Selected Bibliography

2010

Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (ed.), Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen, Bonn, 2010, p. 162 – 163
Öffentliche Kunstsammlung Basel, Kunstmuseum, Museum für Gegenwartskunst, Jahresbericht 2009, Kunstmuseum Basel, Basel, 2010, pp. 20-21

2009

The Museum of Modern Art, The Judith Rothschild Foundation. Contemporary Drawings Collection, Compass in Hand, New York, 2009, p. 210
The Museum of Modern Art, The Judith Rothschild Foundation. Contemporary Drawings Collection, Catalogue Raisonné, New York, 2009, p. 135
200 Artworks 25 Years Artists' Editions for Parkett, Parkett Publishers, Zurich-New York, 2009, pp. 182-183
Rubira, Sergio: Douglas Gordon, in: Rosa Olivares (ed.), 100 Video Artists, Madrid, 2009, pp. 194-197
Carlson, Benjamin, Back: Theanyspacewhatever, in: Frieze, January-February 2009, p. 141
Die Zukunft der Kunst, in: Du – Das Kulturmagazin, Juni 2009, p. 18
Time to celabrate, in: Weekend, 24th January, 2009
Hans Werner Holzwarth, Douglas Gordon, in: 100 Contemporary Artists, A-K, Verlag Taschen, 2009,
pp. 234-235
Eva Presenhuber s`invite chez Patrick Seguin, in: Le Journal des Arts, 30. Oktober-12. November, 2009

2008

Herbert, Martin, Reviews: Asia. 3rd Yokohama Triennale. Time Crevasse, in: Art Review, Issue 28, December 2008, p. 136
Saltz, Jerry, Review, in: Monopol, January 2008, No. 1, 2009, p.101
The Organizing Comittee for the Yokohama Triennale (ed.), YOKOHAMA Triennale 2008: International Triennale of Contemporary Art, Yokohama, 2008
Scharrer, Eva, Douglas Gordon, in: Holzwarth, Hans Werner (ed.): Art Now, Vol.3. Taschen, Köln, 2008, p. 192
Collection Lambert en Avignon and Éditions Gallimard (ed.), Où se trouvent les clefs? Douglas Gordon, Hôtel de Caumont Collection Lambert en Avignon, Paris 2008
migros museum für gegenwartskunst (ed.), Sammlung/Collection. migros museum für Gegenwartskunst Zürich 1978-2008, JRP Ringier Kunstverlag AG, Zürich 2008, p. 18, 23, 31-32/39, 101-102/104
Grappeling with theanyspacewhatever. Guggenheim curator sheds light on intringuing show of 10 artists associated with relational aesthetics. In: Art World, Issue 7, October/November 2008, p.24
Heiser, Jörg, All of a sudden. Things That Matter in Contemporary Art, Sternberg Press, New York, 2008, p. 180, 183, 192, 193, 194ff, 197, 206
Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, JRP Ringier Kunstverlag AG, Zurich, 2008
Lund, Jana, Douglas Gordon. Reality Check, Statens Museum for Kunst, Copenhagen, 2008, p.92/93
Douglas Gordon receives Roswitha Haftmann Prize, in: Deutsche Guggenheim, No. 4, Summer 2008, p. 2
Morgan, Jessica, Il tempo del Postino, in: frog, No. 6, January/June 2008, p. 198
Borcherdt, Gesine (et al.), So wird’s gemacht! Douglas Gordon und Philippe Parreno: Zidane: A 21st
Century Portrait, 2005, in: Monopol, No. 6, June 2008, p. 45
Basting, Barbara, Die Kunstsammlung des orangen Riesen, in: Tages-Anzeiger, June 11, 2008
Schlenzka, Jenny, Feuer und Flamme, in: Monopol, No. 2, Feburary 2008, p. 36-44
sru, Auszeichnung. Haftmann-Preis für Douglas Gordon, in: NZZ, January 16, 2008, p. 56
Bosetti, Petra, Versuchung, Furcht, Tod und Leben. Haftmann-Preis, in: art-magazin.de, January 17,2008
Firsching, Ulrich, Raphael, Douglas Gordon erhält Roswitha Haftman-Preis, in: kunstmarkt.com,
January 16, 2008
Quellenberg, Björn, Roswitha Haftmann-Preis für Videokünstler Douglas Gordon, Roswitha Haftmann
Stiftung, Zürich, January 16, 2008
Roswitha-Haftmann-Preis für Douglas Gordon, in: sda, January 16, 2008
Roswitha-Haftmann-Preis 2008 geht an schottischen Videokünstler, in: Swissinfo.ch, January 16, 2008

