2008
Grappeling with theanyspacewhatever. Guggenheim curator sheds light on intringuing show of 10 artists associated with relational aesthetics. In: Art World, Issue 7, October/November 2008, p.24
Ostrow, Saul, Liam Gillick, Casey Kaplan, Art in America, 01.09.2008, p.157/158
Morgan, Jessica, Il tempo del Postino, in: frog, No. 6, January/June 2008, p. 198
Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, JRP Ringier Kunstverlag AG, Zurich, 2008
Kitamura, Katie, Liam Gillick, in: Frieze, No. 114, April 2008, p. 175
Lütticken, Sven, Leben mit Abstraktion, in: Texte zur Kunst, No. 69, March 2008, p. 46-59
Lauson, Cliff. Separate But Not Marginal. A Conversation with Liam Gillick. Third Text, Vol.22, Issue2, March 2008, p.273-285
Schmitz, Edgar, Liam Gillick, in: Kunstforum International, No. 190, Spring 2008, p. 386/387
Bradvic, Sandra, Rollenwechsel, in: artensuite, No. 3, March 2008, p. 11/12
Krebs, Edith, Eindeutig uneindeutig, in. Neue Zürcher Zeitung, No. 30, February 6, 2008, p. 57
Voss, Julia, Ein Ausblick auf die Zukunft der Skulptur, in: Frankfurter Allgemeine Zeitung, No. 24, January 29, 2008, p. 37
Szczesniak, Paulina, Die etwas andere Retrospektive, in: Tages-Anzeiger, January 27, 2008
Bidner, Stefan (ed.), Franz West – Soufflé, eine Massenausstellung, Kunstraum Innsbruck (exh.cat.), Innsbruck 2008
Haberer, Lilian, Liam Gillick, Witte de With Center for Contemporary Art, in: Artforum, No. 5, January 2008, p. 126/127
Mack, Gerhard, Meister der Täuschung, in: art, No. 1, January 2008, p. 85
2007
Rathenböck, Vera, Kunst „entstaubt“ die Diaschau, in: Kronen Zeitung, December 30, 2007
Schedlmayer, Nina, Stilles Drama, in: artmagazine, December 14, 2007
Hautmann, Philip, Ein Becher und andere Erinnerungen, in: spotsZ, November 2007
Ek, Lentos Museum Linz spielt mit Licht und Projektion, in: Wirtschaftsblatt, October 11, 2007
“Projektion“ im Lentos Kunstmuseum Linz, in: OE1.ORF.at, October 4, 2007
Heiser, Jörg, Liam Gillick, in: Frieze Art Fair Yearbook 2007 – 8, October 2007
Herbert, Martin, Birnbaum, Daniel, The Postman rings twice, on „Il Tempo del Postino“, in: Artforum International, September, 2007, p. 97-101
Griffin, Jonathan, Back, Il Tempo del Postino, in: frieze, No. 9, September, 2007, p. 176-177
Lamm, April, Für „Il Tempo del Postino“ holten Hans Ulrich Obrist und Philippe Parreno die bildende Kunst auf die Opernbühne und schufen ein Ereignis der vierten Dimension, in: Monopol, No. 9, September 2007, p. 121
Winklbauer, Andrea, Platons Höhle Revisited, in: Parnass, No. 3, September/October 2007
Pr/red, Projektion – die Ausstellung, in: Neues aus Linz, September 2007
“Verstaubte“ Licht-Projektionen, in: Kurier, September 27, 2007
Hut, Dia: ein sterbendes Medium zwischen Fotografie und Film, in: Neues Volksblatt, September 27, 2007
Fri, Das Museum als Bühne für Illusionsmaschinen, in: Österreich, September 27, 2007
Heberstreit, Dietlind, Projektionen mit Pfiff, in: OÖ Nachrichten, September 27, 2007
Hofleitner, Johanna, Das immaterielle Bild, in: Die Presse kultur spezial, September 21, 2007, p. 2
Hollein, Max, Schafhausen, Nicolaus (Ed.), Kunst/Art. Lufthansa Aviation Center, 2007, p. 72-89
Gillick, Liam, Haberer, Lilian (Ed.), factories in the snow, JRP Ringier, Zurich, 2007
Bechtler, Cristina, Art and Architecture in Discussion. Again the Metaphor Problem and Other Engaged Critical Discourses about Art. A Conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf, Springer Verlag Wien, 2007
2006
Haberer, Lilian, Prinzip Raumbildung. Parallele Strukturen im Werk von Liam Gillick. Verlag für moderne Kunst Nürnberg, 2006
Neubauer, Susanne, Projektion, Kunstmuseum Luzern, Lentos Kunstmuseum Linz, 2006,
p. 76-83
All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Edizioni Charta, October 2006 (exh. cat.)
cl, Schnittpunkt Kunst + Kleid St. Gallen, in: Vogue Deutsch, No. 9, September 2006
Grabher, Ariane, “Kunst und Kleid“-Der erste St. Galler Kulturherbst vereint unter dem Motto “Schnittpunkt“ Ausstellungen in Kunstmuseum, Kunsthalle, Historischem Museum und Textilmuseum, in: Kultur, No. 7, 2006, p. 66-67
McDonough, Tom, City of Cineastes, in: Art in America, New York, No. 8, September 2006, p. 60-65
Doswald, Christoph, Double-Face – The Story about Fashion and Art from Mohammed to Warhol, Schnittpunkt – Kunst und Kleid St. Gllen, Kunstmuseum, Textilmuseum, Neue Kunst Halle, Historisches Museum, JRP Ringier, 2006, p. 126-127
Bachmann, Eva, St. Gallens grosser Zuschnitt, in: St. Galler Nachrichten, June 8, 2006
Gronlund, Melissa, Frieze Projects. Artists’ Commissions and Talks 2003 – 2005, frieze, London, p. 48-49
Leuenberger, Marina, Modus, Neue Kunst Halle St. Gallen, 2006
Gillick, Liam, McGowan Heather, Le Montrachet, New York: rockypoint press, 2006
2005
Gillick, Liam, Lind Maria, Curating with luggage, Kunstverein München, 2005
Hezel, Sarah (ed.), EXTREME abstraction, Albright-Knox Gallery, Buffalo, New York, 2005
Allen, Jennifer. 1000 Words: Liam Gillick and Philippe Parreno. In: Artforum, February, XLIII, No. 6. New York: Artforum Magazine, 2005, p. 144
Johnson, Ken, Everywhere’s the Samw: Nowhere in Particular, in: New York Times, June 3, 2005
Bachofen, Katrin. Liam Gilllick: Galerie Eva Presenhuber, Zürich. Handelszeitung: Galerienspiegel, February 9, 2005, p. 39
2004
Singular Forms (Sometimes Repeated): Art from 1915 to the Present, Guggenheim Museum, New York
Kennedy Randy, Minimalist Oasis in a Bustling Manhattan, New York Times, April, 23, 2004
Scholze, Britta, Unerwartete Begegnungen. Die Ausstellung ’Adorno. Die Möglichkeit des Unmöglichen’ im Frankfurter Kunstverein, Texte zur Kunst, 53, März 2004, pp. 182–185
Jones, Ronald, Adorno: The Possibility of the Impossible, Artforum, 42, 5, January 2004, p. 150
2003
Liam Gillick, The Power Plant, in: Artforum, December 2003, pp. 149–150.
