1964 born in Aylesbury, Great Britain
1983–1984 Hertfordshire Colllege of Art
1984–1987 Goldsmiths College, University of London, B.A. (Hons.)
Lives and works in London and New York
2010
Kunst- und Ausstellungshalle, Bonn
2009
Museum of Contemporary Art, 'Three Perspectives And A Short Scenario', Chicago
German Pavilion, 53. Biennale di Venezia, Venice
2008
Casey Kaplan, 'The State Itself Becomes A Super Whatnot', New York
Kunstverein München, 'Three Perspectives And A Short Scenario', Munich
Air de Paris, Fractinonal Factories In The Snow, Paris
Kunsthalle Zürich, 'Three Perspectives And A Short Scenario', Zürich
Witte de With, 'Three Perspectives And A Short Scenario', Rotterdam
2007
Galerie Micheline Szwajcer, ‘The State / Commune Itself as a Super State / Commune’, Antwerp
Corvi-Mora, 'The Commune Itself Becomes a Super State', London
The Lab at Belmar, 'Weekend in So Show', Lakewood/CO
Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations Plaza, Berlin
Galerie Micheline Szwajcer, The State / Commune Itself as a Super State / Commune, Antwerp
2006
Galerie Esther Schipper, 'The State Itself Becomes a Super Commune', Berlin
The Kerlin Gallery, Dublin
Cubitt Artists, ’We Are Medi(eval)’ (withAngela Bulloch), London
Tate Britain, 'Construction de Uno: Tate Triennial: Live Events, London
Kunsthalle Zürich, ’Briannnnn & Ferryyyyy’ (with Philippe Parreno), Zurich
2005
ICA London, ’Edgar Schmitz’, London
Vamiali’s, ’Briannnnn & Ferryyyyy’ (with Philippe Parreno), Athens
La Casa Encendida, ’Texte court sur la possibilité de créer une économie de l’équivalence’, Madrid
Casey Kaplan Gallery, ’As you approach the edge of town the lights are no softer than they were in the centre’, New York
Galerie Meyer Kainer, ’Fabriken im Schnee...’, Vienna
Corvi-Mora, ’Presentism’ London
Palais de Tokyo, ’Texte court sur la possibilité de créer une économie de l'équivalence’, Paris
Galerie Eva Presenhuber, `Two hundred and twenty second floor’, Zürich
CAC Centro de Arte Contemporaneo Malaga, ’McNamara Motel’, Malaga
Milwaukee Art Museum, ’Övningskörnig’, Milwaukee
Baltimore Museum of Art, ’Another 2004 Again’, Baltimore
2004
Fortes Vilaca, `Drunkenmaster`, Sao Paulo
Konsthalle Lund, ’Law and Creativity’, Sweden
Javier Lopez, `Construccion de Uno`, Madrid
Air de Paris, `A Group of people`, Paris
Galerie Micheline Szwajcer, ’Underground (Fragments of Future Histories)’, Antwerp
Aspen Art Museum, ’nineteenfortysixxisytrofneetenin’, Aspen, Colorado
2003
Galerie Schipper und Krome, ’Hills And Trays And ...’, Berlin
Galerie Max Hetzler, ’...Punctuated Everydays’, Berlin
Power Plant, ’Communes, Bars and Greenrooms’, Toronto
Kurimanzutto, ’Por Favor Gracias de Nada’ (with Gabriel Kuri), Mexico City
Casey Kaplan, ’Exterior Days’, New York
Museum of Modern Art, ’Projects 79, Literally’, Queens, New York
Corvi Mora, ’A Film, A Clip and a Documentary’ (with Sean Dack), London
2002
Galerie Rüdiger Schöttle, ’Liam Gillick’, München
Whitechapel Art Gallery, 'The Wood Way', London
Galerie Meyer Kainer, ’Light Technique’, Vienna
2001
Corvi-Mora, `Liam Gillick`, London
Salzburger Kunstverein, `Dedallic Convention`, Salzburg
Museum für Angewandte Kunst, MAK, `Deadallic Convention`, Vienna
Tate Britain, ’Annlee You Proposes’, London
Galeria Javier Lopez, `Liam Gillick`, Madrid
Galerie Hauser & Wirth & Presenhuber, 'firststepcousinbarprize', Zurich
2000
Casey Caplan, `Liam Gillick`, New York
Arnolfini, 'Renovation Filter: Recent Past and Near Future', Bristol
Air de Paris, 'Literally No Place', Paris
CCA Kitakyushu Project Gallery, 'Woody', Kitakyushu, Japan
Fig. 1, 'Schmerz in einem Gebäude', London
Westfälischer Kunstverein, 'Consultation Filter', Münster