2007

Glielen, Denis, Atlas of Contemporary Art for Use by Everyone, Luxembourg: Musée des Arts contemporains au Grand-Hornu, 2007, p. 64/65
Steiner, Urs, Kunst bewohnen, in: Neue Zürcher Zeitung, No. 253, October 31, 2007, p. 57
Helfand, Glen, Preview: Douglas Gordon at the San Francisco Museum of Modern Art, in: Artforum,
September 2007, p. 176
Gopnik, Blake, To Hirshhorn Filmgoers, One-Man Act Is All on Pitch, in: The Washington Post, April 24,
2007
Knapps Adams, Rebecca, Hang It All, in: Art+ Auction, April 2007, pp. 134-139
Stoilas, Helen, New Media on the Rise, in: The Art Newspaper, April 2007, p. 19
Smee, Sebastian, Getting up close and impersonal, in: The Australian, January 12, 2007, p. 14
Cherubini, Laura, Review: Douglas Gordon at MART, in: FlashArt, January/February 2007, p. 71

2006

All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Edizioni Charta, October
2006 (exh. cat.)
prettymucheverywordwritten,spoken,heard,overheardfrom1989...Trento: Skira
Biesenbach, Klaus, Douglas Gordon: Timeline, New York: Museum of Modern Art
Yablonsky, Linda, Hollywood’s New Wave, in: ARTnews, December 2006, pp. 112-117
Iles, Chrissie, Best of 2006, in: Artforum, December 2006, pp. 272-273
Preview: Douglas Gordon at Mart, in: tema celeste, November/December, p. 110
Dorment, Richard, An elephant ride into the mind Douglas Gordon’s new show confirms him as
the most important artist to emerge in this country in the 1990’s, in: The Daily Telegraph,
November 21, 2006, p. 27
Januszczak, Waldermar, Its funny, its clever, and Douglas Gordon’s work makes spooky sense in
Edinburgh’s gothic heart, in: Sunday Times, November 19, 2006, p. 12
Graham-Dixon, Andrew, Idle on the silver screen, in: The Sunday Telegraph, November 19, 2006, p. 30
Cumming, Laura, Review: Douglas Gordon at the Royal Scottish Academy, in: The Observer, November
19, 2006, p. 16
Macmillan, Duncan, Reflecting on our dark sides, in: The Scotsman, November 7, 2006, p. 30
Searle, Adrian, Bring on the dancing elephant, The Guardian, November 7, 2006, p. 23
Gale, Iain, Review: Douglas Gordon at Royal Scottish Academy and Botanic Gardens, in: Scotland on
Sunday, November 5, 2006, p.9
Hubbard, Sue, Review: Douglas Gordon at Gagosian Gallery Britannia Street, in: Independent Extra,
October 31, 2006, p. 20
Teeman, Tim, Fear and mystery- all to unsettle, in: The Times, October 28, 2006, p. 34
Güner, Fisun, Review: Douglas Gordon at Gagosian Gallery London, Britannia Street, in: Metro, October
17, 2006
Douglas Gordon at the Mart, in: e-flux, October 2, 2006
Allan, Vicky, Mirror on Zidane’s flaw, Interview, in: The Sunday Herald, October 1, 2006, p.22
Vaughan, Johnny, Zidane: A 21st century portrait, in: The Sun, September 29, 2006
Bradshaw, Peter, The player’s the thing, in: The Guardian, September 29, 2006, p. 7
Clarke, Donald, Pitch Perfect, in: The Irish Times, September 29, 2006, p. 11
Bendoris, Matt, Roughie 1, Zidane 0, in: The Sun, September 28, 2006
Johnston, Trevor, Close Up-Douglas Gordon, in: Time Out, September 27, 2006, p. 65
Williams, Richard, Pitch Invasion, in: The Guardian, September 22, 2006, p. 7
Smith, Aidan, Confessions of a Justified Eccentric, in: The Scotsman, September 3, 2006
Kunitz, Daniel, Review: Douglas Gordon at Museum of Modern Art New York, in: September 2006, pp.
De Brugerolle, Marie, Zidane, in: Flash Art, July-September 2006, p. 114
Richard, Frances, Review: Douglas Gordon at Museum of Modern Art New York, Artforum, September
2006, pp. 372-373
Fried, Michael, Absorbed in the Action, in: Artforum, September 2006, pp. 333-339
Cornwell, Tim, Turner Prize winner plans triumphant homecoming, in: The Scotsman, August 2, 2006
Biesenbach, Klaus, Douglas Gordon, in: Interview, July 2006, pp. 88-9
Sandhu, Sukhdev, Is it art or cinema?, in: The Daily Telegraph, June 17, 2006, p. 4
Johnson, Ken, The Hourglass Contortionist, in: The New York Times, June 9, 2006, pp. B27-35
Felperin, Leslie, Zidane, A 21st century portrait, in: Variety, June 5-11, 2006, p. 36
Molon, Dominic, Reality Football, in: Art Review, May 2006, pp. 106-9
Birnbaum, Daniel, Preview: Douglas Gordon at Museum of Modern Art, in: Artforum, May 2006, p. 111
Luke, Ben, Journey into the art of darkness, in: The Daily Telegraph, April 22, 2006, p. 6
Zidane to star-on celluloid-at Cannes, in: Agence France Presse, April 20, 2006
Januszczak, Waldermar, A museum missing in action, in: The Sunday Times, March 12, 2006
News & Around: Douglas Gordon at Fundació Joan Miro, in: tema celeste, March/April 2006, p. 109

