ill.
Madoff, Steven Henry, All’s Fair, in: Artforum, New York, vol. 37, no. 1, September 1999, pp. 145-154, 184, 190
Verzotti, Giorgio, La Biennale dello Culture Emergenti, [review], in: Tema Celeste Arte Contemporanea, September 1999, p. 52
Vetrocq, Maria, the Venice Biennale: Reformed, Renewed, Redeemed, in: Art in America, New York, September 1999, pp. 82-93
Hayt, Elisabeth, Looking Ahead, in: The New York Times, New York, September 12, 1999, p. 92
Anton, Saul, [review], in: Artbyte, June – August 1999, p. 108
Robinson, Walter, Hi Mom, I’m in Venice, on: Artnet.com
Kimmelmann, Michael, The Art of the Moment (And Only For The Moment), in: The New York Times, New York, August 1 1999, pp. 34-35, sec. 2
Vogel, Carol, At Venice Biennale, Art Is Turning Into an Interactive Sport, in: The New York Times, New York, June 14, 1999, pp. E1, E6
Rees, Christina, Well –Cut-Gem, in: Dallas Observer, Dallas, June 3-9, 1999, p. 62
Aspesi, Natalia, Festa Grande per Artisti Casalinghi, in: La Repubblica, Rome, June 10, 1999
De Rooij, Marie, Beeldende Kunst, in: De Groene Amsterdammer, Amsterdam, June 2, 1999, p. 27
--, Clues,[review], in: Flash Art, Milan, May 1999
Lubow, Arthur, The Curse of the Whitney, in: The New York Times Magazine, New York, April 11, 1999, pp. 54-61
Krauss, Nicole, [review], in: Art in America, New York, March 1999, p. 112
Rattray, Fiona, Landscape Art, in: Blueprint, no. 159, March 1999, p. 63
Amadasi, Giovanna, [interview], in: -cross, no. 2, 1999, pp. 24-99
Jocks, Heinz-Norbert, Ein Fernblick auf New York, in: Kunstforum International, Ruppichteroth/D, January-February 1999, pp. 312-313
--, [review], in: Doug Aitken at 303, in: Flash Art Milan, January-February 1999, p. 40
Saltz, Jerry, New Channels, in: The Village Voice, New York, January 12, 1999, p. 113
Arning, Bill, [review], in: Time Out New York, New York, January 7, 1999, p. 54

1998

Metallic Sleep, Tokyo: Taka Ishii Gallery, 1998
Walker Art Center (ed.), Unfinished History, Minneapolis, 1998 (exh. cat.)
Museum Ludwig (ed.), I Love New York – Crossover of Contemporay Art, Cologne, 1998 (exh. cat.)
Fleiss, Eileen (ed.), Photo project for Purple Two, in: Purple Two, Winter 1998, pp. 382-389 (exh. cat.)
Blair, Dike, Interview / Sound and Image, Self and Place, in: Purple Prose, no. 13, Winter 1998
Wakefield, Neville, Let’s Go to the Videotape, in: Art & Auction, New York, October 19, 1998
Stuart, Shave, Speed Addict, in: i-d, London, October 1999, p. 131
--, [review], in: attitude, September 1998, p. 45
Akasaka, Hideto, Mindscape, in: Asahi Camera, Tokyo, August 1998
--, [review], in: Nikkei Art, August 1998
--, [review], in: i-magazine, August 1998
--, [review], in: Gallery, July 1998, p. 31
Woznicki, Kristian, California on the Mind’s Road Map, in: The Japan Time, Tokyo, July 19, 1998, p. 13
--, [review], in: PIA, Tokyo, July 6, 1998
Bonami, Francesco, Doug Aitken: Making Work Without Bounderies, in: Flash Art, Milan, May-June 1998, pp. 80-82
Morrissey, Simon, [review], in: Untitled, 1998, p. 30
Fogle, Douglas, No Man’s Land, in: Frieze, London, no. 39, March-April 1998, pp. 56-61
Gisbourne, Mark, I Love New York. Crossover of Contemporary Art, in: Contemporary Visual Arts, London, no. 22, 1998, p. 77

1997

The Whitney Museum of American Art (ed.), The 1997 Whitney Bienial, New York, 1997 (exh. cat.)
29’ – 0 /East, Kunsthalle New York, New York 1997 (exh. cat.)
One Minute Scenario, cur. by Jerome Sans, Le Printemps de Cahors, Saint-Cloud/F 1997 (exh. cat.)
22th International Ljubljana Biennal of Graphic Art, Cankerjevdom-Cultural and Congress Centre / The Modern Gallery and the Tivoli Gallery, Ljubljana 1997 (exh. cat.)
Third International Biennale Graz (ed.), film+arc.graz, Graz/AU, 1997 (exh. cat.)
Leggat, Graham, All of These, None of These: The 1996 New York Video Festival, in: Parkett, Zurich, no. 48, 1997, p. 162
Cameron, Dan, The Year’s Best, in: Artforum, New York, vol. 35, no. 4, December 1997
Sandhu, David, Edition of the Month: we gotta get out of this place, in: i-d, London, December 1997
--, Photography project Adrenalin, in: i-d, London, December 1997
Coomer, Martin, [review], in: Time Out London, London, ?, 1997
--, ad. / on / exchange: a Project curated by Jade Dellinger, in: Zing Magazine, Winter/Spring 1997
Talkington, Amy, Diamonds in the Desert, in: Ray Gun, August 1997
Pokorny, Sydney, [review], in: Artforum, New York, vol. 35, no. 10, Summer 1997
--, Video et Photographie Scellent leurs Noces au Printemps de Cahors, [review], in: Le Monde, Paris, June 23, 1997
--, [review], in: Village Voice, New York, April 1997
Schmerlerer, Sarah, Doug Aitken at 303 Gallery, in: Time Out New York, New York, April 17-24, 1997, p. 41
Newhall, Edith, „Glimmer Fields“. Talent, in: New York Magazine, New York, April 14, 1997, p. 148
--, Galleries-Chelsea, in: The New Yorker, New York, April 4, 1997
--, Doug Aitken, in: Studio Voice, vol. 248, no. 8, 1997, pp. 38-40
Madestrand, Bo, Unpacking the Fashion Pack: Doug Aitken and Peter Gehrke at Gallery Index, Stockholm, in: Material, no. 32, Spring 1997
McKenna, Kristine, It Happens Every Two Years, in: The Los Angeles Time, Los Angeles, March 9, 1997
[Interview] on: http://adaweb.com/project/aitken; http://adaweb.com/context/artists/aitken/dabio.htlm