Galerie Schipper & Krome, 'Liam Gilllick', Berlin
Galleri Charlotte Lund, 'Liam Gillick', Stockholm
Hayward Gallery, `Applied Complex Screen`, London
1999
Frankfurter Kunstverein, 'David', Frankfurt am Main
Galerie Rüdiger Schöttle, `Liam Gillick`, Munich
Kunsthaus Glarus, `Liam Gillick`, Glarus
1998
c/o Atle Gerhardsen, `Liam Gillick`, Oslo
Schipper & Krome, 'When do we need more tractors?', Berlin
Villa Arson, 'Révision: Liam Gillick', Nice
Robert Prime, `Liam Gillick`, London
Orchard Gallery, 'Big Conference Center', Derry
British Council, 'When Purity was Paramount', Prague
Air de Paris, 'Up on the twenty-second floor', Paris
Kunstverein in Hamburg, `Liam Gillick`, Hamburg
Le Magasin, ‘The Trial of Pol Pot (with Philippe Parreno)‘, Grenoble
1997
Galleria Emil Fontana, 'Reclutamento!', Milan
Le Consortium, 'McNamara Papers, Erasmus and Ikuba! Realisations, The What if? Scenarios', Dijon
Transmission Gallery, 'Another Shop in Tottenham Court Road', Glasgow
Forde Espace d'art contemporain, L'usine, 'A House in Long Island', Geneva
Kunstverein Ludwigsburg, 'Discussion Island – A What If? Scenario Report', Ludwigsburg
Basilico Fine Arts, 'Discussion Island', New York
1996
Robert Prime, 'The What if? Scenario', London
Raum Aktueller Kunst, `Liam Gillick`, Vienna
Schipper & Krome, 'Erasmus is Late' versus 'The What If? Scenario', Berlin
Schipper & Krome, ‘Documents’ (with Henry Bond), Cologne
1995
Basilico Fine Arts, 'Part Three', New York
Galleria Emi Fontana, 'Ikuba!', Milan
Künstlerhaus, 'Ikuba! (Part 2)', Stuttgart
Kunstverein ElsterPark, ‘Documents’ (with Henry Bond), Leipzig
Air de Paris, 'Ikuba! (Part 1)', Paris
1994
Interim Art, `Liam Gillick`, London
Schipper & Krome, 'McNamara', Cologne
Ars Futura, ‘Documents’ (with Henry Bond), Zurich
1993
CCA, ‘Documents’ (with Henry Bond), Glasgow
Air de Paris, ‘An Old Song and a New Drink’ (with Angela Bulloch), Paris
1992
Air de Paris, 'McNamara, Hog Bikes and GRSSPR', Paris
1991
Karsten Schubert Ltd, ‘Documents’ (with Henry Bond), London
A.P.A.C., ‘Documents’ (with Henry Bond), Nevers
Gio’Marconi, ‘Documents’ (with Henry Bond), Milan
1989
Karsten Schubert Ltd, '84 Diagrams‘, London
2009
Galerie Patrick Seguin invites Galerie Eva Presenhuber, ‚We Are Sun-kissed and Snow-blind’, Paris
Hard Hat at Francesca Pia Galerie, Zürich
NRW–Forum, ’ufo’, Düsseldorf
MUCA, A Factory, A Machine, A Body..., Mexico City
Kunstverein Hannover, Oppositions & Dialogues, Hannover
De Appel, Take the Money and Run, Amsterdam
Yvon Lambert, Espèces d´Espaces, New York
CGAC, THE HUMAN STAIN, Santiago de Compostela
2008
Haus der Kunst, Made in Munich, Munich
Guggenheim Museum, theanyspacewhatever, New York
KUNST RAUM NOE, La Petite Histoire, Vienna
Kunstmuseum Luzern, 'Blasted Allegories. Werke aus der Sammlung Ringier', Luzern
Tulips & Roses, 'THE STORE', Vilnius
Eastside Projects, This is the Gallery ..., Birmingham
Daimler Contemporary, Private / Corporate V, Berlin
MAN Nuoro, Mondo e Terra: La collezione del FRAC Corsica, Nuoro
Biennale of Sydney 2008, Sydney
Art Centre Silkeborg Bad, Call it what you like!, Silkeborg
NEW JERSEYY, Team 404 & John Armleder: Clinch/Cross/Cut, Basel
Lenbachhaus, RHYTHMUS 21 - Positionen des Abstrakten, Munich
Museum van Hedendaagse Kunst, FANTASY, Antwerp
Sadie Coles HQ, TYPED, London
Galerie für Zeitgenössische Kunst, KW - Hommage à Klaus Werner, Leipzig
FORDE, IMAGES, Geneva
Domus Artium 2002, Mixed Emotions, Salamanca
2007
House Eva Presenhuber, 'Jubilee Exhibition', Vnà, Switzerland
ROKEBY, FUSION NOW! MORE LIGHT, MORE POWER, MORE PEOPLE, London
Musée d´art contemporain, If Everybody had an Ocean, Bordeaux
Lentos Kunstmuseum, Projektion, Linz
Yvon Lambert, Art Protects, Paris
Kunstraum Innsbruck, FRANZ WEST: SOUFFLÉ, Innsbruck