2005

Spector, Nancy & Francis McKee, Douglas Gordon’s The Vanity of Allegory, Berlin: Deutsche
Guggenheim
Bartels, Kathleen S., Peter Chenery, Brett Rogers & Bruce Grenville, body: new art from the uk
Vancouver: Vancouver Art Gallery & The British Council
Schneider, Eckhard, Douglas Gordon: Confessions. JRP/Ringier
Schlaegel, Andreas, Review: The Vanity of Allegory, in: Flash Art, November-December 2005, p. 53
Sharp, Jasper, Review: Vanity of Allegory, in: Art Review, October 2005, p. 127
News & around: the vanity of allegory, in: tema celeste, September/October 2005, p. 109
Gleeson, David, Self-Importance of Being Earnest: Douglas Gordon: The Vanity of Allegory, in: The
Independent, September 13, 2005, p. 54
Clewing, Ulrich, The Opposite of Dorian Gray (interview with Douglas Gordon), in: Deutsche Bank
Kunst.com, July 23, 2005
Fotos: Unterhaltung, in: Yahoonews (Deutschland), July 15, 2005
Schumacher, Mary Louise, Video art exhibit shows what’s possible, even good, in: Milwaukee
Journal Sentinel, July 10, 2005, p.E4
McAulay, Robert, Zidane’s ‘Portrait’ on Film, in: The Mirror, June 13, 2005, p. 25
Jeffrey, Moira, Out from the ashes of Hell, in: The Herald (Glasgow), April 22, 2005, p. 21
Gale, Iain, Evergreen: Throwing Some Light on the Mystery of Life, in: Scotland on Sunday, April 10,
2005, p. 9
O’Meara, Sarah, Prepare for the flock of the new, Glasgow International, in: The Independent, April 12,
2005, p. 61
Cornwell, Tim, City Will Explore Own Art Of Darkness With Cutting-Edge Exhibition, in: The
Scotsman, February 25, 2005, p. 12
The undertaker, the womb and the baby, in: Lincolnshire Echo, February 16, 2005, p. 6
Matin, Patricia, Coleccíon Jumex: A learning experience, in: Arco, winter 2005, pp.44-49
Birtles, Jasmine, The Fine Art of Investing in an Original, in: The Independent, January 15, 2005
Mills, Michael, Scratch-Your-Head Mysterious, in: New Times Broward- Palm Beach, January 6, 2005