Nobel, Philip, Sign of the Times, in: Artforum, January
Schmitz, Edgar, Interview with Liam Gillick, in: Kunstforum, January
Green, Alison, Utopias and Universals, in: Art Monthly, April
Cowan, Amber, Ill Communications, in: The Times, February 1.
Ebeling, Knut, Bauen, Wohnen, Denken, in: Der Tagesspiegel, January 18.
Pécoli, Vincent, Brand Art, in: Art Monthly, April
Sundell, Margaret, Exterior Days, in: Time Out New York, June 19–26
Herbert, Martin, Liam Gillick and Sean Dack, in: Time Out, Dec. 3–10
Wilsher, Mark, Wittgenstein:Family Likeness, in: Art Monthly, Dec. 3–10
2002
Whitechapel Art Gallery (ed.), Liam Gillick. The Wood Way, Manchester: Cornerhouse Publications, 2002 (exh. cat.)
Grosenick Uta, Neuschneider Burkhard, ART NOW. 137 Artists at the Rise of the New Millenium, Cologen: Taschen, 2002, pp. 172-175, ill.
Fuenmayor, Jesus, Demonstration Room: Ideal House, in: The Big Show, Antwerp, NICC, 2002, p.100-125, ill.
Musée d‘Art Moderne de la Ville de Paris (ed.), Urgent Painting, Paris, 2002, (exh. cat.), p. 76 – 78 (ill.)
Gillick, Liam, Liam Gillick, in: index magazine, New York, vol. 6, no. 4, April/May 2002, pp. 90-92, ill.
Steiner Urs, Spitzenklöppelei, in: Neue Zürcher Zeitung, Zürich, no. 83, April 16, 2002, p. 44
2001
Organizing Committee for Yokohama Triennale (ed.), Yokohama 2001, Yokohama, 2001, (exh. cat.), p. 28, p. 216, ill.
Fondation Guerlain (ed.), Histoire de coeur. Collection Michel Poitevin, Les Mesnuls, 2001
Tate Modern (ed.), Century City, London, 2001
Trülzsch, Sassa, Liam Gillick, in: Kunstforum, June-July 2001, pp. 188-193
Archer, Michael, Liam Gillick. Arnolfini, Bristol, in: Artforum, New York, vol. XXXI X, no.7, March 2001, p.156
--, Liam Gillick, l'art du mystère, in: Profil, Geneva, February 2, 2000, p.16
Lin., Kunst-Szenen. Spekulative Architektur-Liam Gillick, in: Neue Zürcher Zeitung, Zurich, January 31, 2001, p.44
Exley, Roy, Liam Gillick. Renovation Filter: past and near future (review), in: Art Press, n. 264, January 2001, pp. 72-73
Bonacossa, Maria, Liam Gillick, in: Tema Celeste, January 2001
Cisar, Karel, Notes from Switzerland. Hauser & Wirth & Presenhuber Gallery, in: Umelec, Prag, vol. 4, no. 1, 2001, p.20, ill.
Wollen, Peter, Thought Experiments, in: Parkett, Zurich, n. 61, 2001, pp. 76-91
Stemmrich, Gregor, Liam Gillick – A Debate about Debate, in: Parkett, Zurich, n. 61, 2000, pp. 64-75
Gillick, Liam, Literally No Place – An Introduction, in: Parkett, Zurich, n. 61, 2001, pp. 56-63
2000
Gaensheimer Susanne, Westfälischer Kunstverein Münster/Schafhausen Nicolaus, Frankfurter Kunstverein (ed.), Liam Gillick, Oktagon: Cologne 2000 (exh. cat.)
Arnolfini (ed.), Renovation Filter: Recent Past and Near Future, London: Arnolfini, 2000 (exh. cat.)
The Hayward Gallery (ed.), The British Art Show 5, The South Bank Centre: London 2000, pp. 58-59 (exh. cat.)
Dire Aids. Arte nell'epoca dell'Aids, Torino: Promotrice delle Belle Arti, 2000 (exh. cat.)
Den Stora Skalan, Kalmar: Statens Konstrad (exh. cat.)
Cream 2, London: Phaidon, 2000 (exh. cat.)
Arnolfini Gallery, Renovation Filter, Recent Past and Near Future, Bristol, 2000 (exh. cat.)
Media City, Seoul (exh. cat.)
Whitechapel Gallery (ed.), Protest and Survive, London, 2000 (exh. cat.)
Buck, Louisa (ed.), Moving Targets 2, London: Tate Gallery, 2000 (exh. cat.)
Tate Gallery (ed.), Intelligence, London, 2000 (exh. cat.)
CCA (ed.), The Book of the 3rd of June, Kitakyushu, 2000 (exh. cat.)
Moderna Museet (ed.), What if?, Stockholm, 2000 (exh. cat.)
Kunstverein in Hamburg (ed.), Aussendienst, Hamburg, 2000 (exh. cat.)
29th International Film Festival Rotterdam, Rotterdam, 2000 (exh. cat.)
Jhonson, Ken, Liam Gillick, New York Times, New York, December 8, 2000
--, Liam Gillick. Voice choices, in: Village Voice, New York, December 1, 2000
Andrews, Andrew, Liam Gillick, in: Contemporary Visual Art, issue 32, December 2000
Godfrey, Tony, Burlington Magazine, December 2000
Birnbaum, Daniel, What i: Art on the verge of architecture and design. Moderna Museet, Stockholm, in: Artforum, New York, vol. XXXIX, no.4, December 2000, p. 143
Mulholland, Neil, Musgrave, David, Intelligence, in: Untitled, December 2000
Prince, Nigel, Future Perfect, in: Untitled, December 2000
Wilson, Michael, Liam Gillick, in: Untitled, December 2000
Mead, Andrew, Called into question, in: The Architects Journal, November 8, 2000
Campbell Jhonston, Rachel, Five best exhibitions Nationwide, in: The Times, London, November 4, 2000
Higgie, Jennifer, Future Perfect, in: Frieze, London, issue 55, November-December 2000
Inkster, Dean, Défence de la Lecture, Le Procés de Pol Pot, in: Art Press, Paris, spécial, no.21, November 2000
--, Liam Gillick, in: AN Magazine, November 2000
--, Liam Gillick, in: Tatler, November 2000
Tremblay, John, Top Ten, in: Artforum, New York, November 2000
Bate, Amelia, Liam Gillick, in: Epigram, November 2000
Musgrave, David, Liam Gillick, in: Art Monthly, no.241, November 2000
--, Liam Gillick, in: Flux, October/November 2000
Cowan, Amber, Liam Gillick, in: The Times, London, October 7, 2000
--, Liam Gillick, in: Vogue (British), October 2000
--, Liam Gillick, in: Wallpaper, October 2000
--, Liam Gillick, in: Artclub Magazine, Autumn 2000
Burn, Gordon, Art imitating death, in: The Guardian, September 17, 2000
McLaren, Duncan, Better than Chocolate, The Independent on Sunday, September 5, 2000
Blom, Ina, What if, in: Frieze, London, issue 54, September-October 2000, pp.120-121
--, Liam Gillick, in: Architect Builder Contractor and Developer, September 2000
Withers, Rachel, [Preview], in: Artforum, New York, September 2000
Wilson, Michael, New British Art: Intelligence, in: Art Monthly, London, no. 239, September 2000
Blom, Ina, what if. Moderna Museet, Stockholm, in: Frieze, no.54, 2000, p. 120, ill.