Lenbachhaus, PERSPEKTIVE 07, München
Manchester International Festival/ Opera House, 'Il Tempo del Postino', Manchester
PPOW, All you desire New York
Venetia Kapernekas Gallery, Other Men's Flowers New York
Tate St Ives, If Everybody Had an Ocean, St. Ives
Kunho Museum of Art, Artsonje Center, 'Tomorrow', Seoul
Friedrich Petzel Gallery, 'Door Cycle', New York
Centre Pompidou, 'Air de Paris', Paris
ICA, Memorial to the Iraq War, London
Fundacion Juan March, Before and After Minimalism, Palma de Mallorca
The Solomon R. Guggenheim Museum, 'The Shapes of Space', New York
HangarBicocca, 'Collateral: When Art Looks at Cinema', Milan
Musée des Beaux Arts et Archéologie, 'Hommage à Charles Fourier', Besançcon
Sean Kelly, 'Pure', New York
LCCA, Trajectory 4, Riga
European Kunsthalle, 'Modelle für Morgen: Köln, Cologne (and other stations)
Magnus Müller, 'The Re-distribution of the Sensible (cur. by Warren Neidich)', Berlin
Galerie für Zeitgenössische Kunst, Deutsche Geschichten, Leipzig Hangar Bicocca, COLLATERAL, Mailand
Brno House of Art, Active Constellation, Brno
2006
Irish Museum of Modern Art, all hawaii eNtrees, Dublin
Kunstmuseum Luzern, ’Projektion’, Luzern
Hebbel am Ufer, KLINIK - EINE PATHOLOGIE DER GESTEN, Berlin
United Nations Plaza, Histories of Productive Failures, Berlin
Museum of Modern Art, Eye on Europe, New York
ZKM, FASTER! BIGGER! BETTER!, Karlsruhe
Van Abbemuseum, ACADEMY. Learning from the Museum, Eindhoven
’Manifesta 6’, Cyprus
Haus Konstruktiv, ’Ordnung und Verführung', Zurich
Kunstmuseum Luzern, ’Projekt Projektion’, Luzern
Kunsthalle St. Gallen, MODUS, St. Gallen
Kunstbau, Lenbachhaus, ’Bühne des Lebens’, München
Tate Britain, 'Construction de Uno: Tate Triennial: Live Events', London
DaimlerChrysler Contemporary, ’Minimalism and After IV: Neuerwerbungen’, Berlin
Sprüth Magers, Thank You For The Music, London
Simon Lee, THANK YOU FOR THE MUSIC, London
Shedhalle, SPRUNG INS KALTE WASSER Zurich
Cheekwood Museum of Art, ’100 Artists See God’, cur. by John Baldessari & Meg
Cranston, Cheekwood
EUROPEAN KUNSTHALLE, UNDER CONSTRUCTION, Köln
Galerie Sabine Knust, Broken Surface, München
Kunstverein Graz, Eine Person allein in einem Raum..., Graz
Galerie Edward Mitterrand, Slow Burn ,Genf
Le Magasin, Cinemas, Grenoble
Sculpture Center, Grey Flags, Long Island
Cubitt Gallery, 'We are Medi(eval). Liam Gillick and Angela Bulloch', London
Kunsthalle Zürich, ’Briannnnnn & Ferryyyyyy’, Zurich
ICA, Kiosk, London
Contemporary Art Center, Supernova, Vilnius
Sprüth Magers, Thank You For The Music, Munich
2005
vamiali’s, ’Briannnnnn & Ferryyyyyy’, Athens
Fondazione Sandretto Re Rebaudengo, ’Bidibidobidiboo’, Torino
Büro Friedrich, ’Reception’, Berlin
’En Route: Via Another Route’, An Exhibition On Board the Trans-Siberian
Train, Moscow to Beijing
Wallstreet One Gallery, ’Passion Beyond Reason’, Berlin
Gopius-Bau, ’Rundlederwelten’, Berlin
K21, ’Ambiance’, Düsseldorf
Albright-Knox Art Gallery, ‘Extreme Abstraction’, Buffalo
Galerie Ghislaine Hussenot, ’Cohabitats’, Paris
Casey Kaplan Gallery, ’Goodbye 14th Street’, New York
ICA & Midway Contemporary Art, ’Post Notes’, London/Minneapolis
Air de Paris, Paris
Museum Kurhaus, ’EN/OF 001-030’, Kleve
Kunstverein München, ’Icestorm’, München
Bregenzer Kunstverein 4, ’Go-Between’, Bregenz
Lisson Gallery, ’I Really Should’, London
MUMOK, ’Nach Rokytnik. Die Sammlung der EVN’, Vienna
ZKM, ’Exit – Ausstieg aus dem Bild’, Karlsruhe
Sean Kelly and R 20th Century, ’The furniture of Poul Kjaerholm and selected
artwork’, New York
Kevin Bruk, ’Good Titles for Bad Books’, Miami
Galerie Erna Hecey, ’The Strange, Familiar and Unforgotten’, Brussels
Cinema Svetozor, ’Anna Sanders Films’, Prague