1996

Fondazione Sandretto Re Rebaudengo (ed.), Campo 6: The Spiral Village [cur. by Francesco Bonami], Turin, 1996 (exh. cat.)
Center for Cultorial Studies Museum, Bard College (ed.),  a / drift [cur. by Joshua Dector], 1996, (exh. cat.)
Arning, Bill, Down for the Kunst, in: Time Out New York, New York, ?, 1996
Schmerler, Sarah, Art in the Anchorage ‚96, in: Time Out New York, New York, no. 46, 1996

1995

Musée d’Art Moderne de la Ville de Paris (ed.), La Belle et la Bête - Beauty and the Beast, Paris:MNAM, 1995, pp. 36-37, 114-115 (exh. cat.)
Schwartz, Henry, [review], in: Flash Art, Milan, March-April 1995, p. 104

1994

LifeSize, Centro per l’Arte Contemporanea Luigi Pecci/Museo d’Arte Contemporanea, Prato/I 1994 (exh. cat.)
Audience 0.01, Giancarlo Politi Editore, Trevi/I 1994 (exh. cat.)
Colman, David, Short Takes, in: Vogue, New York, December 1994, p. 204
Decter, Joshua, [review], in: Artforum, New York, vol. 33, no. 4, December 1994, p. 48
Pokorny, Sydney, [review], in: Frieze, London, November-December 1994, p. 61
--, Moonlighting, in: The New Yorker, New York, October 3, 1994, p. 26
Lillington, David, Monkey Business – Beyond Belief, in: Time Out New York, New York, April 1994
Saltz, Jerry, Doug Aitken at the AC Project Room, in: Art in America, New York, April 1994, p. 128
Cork, Richard, All Human Life is Missing, in: The London Times, London, April 26, 1994
Kastner, Jeffrey, Beyond Belief, in: Flash Art, Milan, Summer 1994, p. 61
Muir, Gregor, Beyond Belief, in: World Art, June 1994, p. 109
Weil, Benjamin, Ouverture, in: Flash Art, Milan, May/June 1994, p. 104

1993

Okay Behaviour, 303 Gallery, New York 1993 (exh. cat.)
Saltz, Jerry, Mayday, Mayday, Mayday, in: Art in America, New York, September 1993, p. 45
Saltz, Jerry, 10 Artists for the 90s, in: Art & Auction, New York, May 1993, pp. 122-125
Lane, Tim, [review], in: Transworld Skateboarding Magazine, February 1993, p. 50

1992

Weizenbach, Michael, One Print Is Worth A Thousand Words, in: The Washington Post, Washington/DC, November 7, 1992, p. G2
Bogan, Neill, [review], in: Art Papers, October/November 1992, p. 54
Kempton, Jim, Schrapnel, in: WARP Magazine, October 1992, p. 18

2000

Crossing Boundaries, Danish Film Institute, Copenhagen
Regarding Beauty in Performance and Media Arts, Haus der Kunst, Munich

1999

Montréal International Festival of New Cinema and New Media, Montreal/CDN
4ième Manifestation Internationale Vidéo et Art Electronique, Champ Libre, Montréal/CDN
Landscape in Motion (Diamond Sea, Eraser), cur. by Giovanna Amadasi and Andrea Lissoni, Milan
International Film Festival of Rotterdam, Rotterdam

1998

International Film Festival of Rotterdam, Rotterdam
Re.inevitable, Creative Time at the Brooklyn Anchorage, Brooklyn, New York
International Filmfestival, Geneva

1997

Montreal International Festival of Cinema and New Media, (Diamond Sea), Montreal

1996

The 34th New York Film Festival (Bad Animal), Alice Tully Hall, Lincoln Center New York, New York
The 5th New York Video Festival (Autumn and Monsoon) Walter Reade Theatre, Lincoln Center New York, New York
Boston Film Festival (Monsoon), Boston
Champ Libre, Sous la Passerelle (Autumn), Montreal
International Festival of New Film and Video (Dawn, Fury Eyes, Inflection and Monsoon), Split/KR

1995

Telluride Film Festival (Monsoon)

2000

Aitken Doug, Kuipers Dean, I Am a Bullet. Scenes From an Accelerating Culture [text by Dean Kuipers and photographs by Doug Aitken], New York: Randon House, 2000