Green, Alison, Future Perfect, in: Art Monthly, London, no. 239, September 2000
Lind, Maria, What if. Art on the verge of architecture and design. Maria Lind reflecting Liam Gillick filtering, in: --, August 2000
Schloemann, Johan, Bau mir einen Schuhladen, in: Frankfurter Allgemeine Zeitung, Frankfurt, July 24, 2000
Searle, Adrian, Thick and Thin, in: The Guardian, July 8, 2000
Berg, Ronald, Demokratie aus dem Computer, in: Zitty, July 2000, p. 56
Searle, Adrian, Life through a lense, in: The Guardian, May 4, 2000
B.D., What If: Art on the Verge of Architecture and Design, in: Artforum, May 2000
Williams, Gilda, Because a fire was in my head. South London Gallery, in: Art Monthly, London, no. 236, May 2000
Garnett, Robert, Sheep and Goats, postcard from Paris, in: Art Monthly, London, no. 236, May 2000
--, What If, in: contemporary visual arts, no.28, 2000, p.79, ill.
Lütkemeyer Markus, Ratespiel aus Kunststoff, in: GIG, May 2000
--, What If...-Art on the verge of architecture and design, in: The British Council, April-June 2000,
Nass, Beate, Plexiglas in der Decke, in: Westfälischer Anzeiger, April 22, 2000
Allerholm, Milou, Form vävs ihop med politik, in: Dagens Nyheter April 21, 2000, S. B3
Sorrento, Aureliana, Ein bisschen Zukunft ist immer, in: Die Tageszeitung, Berlin, April 7, 2000
Siepen, Nicolas, Der Kern zerstreut sich, in: Frankfurter Allgemeine Zeitung, Frankfurt, April 3, 2000
Hers, FranVois, L'aventure, des nouveaux commanditaires, in: Beaux Arts, Paris, April 2000
Mehta, Nina, Continuum 001, in: Art Monthly, London, no. 235, April 2000
Heiser, Jörg, Disco Discontent, in: Frieze, London, issue 51, March-April 2000, pp. 82-85
Jennen, Manuel, Ein Pferd ist ein Pferd ist ein Pferd, in: Münsteraner Zeitung, March 25, 2000
Noppeney, Petra, Mysteriöse Multiplexplatten, in: Westfälische Nachrichten, March 25, 2000
Allerholm, Milou, Form vävs ihop med politik, in: Dagens Nyheter, March 21, 2000
Jones, Jonathan, Liam Gillick, in: The Guardian, March 7, 2000
Ellis, Sam, Pain in a building, in: Evening Standard, March 6, 2000
Stange, Raimar, Liam Gillick, in: artist Kunstmagazin, Bremen, no.44, March 2000, pp. 18-21
Wilson, Michael, Applied Complex Screen, in: Art Monthly, London, March 2000
Donald, Ann, Real things from a virtual world, in: Glasgow Herald, Glasgow, February 28, 2000
Lowndes, Sarah, Continuum 001, Metro, February 25, 2001
Mahoney, Elisabeth, Brief encounters with the shape of things to come, in: Scotland on Sunday, February 20, 2000
Mahoney, Elisabeth, Terribly PC, in: Scotland on Sunday, February 20, 2000
Hetherington, Alex, Continuum 001, in: The List, February 17, 2000
Hauffen, Michael, Liam Gillick: Consultation Filter, Springerin, February 2000
--, 2000 a colourful century, in: Vogue Italia, January 2000
1999
Newman, Michael, Bird, John (ed.), Rewriting Conceptual Art, London: Reaktion Books, 1999 (exh. cat.)
5 or 6, New York: Lucas and Sternberg, 1999 (exh. cat.)
Habitat (ed.), Habitat Art Club, London, 1999 (exh. cat.)
Villa Merkel (ed.), The Space Here is Everywhere, Esslingen, 1999 (exh. cat.)
The French Academy in Rome, La Memoire, Rome, 1999 (exh. cat.)
Centre regionale d'art contemporain (ed.), La Capitale, Sete, 1999 (exh. cat.)
Designs for a four storey building, New York: Open City, 1999 (exh. cat.)
Book Works (ed.), Seven Wonders of the World, London, 1999 (exh. cat.)
Riemschneider, Burkhard, Grosenick, Uta (ed.), Art at the Turn of the Millenium, Cologne: Benedict Taschen Verlag GmBH, 1999, pp. 174-177
Servicio Publico, Barcelona: Ediciones Universidad de Salamanca, 1999 (exh. cat.)
Independent Spaces, Geneva: JRP éditions, 1999 (exh. cat.)
Galerie für Zeitgenössische Kunst (ed.), Weather Everything, Ostfildern: Cantz, 1999 (exh. cat.)
Ecole du Magasin (ed.), Pla@ytimes, Grenoble: Centre National de d'Art Contemporain de Grenoble, 1999 (exh. cat.)
Galerie Krinzinger (ed.), UK Maximum Diversity, Vienna, 1999 (exh. cat.)
Art Lovers, Liverpool, Tracey: Liverpool Biennial, 1999 (exh. cat.)
Laboratorium, Antwerp: Antwerp Open, 1999 (exh. cat.)
Perché, Rome: Magazzino d'arte moderna, 1999 (exh. cat.)