Bunkier Sztuki, ’Supernova’, Krakow
The Project, ’La La Land’, Dublin
Midway Contemporary Art, ’Post Notes’, Minneapolis
Contemporary Art Center of Virginia, ’100 Artists See God’, cur. by John
Baldessari & Meg Cranston, Virginia Beach
Albright College Freedman Art Gallery, ’100 Artists See God’, cur. by John
Baldessari & Meg Cranston, Reading, PA
CCA Wattis, ’General Ideas: Rethinking conceptual art 1987–2005’, San Francisco
Yvon Lambert, ’Snow Black’, New York
2004
Lunds Konsthall, ’Law & Creativity’, Lund, Sweden
Magasin, Centre National d’Art Contemporain, Grenoble
platform art, London Underground, London
CAV Centro De Artes Visuais, ’ON SIDE’, (with Henry Bond, cur. by Albano Silva Pereira, Miguel Armado), Coimbra, Portugal
Galeria Fortes Vilaca, ’Drunkenmasters’, Sao Paulo
Ursula Blickle Stiftung; Frankfurter Kunstverein, ’Emotion Eins’, Kraichtal and Frankfurt am Main
ICA Institute of Contemporary Arts, ’Artist’ Favorites. Act I + II’, London
MOT Unit 54, ’Russian Doll’, London
Le Consortium, ’Before the end’, Dijon
Galerie Mehdi Chouakri, ’Specific Objects’, Berlin
Guggenheim Museum, ’Singular Forms (Sometimes Repeated): Art from 1915 to the Present’, New York
Museum Dhondt-Dhaenens, ’Frac Nord-Pas de Calais et le MDD, ’Across The Border’, Deurle, Belgium Haus der Kunst München, ’Utopia Station’, Munich
ICA Institute of Contemporary Arts, ’100 Artists See God’, London
2003
Collection Lambert en Avignon, ‘Cool Luster‘, Avignon
Castello di Rivoli Museo d’Arte Contemporanea ‘I Moderni/The Moderns‘, Turin
C/O Atle Gerhardsen, ’Perfect Timeless Repetition’, Berlin
Van Abbemuseum, ’No Ghost Just a Shell’, Eindhoven
Galerie Georg Kargl, ’Re-Produktion 2’, Vienna
Galerie Edward Mitterand, ’JRP Editions’, Geneva
Kunstwerk, ’Animations’, Berlin
Galerie Hauser & Wirth & Presenhuber, ’Breathing the Water’, Zurich
New Art Centre, ’This was tomorrow’, Salisbury
Galeria Javier Lopez, ’JRP Editions’, Madrid
50th Venice Biennale, ’Utopia Station`, Venice
Galleria Emi Fontana, ’Imperfect Marriages’, Milano
25th International Graphic Biennial, Ljubliana
7 e Biennale de Lyon, ’C’est arrivé demain’, Lyon
Künstlerhaus Wien, ’Abstraction Now’, Vienna
Institute of Visual Culture, ’Family Likenesses’, Cambridge
Maryland Institute College of Art, ’Everything Can Be Different’, Baltimore
Frankfurter Kunstverein, ’Adorno. Die Möglichkeit des Unmöglichen’, Frankfurt am Main
Corvy-Mora, ’A film, a clip, a documentary’, London
Yorkshire Sculpture Park, ’Bad Behaviour: Works from the Arts Council Collection`, Yorkshire
Friedrich Petzel, ’3D’, New York
Dundee Contemporary Arts, ’ill communication’, Dundee
Monika Sprüth – Philomene Magers, ’20th Anniversary Show’, Cologne
2002
ARC Musée d’Art Moderne de la Ville da Paris, ’Urgent Painting’, Paris
Astrup Fearnley Museum, ’Passenger: The Viewer as Participant’, Oslo
Mead Gallery, ’Nothing’, Warwick
National Museum of Contemporary Art, ’Minimal Maximal’, Seoul
Museo de Arte Camillo Gil, ’Do it’, San Angel
Galerie chez Valentin, ’J’en ai pris des coups mais j’en ai donnés aussi’, Paris
Deichtorhallen, ’Art & Economy’, Hamburg
Monika Sprüth Philomene Magers, ’Reflexions’, Munich
University of Memphis, ’Everything can be different’, Tennesee
CCA Kitakyushu, Rice Gallery, ’Void’, Tokyo
K21, ’Startkapital’, Dusseldorf
Gertrude Contemporary Art Spaces, ’Parallel Structures’, Fitzroy, Victoria
Printed Space, ’Private Views’, London
Neon Gallery, ’The Ink Jetty’, London
Cabinet Gallery, ’Inframince’, London
Ursula Blickle Stiftung, ’Dark Spring’, Kraichtal
Cbb.chouakri brahms, ’Flash two: JRP Editions’, Berlin
Galerie für zeitgenössische Kunst, ’Häuser für Leipzig. KüstlerInnen als ArchitektInnen’, Leipzig
Fondation Mamco, ’Liam Gillick, Ann Lee Proposes’, Geneva