Troncy, Eric, Liam Gillick. Eloge de la pièce manquante, in: Beaux Arts Magazine, Paris, special issue, December 15, 1999, pp.122-125
--, What is art today?, in: Beaux Arts Magazine, December 1999
--, Britische Kunst wie fürs Wohnzimmer, in: Focus, no.43, October 25, 1999
Huther, Christian, Raumfantasien rund um Stanley Kubricks Filme, in: Frankfurter Morgenpost, Frankfurt, September 23, 1999
Huther, Christian, Wenn der liebe Gott glaubt, er sei Kubrick, Mainz Echo, Mainz, September 23, 1999
Jungwirth, Nikolaus, Erzengel Spielberg, Gott Kubrick und eine blutige Mafia, in: Frankfurter Allgemeine Zeitung, Frankfurt, September 21, 1999
--, Kubrick im Himmel, in: AZ Mainz, Mainz, September 18, 1999
Nicol, Gabriele, Kubricks London zeigt seine karge Trostlosigkeit, in: Offenbach Post, offenbach, September 17, 1999
McLaren, Duncan, Better than chololate, in: Thr Independent on Sunday, London, September 5, 1999
--, In the Midst of Things, in: The Big Issue, August 16, 1999
Grundl, Eva, Erklärt Kunst die Welt?. Multimediales im Kunsthaus Glarus – Raumkörper, Audiomaterial und Texte, in: Südkurier, Konstanz, August 12, 1999, p.20
Kurjakovic, Daniel, Szenarien zwischen Gestern und Morgen. Liam Gillick im Kunsthaus Glarus, in: Die Weltwoche, Zurich, August 5, 1999, p.40
Jones, Jonathan, In the Midst of Things, in: The Guardian, London, August 3, 1999
Engler, Martin, Verspätetes Millenium. Im Gespräch bleiben: Liam Gillick im Kunsthaus Glarus, in: Frankfurter Allgemeine Zeitung, Frankfurt, July 21, 1999, p.48
her, Schluckauf zwischen Form und Inhalt, in: Neue Zürcher Zeitung, Zurich, July 9, 1999, p.62
Sonna, Birgit, Der Fährtenleger, in: Süddeutsche Zeitung, no.188, July 7, 1999
Krebs, Edith, Er ist ein Jongleur. Mit wechselndem Geschick versucht Liam Gillick, theoretische Spekulationen visuell umzusetzen. Zum Beispiel im Kunsthaus Glarus, in: Tagesanzeiger, Zurich, July 3, 1999, p. 55
Marti Kock, Claudia, Kunst am Ende des 20. Jahrhunderts. Paralell zu Viereck und Kosmos zeigt das Kunsthaus Glarus Liam Gillick, in: Die Südostschweiz, Glarus, July 2, 1999, p.7
Wetterwald, Elisabeth, XN, in: Parachute, July/August/September, no.95, 1999
Jones, Roland, a continuing investigation into the relevance of abstraction, in: Frieze, issue 47, Summer 1999
Radio DRS 2, Interview mit Liam Gillick, June 29, 2000
Polzer, Brita, Moskau-Schweiz/Sammlung Hauser und Wirth/Nasca-Kultur/Liam Gillick, in. Annabelle, Zurich, June 25, 1999, p.21
Denk, Andreas, Nur Wasser lässt sich leichter schneiden, in: Kunstforum International, Puppichteroth, May/June 1999
Spaid, Sue, Conceptual Art as Neurobiological Praxis, in: Village Voice, New York, April1999
Scott, Andrea K., Conceptual Art as Neurobiological Praxis, in: Time Out, New York, February 12, 1999
Smith, Roberta, Continued Investigation of the Relevance of Abstraction, New York Times, February 12, 1999
Cotter, Holland, Changes Aside, New York Times, New York, February 12, 1999
Roberts, Catsou, Ouverture de Salon 3, Art Press, Paris, no.243, February 1999
Schütz, Heinz, Steirischer Herbst'98, Kunstforum International, Ruppichteroth, no.143, January/February 1999
--, Salon 3, Flash Art, January/February 1999
1998
Pellegrin, Maurizio (ed.), Innerscapes, Trieste: Contemporanea, 1998
Ojeblikket, The Meaning of Site, Copenhague, 1998
Bellamy, Edward, Ein Rückblick aus dem Jahr 2000 auf 1887 [new edition for the exhibition: '1+4-4x1', initiated by Liam Gilick], Leipzig: Galerie für Zeitgenössische Kunst, 1998
Dijon/Le Consortium.coll., Dijon/Paris: Les presses du réel/Center Georges Pompidou, 1998 (exh. cat.)
Absurd, Paris: Self-Service, 1998
Cream, London: Phaidon Press, 1998
Kunsthochschule der Universität/Kassel (ed.), X mal Documenta X, Kassel, 1998
Neues Museum Weserburg (ed.), Minimal-Maximal, Bremen, 1998
Grazer Kunstverein (ed.), Mise en Scène, Graz, 1998
L'île de discussion/le grand centre de conférence, Nice/Dijon: Villa Arson/Les presses du réel, 1998
Hess, Amerada (ed.), Interactive, an Exhibition of Contemporary British Sculpture, London, 1998
Sammlung Goetz (ed.), Art from Britain, Hamburg, 1998
Arena Sport & Kunst Zeitschrift, Munich: Kulturreferat München, 1998 (exh. brochure)
Steiner, Barbara (ed.), Enter: KünstlerInnen, Publikum und Institution, Lucerne: Kunstmuseum, 1998
Lauf, Cornelia, Phillot, Clive, Artist/Author: Contemporary Artist's Book, New York: American Federation of Arts, 1998 (exh. cat.)
Galerie Max Hetzler (ed.), Hospital, Berlin, 1998 (exh. cat.)
Eibakke, Anders, Bjonnulf, Evenrund, Liam Gillick, in: Natt & Dag, December/January, 1998/1999
Slattum, Berit, Kommuniserende britisk samtidskunst, in: Klassekampen, December 9, 1998
Braun, Kerstin, Wie bildende Kunst Theater reflektiert, in: Neue Zeit, October 9, 1998
--, Morning Edition, NPR, New York, October 3, 1998
--, Interview mit Liam Gillick, in: Enter, Kunstmuseum Luzern, Lucerne 1998, pp. 16-19
Blase, Christoph, 463 – Folienwechsel, in: htttp://blitzreview.thing.at/blitzreview/b-463.html, October 1998, p. 1
--, Paul Cassirer Kunstpreis, in: Berliner Morgenpost, Berlin, September 30, 1998
Troncy, Eric, Liam Gillick/Villa Arson, in: Les Inrockruptibles, Paris, Summer 1998
Johnson, Ken, Inglenook, in: New York Times, New York, July 24, 1998
--, Inglenook, in: Village Voice, New York, July 21, 1998
Ebner, Jorn, Dickes Make-up, dünnhäutige Kunst, in: Frankfurter Allgemeine Zeitung, July 11, 1998
Musgrave, David, A to Z, in: Art Monthly, London, May 1998
Lindgaard, Jade, Le Plexiglas Philosophical, in: Le Monde, Paris, May 6-12, 1998
Holmquist, Karl, Hospital, in: Flash Art, Milan, March/April 1998
Gaensheimer, Susanne, In search of Discussion Island-About the Book Big Conference Centre, by Liam Gillick, in: Index, no.22, February 1998
1997
Südwestdeutsche Landesbank (ed.), Kunst...Arbeit, Ostfildern: Cantz, 1997, pp.242-245, ill. (exh. cat.)
Erasme est en retard, Dijon: Les Presses, 1997
Unbuilt Worlds: Unrealised Artists Projects, Ostfildern: Cantz, 1997 (exh. cat.)
Documenta X, Politics and Poetics, Ostfildern: Cantz, 1997 (exh. cat.)
Kunstmuseum Luzern (ed.), Enter: Audience, Artist, Institution, Lucerne, 1997 (exh. cat.)
Galleri F 15 (ed.), Ajar, Oslo, 1997 (exh. cat.)
L'Ecole d'art de Grenoble (ed.), Les Livres d'Artistes, Grenoble, 1997 (exh. cat.)