Zachetal, Warsaw & City Gallery, Katovice, ’Happy Outsiders from Scotland and London’, Warsaw & Katovice
Henry Moore Institute, ’The Object Sculpture’, Leeds
CAN Centre d’Art Neuchâtel, ’Sans Consentement’, Neuchâtel
Lenbachhaus, ’The Movement Began with a Scandal’, Munich
RAK, ’JRP Editions’, Vienna
Moderna Museet, ’Collected Contemporaries’, Stockholm
Casey Kaplan Gallery, ’Summer Cinema’, New York
London Print Studio, ’Multiples X’, London
Kunsthalle Zürich, ’No Ghost Just a Shell’, Zurich
FRAC Provence-Alpes-Côte d’Azur, ’Société Perpenidculaire: La Tapisserie’
ZKM, ’Collections’, Karlsruhe
Wolverhampton Art Gallery, ’Strike’, Wolverhampton
Magnani, ’The Unique Phenomena of a Distance’, London
Royal Academy of Arts, ’The Galleries Show: Contemporary Art in London’, London
San Francisco Art Institute, ’Touch: Relational Art from the 1990’s to now’, San Francisco
Tate Gallery, ’Turner Prize’, London
La Coleccion Jumex, ’This Paly 31’, Mexico
MAMCO, ’L’Image Habitable (The Living Image)’, Geneva
Museum de Paviljoens, ’It’s Unfair’, Almere
Institute of Visual Culture, ’No Ghost Just a Shell’, Cambridge
2001
Tate Modern, ’Century City’, London
Apex Art, ’Demonstration Room: Ideal House’, New York
Collection Michel Poitevin, Fondation Guerlain, ’Histoire de Coeur’, Les Mesnuls
Rooseum, ’There’s gonna be some trouble, a whole house will need rebuilding’, Malmö
FRAC Nord-Pas de Calais, ’Stop and Go’, Dunkerque
Orchard Gallery, ’Future Perfect’, Derry
City Museum of Art, Chiba & National Museum of Art, Kyoto, ’Minimal-Maximal’, Chiba & Kyoto
Northern Gallery for Contemporary Art, Sunderland & Contemporary Art Centre, Vilnius, ’Nothing’, Sunderland & Vilnius
2nd Berlin Biennale, Berlin
Latvian Centre for Contemporary Art, ’Contemporary Utopia’, Riga
Museum of Modern Art, ’Collaborations with Parkett: 1984 to now’, New York
Grassy Knoll Productions, various sites, ’International Language’, Belfast
Laboratorio per l’Arte Contemporanea, Fondazione Teseco, ’Strategies against Architecture II’, Pisa
Musée d’art contemporain, Lyon Biennale, Lyon
Casey Kaplan Gallery, ’The Wedding Show’, New York
Galeria Javier Lopez, ’A New Domestic Landscape’, Madrid
Thaddeus Ropac, ’Geometry and Gesture’, Salzburg
London Print Studio, ’A Timely Place, or, Getting Back to Somewhere’, London
MAK-Galerie, ’Dedalic Convention’, Vienna
Le spot, ’Stéphane Dafflon, Liam Gillick, Xavier Veilhan’, Le Havre
Anthony Wilkinson Gallery, ’The Communications Departement’, London
Meymac Centre d’art Contemporain, ’Ambiance Magasin’, Meymac
Whitechapel Gallery, ’Beautiful Productions: Parkett’, London
NICC, ’Demonstration Room: Ideal House’, Antwerp
Alphadelta Gallery, ’Open Plan P3 – The Marathon’, Athens
Jean Paul Slusser Gallery, University of Michigan School of Art, Ann Arbor & University of Memphis, Maryland Institute College of Art, Baltimore, ’Everything Can Be Different’, Ann Arbor & Baltimore
Raffinerie, ’Rumour City’, Brussels
Schneiderei, ’En/Of’, Cologne
Gallerie Massimo de Carlo, ’The End of All Things’, Milan
Büro Friedrich, ’Stadt unter dem Himmel/City under the Sky, Part 3’, Berlin
International Triennale of Contemporary Art, ’MEGA-WAVE-Towards a New Synthesis’, Yokohama
Laboratorio per l’Arte Contemporanea, Pisa & Rooseum, Malmö, ’Strategies against Architecture II’, Pisa and Malmö
Le Consortium, ’I love Dijon’, Dijon
Air de Paris, ’...if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine’, Paris
2000
29th International Film Festival, Rotterdam
CCA, ’Continuum 001’, Glasgow
Stadens Konstrads Galleri, ’Stortorget i Kalmar’, Kalmar
Media City, Seoul
Casey Kaplan Gallery, ’Group Show’, New York
RAK, ’Wider Bild Gegen Wart. Positionen zu einem politischen Diskurs’, Vienna
Feichtner & Mizrahi, ’14 + 1. Kunst aus den EU Ländern’, Vienna
Galeri Enkehuset, ’Decompressing History’, Stockholm
Galerie Admiralitätsstrasse, ’Viva Maria’, Hamburg
Touring Exhibition, ’British Art Show 5’, Edinburgh, Southampton, Cardiff, Birmingham
Palazzo della Promotrice delle Belle Arti, ’Dire Aids. Arte nell’epoca dell’Aids’, Torino
Stanley Picker Gallery, ’Working Title’, Kingston University
Moderna Museet, ’What If. Art on the Verge of Architecture and Design’, Stockholm
FriArt, Centre d’art contemporain, ’Etat des lieux #2. préfiguration du Museum of Contemporary Art, Tucson (AZ), Collection JRP’, Fribourg
The National Museum of Contemporary Art, ’Interplay’, Oslo
Paula Cooper Gallery, New York
Center for Visual Arts, ’Future Perfect’, Cardiff
FRAC Poitou-Charentes, ’Haute de Forme et Bas Fonds’, Angoulême
Fig 1, ’Vicinato 2’, London
- Galerie neugeriemschneider, ’Vicinato 2’, Berlin
Werkleitz Biennale, Tornitz
Nieuw Internationaal Kultureel Centrum, ’Wider Bild Gegen Wart. Positions to a Political Discourse’, Antwerp
Le Corbusier Chapel, ’Perfidy’, La Tourette
Whitechapel Gallery, ’ Protest and Survive’, London
The Museum of New Art, ’e-moma’, Detroit
Kunstverein in Hamburg, ’Aussendienst. Kunstprojekte im öffentlichen Räumen Hamburgs’, Hamburg
Roomade, ’Indiscipline’, Brussels
La Villa, ’Que saurions-nous construire d’autre? (What else could we build?)’, Noailles
Museo Alejandro Otero, ’Casa Ideal’, Caracas
Tate Britain, ’Intelligence’, London
Kettles Yard, ’Perfidy’, Cambridge
Institute of Visual Culture, ’How do you change an appartment that has been painted brown? Certainly not by painting it white’, Cambridge
Westfälischer Kunstverein, ’Ausstellung der Jahresgaben’, Münster
Corvi-Mora, London
Cornerhouse, ’Future Perfect’, Manchester
1999
Centre National d’Art Contemporain de Grenoble, ’Playtimes’, Grenoble
Casey Kaplan Gallery, ’Oldnewtown’, New York
Kunst-Werke, ’Konstruktionszeichnungen’, Berlin
Andrea Rosen Gallery, ’Continued Investigation of the Relevance of Abstraction’, New York
Hedrichsmühle, ’Nur Wasser lässt sich leichter schneiden’, Hamburg
Galerie Thaddeus Ropac, ’12 artists, 12 rooms’, Salzburg
Grazer Kunstverein, ’Air de Paris. Works by AND/OR informations about’, Graz
Turner and Runyon, ’Tang’, Dallas
Salon 3, ’Plug-ins’, London
Spacex Gallery, ’Etcetera’, Exeter
Provincial Museum voor Fotografie and different locations in the city, ’Laboratorium’, Antwerp
Büro Friedrich, ’Out of Sight – a cross-reference exhibition’, Berlin
Robert Prime, ’Essential Things’, London
University of Central England, ’In the Midst of Things’, Bourneville
Centre regional d’art contemporain, ’Le Capitale’, Sete
Villa Merkel, ’The Space Here is Everywhere’, Esslingen am Neckar
’Objecthood 0 0’, Athens
Centrum Beeldende Kunst, ’Tent’, Rotterdam
’Constructivism. Life into Art’, Brisbane
FAT, ’Shopping’, London
Liverpool Biennial, ’Fantasy Heckler’, Liverpool
Liverpool Biennial, ’Art Lovers’, Liverpool
MCA Chicago, ’Transmute’, cur. by Joshua Decter, Chicago
Kunsthalle Wien, ’Get together – Kunst als Teamwork’ (with Henry Bond), Wien
Casey Kaplan, ’Johnathan Monk featuring Delay Screen by Liam Gillick’, New York
FRAC Nord-Pays de Calais, ’Une histoire parmi d’autres. Collection Michel Poltevin’, Calais
Central St. Martins College of Art and Design, ’Let’s Get Lost’, London
Museum für neue Kunst, ’Tendenzen der 80-er und 90-er Jahre’, Karlsruhe
1998
Kunstverein Hamburg, ’Fast Forward’, Hamburg
Raum Aktueller Kunst, ’Liam Gilick, John Miller, Joe Scanlan’, Vienna
American Federation of Arts touring show, ’Artist/Author: Contemporary Artists’ Books’, Watherspoon Art Gallery, Greensborough/The Emerson Gallery, Clinton/The Museum of Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amhert