Fielder, Tanja, Auf dem Pappbett endet Sehnsucht, in: Morgenpost, December 16, 1996
Werneburg, Brigitte, The good Beuys, in: Tageszeitung, Berlin, December 20, 1997
Tannert, Christoph, Zwischen Hospital and Hotel, in: Berliner Zeitung, December 20, 1997
--,Viel frische Luft in der Villa Franck, in: Ludwigsburger Kreiszeitung, December 8, 1997
Troncy, Eric, Liam Gillick. Entretien, les gens étaient-ils aussi bêtes avant la télé, in: Documents sur l’art, Paris, no.11, Autum–Winter 1997/1998
Azizov, Zeigam, Liam Gilick and his parallel activities, in: Omnibus, October 1996
Mangini, Elisabeth, I met a man who wasn't there, in: The Exhibitionist, August/September 1996
Nahas, Dominique, I met a man who wasn't there, in: Review, July/August 1997
Avgikos Jan, Liam Gilick at Basilico Fine Arts, in: Artforum, New York, Summer 1997, p. 136
Volk, Gregory, Liam Gilick at Basilico Fine Arts, in: Art in America, New York, June 1997, pp. 112-113
--,Enter, in: Luzerner Zeitung, Lucerne, April 12, 1997
--,die Zukunft als künstlerisch-humanes Spielkonzept, Ludwigsburger Kreiszeitung, Ludwigsburg, December 8, 1997
Kornbluth, Jesse, Is South Beach big enough for two hotel kings?, in: New York Times, February 16, 1996
de Jonge, Peter, The Rubell's in Miami, Harper's Bazaar, New York, February 1997
1996
Echoes – Contemporary Art at the age of endless conclusions, New York: The Monacelli Press, 1996
Richard Heller Gallery (ed.), A Scattering Mix, Los Angeles, 1996 (exh. cat.)
Grunert, Tanja, Gasser, Klemens (ed.), Found Footage, London, 1996 (exh. cat.)
Toby, Mott (ed.), Lost For Words, London, 1996 (exh. cat.)
Book Works (ed.), Book Works – A partial history and source book, London, 1996
Musée de la Ville de Paris, Life/Live, Paris, 1996 (exh. cat.)
Globe, Espace Attempts, Copenhagen, 1996 (exh. cat.)
Kunstraum Wien (ed.), Herausgeber, Vienna, 1996
Landesmuseum Weimar, Nach Weimar, Ostfildern: Cantz, 1996 (exh. cat.)
Le Magasin (ed.), Every Day Holiday, Grenoble, 1996 (exh. cat.)
Kjarvalsstadir, Do It, Reykyavik, 1996
CAPC, Traffic, Bordeaux, 1996 (exh. cat.)
Southhamton City Art Gallery (ed.), Co-operators, Southhampton, 1996 (exh. cat.)
Restany, Pierre, Nicolas Bourriaud, in: Domus, December 1996
Fleck, Robert, Die wahren Helden sind die Väter, in: Art, Hamburg, December 1996
--,La crème anglaise s'expose à Paris, in: Le Figaro, Paris, 1996
Krome, Michael, Liam Gillick, in: Kunstzeitung, Regensburg, no.3, 1996
Vettese, Angela, Giovani Inglesi Aspettano Godot, Il Sole, October 13, 1996
Adamic, Jelka Sutej, Liam Gillick, in: Delo, October 11, 1996
Lebovici, Elisabeth, Grand Déballage d'Art Britanique, in: Libération, October 10, 1996
Brugerolle, Marie, Renaissance du Magasin, Art Press, Paris, no. 217, October 1996
Steiner, Barbara, Film as Method of Thinking and Working, Paletten, no.224, 1996
Freedman Carl, Some Drawings from London, in: Frieze, London, issue 30, 1996
Higgie, Jennifer, Liam Gillick, in: Frieze, London, issue 30, 1996
Kuni, Verena, Der Umbau. Raum, Springer, no.2, vol. 2, 1996
Steiner, Barbara, Traffic, Springer, no.2, vol. 2, 1996
Bang Larson, Lars, Traffic, Flash Art, Milan,no.189, Summer 1996
Cruz, Juan, Some Drawings from London, in: Art Monthly, London, no.198, July/August 1996
Worsdale, Godfrey, Liam Gillick, in: Art Monthly, London, no.197, June 1996
Herbert, Martin, Liam Gillick, in: Time Out, London, May 15-22, 1996
Ford, Simon, Der Mythos vom Young British Artist, in: Texte zur Kunst, Cologne, no.22, May
1996
McRitchie, Lynne, Brilliant, in: Art in America, New York, May 1996
--,Liam Gillick, Der Standard, Vienna, May 2, 1996
Hofleitner, Johanna, Ausgestellt in Wien, Die Presse, Vienna, April 19, 1996
Knoll, Hans, Parallelwelten und Frottierte Schilde, Der Standard, Vienna, April 18, 1996
Spiegel, Andreas, Traffic – CAPC, Art Press, Paris, no.212, April 1996
Parreno, Philippe, McNamara – A film by Liam Gillick, in: Paletten, no.233, 1996
Steiner, Barbara, if...If...If... a lot of possibilities, in: Paletten, no.233, 1996
Werneburg, Brigitte, Das Virus heisst Political Correctness, in: Tageszeitung, Berlin, March 1996
Schöllhammer, Georg, Kuratiert von:, Springer, March 1996
Ritchie, Matthew, Liam Gillick: Part Three, in: Performing Arts Journal, March 1996
Tozer, John, Co-operators, in: Art Monthly, London, no. 194, March 1996
Archer, Michael, No Politics Please We're British, in: Art Monthly, London, no. 194, March 1996
Ford, Simon, Myth Making, in: Art Monthly, London, no. 194, March 1996
Dannat, Adrian, Brilliant, Flash Art, Milan, January/February 1996
Brown, Neal, Ideal Standard Summertime, Frieze, London, no.26, January/February 1996
Gale, Ian/Starr, Georgina, Where does British Art go from here?, The Independent, London, January 2, 1996
Schumacher, Rainald, Liam Gillick, Springer, January 1996
1995
Le Consortium (ed.), Prime Time #1, Dijon, 1995
Walker Art Center (ed.), Brilliant, Minneapolis, 1995 (exh. cat.)
Museum Stzuki (ed.), New Art From Britain, Lodz, 1995 (exh. cat.)
FRAC Poitou Charentes, Collection fin XX, Angouleme, 1995
Book Works (ed.), Erasmus is Late, London, 1995
CCC/Villa Arson (ed.), Stoppage (CD), Nice, Tours and London, 1995
Steiner, Barbara (ed.), Lost Paradise, Vienna/Stuttgart: Oktagon, 1995
Royal Danish Academy of Arts, Faction, Copenhagen, 1995 (exh. cat.)
Basilico Fine Arts (ed.), Möbius Strip, New York, 1995 (exh. cat.)