Amerada Hess, ’Interactive. An Exhibition of Contemporary British Sculpture’, London
The Approach, ’A to Z’ (cur. by Matthew Higgs), London
Ausstellungshalle im Rathaus, ’Arena, Sport & Kunst’, Munich
PS1, ’Construction Drawings’ (cur. by Klaus Biesenbach), New York
Galerie im Marstall, ’Kamikaze’, Berlin
Feigen Contemporary, ’Ingelnlook’ (cur. by Evette Bachman), New York
The British School at Rome & Galleria Nazionale d’Arte Moderna, ’London Calling’, Rome
Mercati Ortofrutticoli, ’Fuori Uso 98’, Pescara
Galerie Thaddeus Ropac, ’The Erotic Sublime’ (Slave to the Rhythm)’, Salzburg
Brick and Kicks, ’Videostore’ (organised by Nicolas Tremblay and Stephanie Moisdon), Vienna
Galerie Krinzinger, ’UK – Maximum Diversity’, Bregenz/Vienna
Galerie für zeitgenössische Kunst, ’weather everything’, Leipzig
Ludwigforum, ’Entropy’ (cur. by Wilhelm Schurmann), Aachen
Büro Friedrich, ’Places to Stay 4 P(rinted) M(atter)’, Berlin
Bard College, ’Odradek’ (cur. by Thomas Mulcaire), New York
Grazer Kunstverein, ’Mise en Scène’, Graz
Neues Museum Weserburg, ’Minimal-Maximal’, Bremen
Le Consortium, ’Ghosts’, Dijon
Centre Georges Pompidou, ’Dijon/Le Consortium.coll’, Paris
Morrison Judd, ’Cluster Bomb’, London
Salon 3, ’The Project of the 2nd December’, London
Galerie für zeitgenössische Kunst, ’3+1=4*1’, Leipzig
1997
Centro Cultural de Belém, ’Life/live’, Lisbon
Musée de l’achevinage, ’Temps de Pose, Temps de Parole’, Saintes
L’Ecole d’Art de Grenoble, ’Des Livres d’artistes’, Grenoble
Galleri F15, ’Ajar’, Jeloy, Oslo
Kunstmuseum Luzern, ’Enter: Audience, Artist, Institution’ (cur. by Barbara Steiner), Lucerne
Transmission Gallery, ’4 projects/4 Events’, Glasgow
Canary Wharf Window Gallery, ’Space Oddities’, London
Le Magasin, ’Moment Ginza’ (co-ordinated by Dominique Gonzalez-Foerster), Grenoble
Basilico Fine Arts, ’I Met A Man Who Wasn’t There’, New York
Kunsthalle Braunschweig, ’504’ (cur. by John Armleder), Braunschweig
documenta X, Kassel
ICA, ’Enterprise’, Boston
Robert Prime, ’Group Show’, London
Sculptors Society of Ireland, ’Ireland and Europe’, Dublin
Vaknin Schwartz, ’Group Show’, Atlanta
PS1, ’Heaven – a private View’, New York
Südwest LB, ’Kunst..Arbeit’, Stuttgart
Galerie Max Hetzler, ’Hospital’ (cur. by Sarah Morris), Berlin
1996
Southampton City Art Gallery, ’Co-operators’, Southampton
CAPC, ’Traffic’ (cur. by Nicholas Bourriaud), Bordeaux
Focalpoint Gallery, ’Kiss This’, Southend
Air de Paris, ’March à l’ombre’, Paris
The Clocktower, ’Departure Lounge’, New York
Le Magasin, ’Everyday Holiday’, Grenoble
Künstlerhaus, ’Der Umbau Raum’, Stuttgart
Cubitt Gallery, ’Dinner’ (organised by Giorgio Sadotti), London
Landesmuseum, ’Nach Weimar’ (cur. by N. Schafhausen and K. Biesenbach), Weimar
Robert Prime, ’How Will We Behave’, London
Globe, ’Escape Attempts’, Copenhagen
Musée d’Art Moderne de la Ville de Paris, ’Life/Live’, Paris
Serpentine Gallery, London/Palais des Beaux Arts, Brussels, ’Such is Life’, London and Brussels
Camden Arts Center, ’Itinerants Texts’, London
Coins Coffee Store, ’Lost For Words’, London
Schipper & Krome, ’All in One’, Cologne
Richard Heller Gallery, ’A Scattering Mix’ (cur. by Jane Hart), Los Angeles
Tanja Grunert & Klemens Gasser, ’Found Footage’, Cologne
ICA, ’Glass Shelf Show’, London
Up & Co., ’Supastore de Luxe’, New York
Brooke Alexander, ’Limited Edition Artist’s Books Since 1990’, New York
1995
Basilico Fine Arts, ’Möbius Strip’, New York
CCA, ’Bad Times’ (cur. by Jonathan Monk), Glasgow
Starkmann Library Services, ’In Search of the Miraculous’, London
Royal Danish Academy of Arts, ’Faction’, Copenhagen
Le Consortium, ’La Labyrinthe Moral’, Dijon