Herbstreuth, Leipzig: Fotografie im Kunstverein Elsterpark, Kunst-Bulletin, Zurich, 1995
Collings, Matthew, My Brilliant Repartee, in: Modern Painters, London, Winter 1995
Doran, Anne, Part Three, in: Time Out, New York, December 13-20, 1995
Servetan, Stuart, Liam Gillick, in: New York Press, New York, December 6-18, 1995
Karmel, Liam Gillick, in: The New York Times, New York, December 8, 1995
McRitchie, Lynne, Brilliant, in: Financial Times, 1995
Kastner, Jeffrey, Brilliant?, in: Art Monthly, London, December/January 1995-1996
Maloney, Martin, Grunge Corp, in: Art Forum, November 1995
Blase, Christoph, Ibuka!, in: Springer, issue 4, 1995
--,Erasmus is late, in: La Repubblica, Milan, September 15, 1995
Sanderson, Philip, Ideal Standard Summertime, in: Art Monthly, London, no.189, September 1995
Kent, Sarah, Ideal Standard Summertime, in: Time Out, London, July 26, 1995
Searle, Adrian, Karaoke, in: Time Out, London, July 26, 1995
Krebber, Sabine, Romantisch und Verwundbar, in: Stuttgarter Nachrichten, Stuttgart, July 1, 1995
Troncy, Eric, Liam Gillick, Flash Art, Milan, Summer 1995
Parreno, Phillippe, Une exposition serait-elle un cinéma sans camera?, in: Libération, Paris, May 27, 1995
Maida, Sabine, Sur un air de Darwin, Paris Quotidien, Paris, May 15, 1995
Bourriaud, Nicolas, Pour une ésthetique relationelle, in: Documents, Paris, no.7, 1995
Gisinger, Arno, Das Archiv, in: Eikon, April 1995
--,Möbius Strip, in: Zapp Magazine, issue 4, 1995
Hoffmann, Justin, Das Archiv, in: Artis, Stuttgart/Bern: Hallwag Verlag, February/March 1995
Hauffen, Michael, Das Archiv, in: Kunstforum International, Ruppichteroth, January 1995
Niegelhell, Franz, Sammeln und Speichern, in: PAKT, January 1995
1994
ICA (ed.), The Institute of Cultural Anxiety, London, 1994
FN/Booth-Clibborn, Other Men's Flowers, London, 1994
Galerie van Gelder, Mechanical Reproduction, Amsterdam, 1994
Centro' Santa Monica (ed.), Public Domain, Barcelona, 1994 (exh. cat.)
Kunstmuseum Luzern (ed.), Backstage, Lucerne, 1994 (exh. cat.)
Threadwaxing Space (ed.), Don't Look Now, New York, 1994 (exh. cat.)
Currah, Mark, --,in: Time Out, London, December 1994
--,Schipper & Krome, in: Neue Bildende Kunst, Berlin, in: Art Monthly, London, no. 194, November 1994
Zinggl, Wolfgang, Tee trinken mit Künstlern, in: Falter, October 28, 1994
Borchhardt-Birnbaumer, Brigitte, Ein Neues Ausstellungsmodell, in: Wiener Zeitung, Vienna, October 14, 1994
--,Verdoppelt durchleuchtet, in: Kleine Zeitung, Graz, October 12, 1994
--,Paradies Verloren, in: Die Presse, October 22, 1994
Grant, Simon, World Cup Football Karaoke, in: Art Monthly, London, September 1994
Papadopoulos, Helena, Don't Look Now, Flash Art, Milan, May-June 1994
Besson, Christian, Surface de Réparations, in: Flash Art, Milan, May-June 1994
Spiegel, Olga, Fotographos de Londres..., in: La Vanguardia, March 14, 1994
--,Arte Guerrero, in: El Pais, March 14, 1994
Billeter, Fritz, Schnörkel und Schleifchen, in: Tages-Anzeiger, Zurich, February 28, 1994
Troncy, Eric, Surface de Réparations, in: Omnibus, June 1994
Bourriaud, Nicolas, Surface de Réparations, in: Art Press, Paris, no.190, 1994
Bourriaud, Nicolas, Au Moment du Penalty, in: Globe, February 9-15, 1994
Topor, Roland, Surface de Réparations, in: Art & Aktoer, no.5, February 1994
Bouley, Nathalie, Les parcours d'illusions..., in: le Bien Public, February 1994
James, Mark, Freeze, BBC1, Omnibus, February 22, 1994
Weil, Benjamin, Backstage, in: Flash Art, Milan, January/February 1994
--,Liam Gillick/Ken Lum, , in: Flash Art, Milan, January/February 1994
1993
Troncy, Eric (ed.), Ideal Place, Nevers, 1993
Kunstverein in Hamburg (ed.), Backstage, Hamburg, 1993 (exh. cat.)
Hempel, Lothar, Schipper, Esther (ed.), Love is no Four Letter Word, Cologne, 1993
Glasgow International Photography Festival (ed.), Fotofeis, Glasgow, 1993 (exh. cat.)
Hochschule für Angewandte Kunst (ed.), Travelogue, Vienna, 1993 (exh.cat.)
Collings, Mat, Art Break, in: The Oserver, London, October 17, 1993
Odling-Smee, James, Wonderful Life, in: Art Monthly, London, October 1993
McKenzie, Ray, Views from the Edge, Scootish Photography Bulletin, October 1993
Lillington, David, True Brit, in: Time Out, London, July 28, 1993
Bourriaud, Nicolas, Modelized Politics, in: Flash Art, Milan, Summer 1993
Troncy, Eric, Wall Drawings & Murals, in: Flash Art, Milan, May 1993
Castle, Frederick, Ted, Occurances-NY, in: Art Monthly, London, February 1993
Interview with Liam Gillick, in: Flash Art, Milan, January 1993
Schenk-Sorge, Jutta, Zwölf junge Britische Künstler, in: Kunstforum International, Ruppichteroth, vol. 120, January 1993
Lillington, David, ON, in: Time Out, London, January 13, 1993
Amedeo, Martegani, Liam Gillick, in: Flash Art, Milan, January 1993
1992
Interim Art (ed.), ON, London, 1992 (exh. cat.)
Georg Craw & Lothar Hempel (ed.), 240 Minuten, Cologne, 1992 (exh. cat.)
Barbara Gladstone (ed.), 12 British Artists, New York, 1992 (exh. cat.)
Musée d'art moderne, Le Havre (ed.), Etats Specifiques, Le Havre, 1992 (exh. cat.)
Schjedahl, Peter, Twelve British Artists, in: Frieze, issue 7, November/December 1992
Bonami, Francesco, Twelve British Artists, in: Flash Art, Milan, November 1992
Pinto, Robert, Molteplici Culture, in: Flash Art, Milan, October 1992
Thomson, Mark, Etats Specifique, in: Art Monthly, London, July/August, 1992
Lebovici, Elizabeth, L'art piège a l'anglaise, in: Liberation, July 7, 1992
Verzotti Giorgio, News from Nowhere, in: Artforum, New York, July/August 1992
Troncy, Eric, London Calling, in: Flash Art, Milan, July/August 1992
di Pietrantonio, Giacinto, Bond & Gillick. Gio' Marconi, in: Flash Art, Milan, April, 1992
Maureen Paley interviewed by David Brittain, in: Creative Camera, London, January/February, 1992
di Pietrantonio, Giacinto, Bond & Gillick. Studio Marconi, in: Flash Art, Milan, February/March, 1992
1991
Galerie Esther Schipper (ed.), Gazette, Cologne, 1991 (exh. cat.)
Villa Arson (ed.), No Man's Time, Nice, 1991 (exh. cat.)
Technique Anglaise, London: Thames & Hudson, 1991 (exh.cat.)
Documents, London/Nevers: One-Off Press/A.P.A.C., 1991 (exh. cat.)
Archer, Michael, Technique Anglaise, Artforum New York, December 1991
Rubinstein, Meyer Raphael, Technique Anglaise, Arts, November 1991
Troncy, Eric, No Man's Time, Artforum, New York, November 1991
Wilson, Andrew, Technique Anglaise, The Art Newspaper, London, November 1991
Archer, Michael, Audio Arts Issues and Debates I, Audio Arts, ? 1991
Verzotti, Giorgio, No Man's Time, Artforum, New York, November 1991
Jouannais, Jean, Yves, Villa Arson, Art Press, Paris, vol. 162, October 1991
--,Frontlines: No Man's Time, in: Artscribe, London, September 1991
Hilton, Tim, Composition with old hat, in: The Guardian, London, August 14, 1991
Christov-Bakargiev, Carolyn, Someone Everywhere, in: Flash Art, Milan, Summer 1991
Myerson, Clifford, in: Documents & Details [correspondence], in: Art Monthly, London, April 1991
Archer, Michael, Documents: Karsten Schubert Ltd, in: Artforum, New York, March 1991
Jeffrey, Ian, Bond & Gillick, in: Art Monthly, London, March 1991, p.144
Jennings, Rose, Documents: Karsten Schubert Ltd, in: City Limits, February 7-14, 1991
Own Publications
2004
What is the object? In: Frieze, April 2000, pp.64.
Untitled Statement, The Next Documenta Should be Curated by an Artist, ed. Jens Hoffmann, Frankfurt am Main, 2004, pp. 38–39
2002
Literally No Place. Communes, Bars and Greenrooms, London: Book Works 2002
2000
The book of the 3rd of June, Kitakyushu: Center for Contemporary Art, 2000
Achtung, diese Stadt wird normal. Berlin funktioniert ganz anders als Crichton, in: Frankfurter Allgemeine Zeitung, Berliner Seiten, Frankfurt, March 27, 2000
Five or six, New York: Lukas & Sternberg, 2000
1999
Kunsthaus [Calender: August 1999 - July 2000], Glarus: Kunsthaus, 1999
Dreams, Project, Venice Biennal, 1999
Dinner at Frank's, in: Art/Text, July 1999
La retour de la vache qui rit, 'Les ataliers du paradise', in: Art/Text, April 1999
Should the future help the past?, in: Afterall, ? 1999
Twenty-five years. The rematerialisation of the art world. Review of Lucy Lippard's 'Six Years', in: Art Monthly, February 1999
The Meeting of the 2nd of February, in: Art/Text, January 1999
1998
Schmidt-Wulffen, Stephan (ed.), McNamara Papers / Erasmus and Ikuba Realasiations / The What If ? Scenarios [texts and design by Liam Gillick; epilogue by Stephan Schmitd-Wulffen], Hamburg: Kunstverein in Hamburg, 1997 (exh. cat./german version of the 1997 Le Consortium catalogue)
Put your foot down. Sylvie Fleury's passionate distance [catalogue essay], Dijon: Le Consortium, 1998
What kind of snow is that lamp made of? Richard Deacon taking illogical ideas to their logical conclusion [catalogue essay], Liverpool: Tate Gallery, 1998
Lothar Hempel's Rigged Rooms [catalogue essay], Amsterdam: Bureau Steldijk, 1998
A Meta-Dialogue via e-mail [catalogue essay], London: Goldsmith College, 1998
Prevision [catalogue essay], Paris: ARC, Musée d'Art Moderne de la ville de Paris, 1998
Fifty Feet, Twenty Five Feet, Fifteen Feet, in: Art/Text, October 1998
So there at least two kinds of lobby, in: Art/Text, July 1998
Circumstantial Evidence (Asleep in the dark, at night, with the lights off), in: Paradex, no. 0, June 1998, p. 13
1997
Big Conference Centre/Das Grosse Konferenzzentrum, Ludwigsburg: Kunstverein/Derry: Orchard Gallery, 1997
Troncy, Eric (ed.), McNamara Papers / Erasmus and Ikuba Realasiations / The What If ? Senarios [texts and design by Liam Gillick], Dijon: Le Consortium, 1997 (exh. cat./english, and french version)
Taking a bubble to the mountain. Padraig Timoney [catalogue essay], Derry: Orchard Gallery, 1997 (exh. cat.)
Between the park and the house is a road. Andreas Schultze's hospitality [catalogue essay], Ludwigsburg: Kunstverein Ludwigsburg, 1997 (exh. cat.)
Leave now before it's too late. Ross Sinclair's internationalism [catalogue essay], Glasgow: CCA, 1997
(with Douglas Gordon), Sailing alone around the world, in: Parkett, Zurich, New York, Frankfurt, no. 49, 1997
Coming to terms with the terms, Echoes, in: Art Monthly, ? 1997
1996
L.Y.S.E.N.K.O. Carsten Höller [catalogue essay], Cologne: Oktagon, 1996 (exh. cat.)
Showroom Gallery (ed.), Cinema is a new architecture: Elizabeth Wright [catalogue essay], 1996 (exh. cat.)
From a symposium: March 25th 2000 flashing back to 1887, Project, 1996
Tripart , Project for Paletten, 1996
Future intense. A story towards the work of Sarah Morris [interview], in: Documents, Paris, ? 1996
The Imperfect Crime part One, Liam Gillick on becoming Giorgio Sadotti with notes by Giorgio Sadotti made by Giorgio Sadotti while not being himself, in: Documents, Paris, ? 1996
A viable place: der Umbau Raum, in: Art & Design, ? 1996
The corruption of time (looking back at future art), in: Flash Art, Milan, May/June 1996
What the Butler saw, in: Tate Magazine, London, ? 1996
Fascinating: Dennis Hopper provides ace colour, in: Art Monthly, March 1996
Like turning a chair into a switch [interview with Angela Bulloch], in: Documents, Paris, ?
1996
Felix Conzales-Torres, Obituary, in: Art Monthly, London, March 1996
1995
Ibuka!. A Musical in Three Acts Based On The Book 'Erasmus Is Late', Stuttgart: Künstlerhaus, 1995
Erasmus is late, London: Book Works, 1995
Cycle, Edgar and Erasmus [english and french version], in: Surface de Réparations, Dijon: Frac de Bourgogne, 1995, pp. 66-67, ill. (exh. cat.)