CCC, ’Stoppage’, Tours
Villa Arson, ’Stoppage’, Nice
Basilico Fine Arts, ’Summer Fling’, New York
FRAC Poitou Charentes, ’Collection fin XX’, Angouleme
South London Art Gallery, ’Karaoke’ (cur. by Georg Herold), London
Lisson Gallery, ’Ideal Standart Summer Time’, London
Oh!, ’Reserve-Lager-Storage’, Bruxelles
Neugerriemschneider, ’Filmcuts’, Berlin
Museum Sztuki, ’New British Art’, Lodz
Walker Art Centre, ’Brilliant’ (cur. by Richard Flood), Minneapolis
Mediapark, ’Trailer’ (cur. by Barbara Steiner), Cologne
1994
Thread Waxing Space, ’Don’t Look Now’ (cur. by Joshua Decter), New York
Kunstmuseum Luzern, ’Backstage’, Lucerne
FRAC, ’Surface de Réparations’ (cur. by Eric Troncy), Dijon
Kunstverein in Hamburg, ’Cocktail I’, Hamburg
Centro’ Santa Monica, ’Public Domain’ (cur. by Jorge Ribalta), Barcelona
’Grand Prix’ (cur. by Axel Huber), Monaco
Air de Paris, ’Rue des Marins’, Nice
Galerie van Gelder, ’Mechanical Reproduction’ (cur. by Jack Jaeger), Amsterdam
Portikus, ’WM/Karaoke’ (cur. by Georg Herold), Frankfurt
Hoxton Square, ’Other Men’s Flowers’ (cur. by Joshua Compston), London
The Agency, ’Miniatures’, London
Camera Austria/Forum Stadtpark, ’Das Archiv’, Graz
Kunstraum, ’Lost Paradise’ (cur. by Barbara Steiner), Vienna
FRAC, ’Surface de Réparations II’, Dijon
ICA, ’The Institute of Cultural Anxiety’ (cur. by Jeremy Millar), London
1993
’Terratotio Italiano’ (cur. by Giacinto di Pietrantonio), Milan
Gesellschaft für Aktuelle Kunst, (cur. by Tom Eccles), Bremen
Hochschule für Angewandte Kunst, ’Travelogue’ (cur. by Jackie McAllister), Vienna
Esther Schipper/Christopher Grimes, ’Los Angeles International’, Los Angeles
Lisson Gallery, ’July Wonderful Life’, London
Esther Schipper, ’Group Show’, Cologne
Friesenwall 120, ’The London Photo Race’ Cologne
Air de Paris, ’Futura Book’, Nice
Galerie Pierre Nouvion, ’Points de Vue’, Monaco
Hohenthal & Bergen, ’Manifesto’ (cur. by Benjamin Weil), Munich
Kunstverein Hamburg, ’Backstage’ (cur. by Stephan Schmidt-Wulffen & Barbara Steiner), Hamburg
Centre 181, ’Two out of four dimensions’, London
Esther Schipper, ’Dokumentation über, Arbeiten von’, Cologne
’Unplugged’ (cur. by Nicolas Bourriaud), Cologne
1992
Air de Paris/Urbi et orbi, Paris/Daniel Buchholz, Cologne/Andrea Rosen, New York, ’Tatoo’, Paris, Cologne and New York
’Molteplici Culture’ (selected by Giorgio Verzotti), Rome
Monika Sprüth, Cologne/Esther Schipper, Cologne/Le Case d’Arte, Milan, ’Living on top of a building...’, Cologne and Milan
Daniel Buchholz, Cologne/Castello di Rivera, Turin/Wacoal Ars Centre, Tokyo/Urbi et Orbi, Paris, ’Manifesto’ (cur. by Benjamin Weil), Cologne, Turin, Tokyo and Paris
Musée d’art moderne, ’Etats Specifique’, le Havre
ICA, ’The Speaker Project’, London
Barbara Gladstone/SteinGladstone, ’12 British Artists’, New York
Esther Schipper, ’Group Show’, Cologne
Gio’ Marconi, ’Instructions’, Milan
Interim Art, ’ON’, London
1991
CNAC, Villa Arson, ’No Man’s Time’, Nice
Air de Paris, ’Air de Paris à Paris’, Paris
Air de Paris, ’The Multiple Projects Room’, Nice
2008
The Vincent Award, Stedelijk Museum
2002
Turner Prize Nomination, London
1998
Paul Cassirer Award, Berlin
2007
Anyang Public Art Project, Anyang, Korea
2006
Maharam, Chicago
2005
Dior Homme, Shanghai (with Sean Dack)
BSI, Lugano, Switzerland
Ft. Lauderdale/Hollywood International Airport
2004
Museum in Progress, Rolling Boards, Vienna
Swiss Re, London
2003
The Home Office, London
Regents Place – British Land, London
London Underground/Frieze Art Fair, ’Headache, phone card, soda, donuts, stereo’, London
2002
Dekabank, Frankfurt
Alcobendas, Madrid
Kirchdorf School Mercat, Alicante
Olnick Corporation, New Jersey
2001
Telenor, Oslo
1999
BIC Technologiezentrum, Leipzig