Project for Art & Text, Sydney, 1995
Guide yourself through the gallery. John Baldessari, in: Gallery Guide, London: Serpentine Gallery, 1995
Philippe Parreno [catalogue essay], Dijon: Le Consortium, 1995 (exh. cat.)
Important Postmen [catalogue essay], in: Möbius Strip, January 1995
The Moderator goes on holiday, in: Purple Prose, December 1995
--[interview], in: Neu Bildende Kunst, Berlin, November 1995
Best dressed chicken in town, The Rock Video Gallery, in: Blueprint, October 1995
I will not make any more boring art [interview with John Baldessari], in: Art Monthly, London, October 1995
(with Henry Bond), --, in: Symposium on Photography XV, October 1995
(with Angela Bulloch), We are Medi(eval), Frankfurt: Portikus, 1995
The Art of Context, in: Art Monthly, London, October 1995
The Late Show, in: Art Monthly, London, September 1995
(with Rirkrit Tiravanija), Forget about the ball and get on with the game, in: Parkett, Zurich, New York, Frankfurt, no. 44, Summer 1995
Grim, (project with Douglas Gordon), Parkett, Summer 1995
Künstlerportraits, in: Neue Bildende Kunst, Berlin, June-August 1995
When are you leaving, in: Art & Design, Spring 1995
Miss Me: Michael Joo, in: Art Monthly, London, April 1995
There is no zero, in: Blueprint, March 1995
The Institute of Cultural Anxiety, in: Blueprint, February 1995
1994
Like Sure, Or Not, project for Palleten, Stockholm, 1994
McNamara, project for New Observations, New York, 1994
Liam Gets a Serial Killer Annoyed, project for Art & Text, Sydney, 1994
McNamara, project for Nummer, Cologne, 1994
Erasmus is late, On-Line, 1994 (exh. cat.)
CCA, From Coatbridge to Piacenza [catalogue essay], Glasgow 1994 (exh. cat.)
Air de Paris/Axel Huber, Grand Prix, Nice, 1994 (exh. cat.)
Archives and Atlases, in: Meta 3, December 1994
Lifestyles of the Rich and the Dead, in: Documents, Paris, Autumn 1994
Some went mad..., in: Neue Bildende Kunst, Berlin, October/November 1994
Wish You Were Here, in: Art Monthly, London, October 1994
The game show fights back, in: Blueprint, September 1994
Audio Arts, Discourse and...book, in: Academy Editions, September 1994
Wall to Wall, in: Audio Arts Special Issue, vol. 14, no.2, 1994
Context Kunstlers, in: Art Monthly, London, March 1994
Paul Mittleman, in: Documents, Paris, February 1994
Barbara Kruger, in: Art Monthly, London, February 1994
Global Art, Ken Lum, in: Flash Art, Milan, January/February 1994
1993
Langlands & Bell [catalogue essay], Oslo: Museet for Samtidskunst, 1993
WSCAD, Ericson & Zeigler, March 1993 (exh. cat.)
Julian Opie, in: Art Monthly, London, December/January 1993/1994
A guide to video conferencing systems and the role of the building worker in relation to the contemporary art exhibition ('Backstage'), in: Documents, Paris, no.4, October 1993
Keith Moon was my father. Jeremy Deller, in: Documents, Paris, June 1993
History Article, in: Documents, Paris, June 1993
Curating for pleasure and profit, in: Art Monthly, London, June 1993
Barclays Young Artists Award, in: Art Monthly, London, March 1993
Laura Ruggeri, in: Documents, Paris, February 1993
1992
Gillick, Liam (ed.), Instructions, Milan: Gio'Marconi, 1992
Trading Images, in: Exhibit A, London: Serpentine Gallery, 1992 (exh. cat.)
Listes et divers definis..., in: Art & Culture, November 1992
New York Story, in: Documents, Paris, October 1992
Marylene Negro and the corruption of data, in: Blocnotes, August 1992
(with Henry Bond), Press Kitsch, in: Flash Art, Milan, no.165, July/August 1992
Mike Kelley, in: Art Monthly, London, July/August 1992
Bethan Huws/Making work and turning your back on it, in: Parkett, Zurich, New York, Frankfurt, Summer 1992
The bible, the complete works of Shakespeare..., in: Meta 2, April 1992
Double Take, in: Art Monthly, London, March 1992
Ridiculous Jimmy Stewart films [interview], in: Documents, Paris, March 1992
Reasons to like the work of Karen Kilimnik, in: Documents, Paris, March 1992
Windfall, in: Artscribe, London, January 1992
1991
APAC (ed.), Un centrimetre égal un metre, in: Xavier Veilhan, Nevers, 1991
CNAC (ed.), Conversation with Xavier Veilhan/Conversation with Eric Troncy, in: No Man's Time, Nice, 1991 (exh. cat.)
Building One, Gambler, 1991 (exh. cat.)
Red, yellow, blue, black, white and grey [book review of De Stijl]], in: Art Monthly, London, December 1991
Pistoletto, in: Art Monthly, London, September 1991
Simon Linke: A funny thing happened on the way to Artforum, in: Artscribe, London, Summer 1991
Langlands & Bell, in: Artscribe, London, Summer 1991
Akira: Nothing changes nothing stays the same, in: Artscribe, London, Summer 1991
James Coleman, in: Artscribe, London, June 1991
The Placebo Effect, in: Arts Magazine, New York, May 1991
Lawrence Weiner, in: Art Monthly, London, March 1991
Lucia Nogueira, in: Artscribe, London, March 1991
1990
Ghost: Gallery Guide, Chisendale Gallery, 1990
Vincent Shine, in: Art Monthly, London, December/January 1990/1991
Conversation with Damien Hirst, in: Artscribe, London, November/December 1990
Seven Obsessions, in: Flash Art, Milan, November/December 1990
Kay Rosen, in: Artscribe, London, October 1990
A new necessity/ Edge'90, in: Artscribe, London, September/October 1990
Les Ateliers du Paradise, in: Artscribe, London, March/April 1990
Paris-France, in: Art Monthly, London, September 1990
Allan McCollum, in: Artscribe, London, Summer 1990
Page 2, in: Art Monthly, London, July/August 1990
Ian Davenport, in: Artscribe, London, March/April 1990
Lucia Nogueira, in: Artscribe, London, March 1990
1989
Michael Graig Martin, in: Art Monthly, London, December/January 1989/1990
Robert Mangold/Bruce Nauman, in: Artscribe, London, November/December 1989
Richard Wentworth, in: New Art International, October 1989
Bethan Huws, in: Art Monthly, London, October 1989
At Face Value, in: Artscribe, London, Summer 1989
Gary Hume, in: New Art International, June 1989
Caroline Rusell, in: Art Monthly, London, May 1989
Show & Tell, in: Art Monthly, London, February 1989
1988
Greenville Davey/Gary Hume/Michael Landy, in: New Art International, October 1988
A week of British Art, in: Art Monthly, London, July/August 1988
Günter Förg, in: New Art International, May 1988
ARCO [interviews, article], in: New Art International, January 1988