2004

Obrist, Hans Ulrich, Do It, Art Basel: e-flux and Revolver
Blazwic, Iwona, Carolyn Christov-Bakargiev, Ester Coen, Charles Harrison, Jill Lloyd and Jeff Wall
Faces in the Crowd – Picturing Modern Life from Manet to Today, London: Whitechapel Gallery
Brown, Katrina M., Tate Modern Artists: Douglas Gordon, London: Tate
Ward, Ossian, And the winner is…, in: Art + Auction, October 2004, pp. 118-123
Jury, Louise, The Turner Prize: What became of Past Winners?, in: The Independent, December 6, 2004,
pp. 12-13
Mills, Michael, Finders Keepers, in: New Times Broward- Palm Beach, December 2, 2004
Tschida, Anne, Onhed Goes Here, The Miami Herald, November 21, 2004, p. 3
Lyons, William, The Scotsman Guide to Investing in Art: The Top 20 of Scottish Art, in: The
Scotsman, October 26, 2004, p. 33
Gale, Iain, Review: Somewhere, Everywhere, Nowhere at DCA and Fruitmarket Galleries, in: Scotland
on Sunday, October 24, 2004, p. 9
Macmillan, Duncan, Learning from the French Connection, in: The Scotsman, October 19, 2004, p. 36
Cornwell, Tim, French Collection Could Show Way Forward for Scots Art, in: The Scotsman, October
16, 2004, p. 31
Filipovic, Elena, Review: “What Did You Expect? at Galerie Jan Mot, in: Frieze, October 2004, p. 170
Gleadell, Colin, How video art keeps on moving, in: The Telegraph, September 18, 2004, p. 8-9
Jana, Reena, Review: “La Nuit Américaine” at Yvon Lambert, in: ARTnews, May 2004, pp. 147-148
Chapman, Carolyn, Non-Stop Pop, in: Washington Diplomat, April 2004, p. B4
Gurewitsch, Matthew, Douglas Gordon: A Modern-Art Case of Jekyll and Hype, in: The Wall Street
Journal, March 31, 2004
Stone, Susan, Museum Hosts '24 Hour Psycho' – Literally, in: NPR.org, March 3, 2004
Dixon, Glenn, Hirshhorn Pulls a ‘Psycho’ All-Nighter, in: The Washington Post, March 1, 2004, p.C04
Jenkins, Mark, A Flicker of Truth in Every Frame, in: The Washington Post, February 27, 2004, p. T61
Massey, Bob, A Day in the Life & Death, in: Express Paper, February 26, 2004, p. 12
Coyne, Meghan, Scottish Artist Showcases Work at Hirshhorn Museum, in: Catholic University
Tower, February 26, 2004, p. 9
Gopnik, Blake, Drawing Out the Suspense: Douglas Gordon’s Slo-Mo ‘Psycho’ Cuts to the
Quick, in: The Washington Post, February 22, 2004, p. N01
Smith, Roberta, Good, Evil and Life, Head-on, in: The New York Times, February 20, 2004, pp. B29, B33
Gopnik, Blake, Douglas Gordon’s Slo-Modus Operandi, in: The Washington Post, February 1, 2004, p.
No.6
Know and Tell, in: Details Magazine, February 2004, p. 49
Malasauskas, Raimundas, An Extended Family, in: Tema Celeste, January/February 2004
The Program’ with Andrea Murray, interview with Kerry Brougher, Washington Educational
Television Association, April 18, 2004
Museum Hosts ’24 Hour Psycho’ –Literally, All Things Considered (hosted by Susan Stone), February
29, 2004

2003

The Turner Prize: The Moving Image, in: The Guardian, November 1, 2003, p. 7
Miller, Phil & Tom Gordon, Sign that lives down the lane to make way for shopping scheme, in: The
Herald (Glasgow), July 2, 2003, p. 3
Yablonsky, Linda, Review: Douglas Gordon at Gagosian Gallery, in: ARTnews, June 2003, p. 115
Dunn, Melissa, Spotlight: Douglas Gordon at Gagosian, New York, in: Flash Art, May / June 2003, p. 147
Sundell, Margaret, Review: Douglas Gordon at Gagosian Gallery, in: Artforum, May 2003, p. 167
Saltz, Jerry, Review: Elephant Man, in: Village Voice, March 24, 2003
Henry, Clare, Review: We’ll take Manhattan, in: The Scotsman, March 18, 2003
McKendree, Review: art for real: Douglas Gordon at Gagosian, in: sitefour.com, March 3, 2003
Smith, Roberta, Review: Douglas Gordon/Franz West at Gagosian Gallery, in: The New York Times,
March 7, 2003
Menin, Samuele & Valentina Sansone, Focus Video and Film, in: Flash Art, January / February 2003,
pp. 88-93
Monk, Philip, Double Cross: The Hollywood Films of Douglas Gordon, Toronto: The Power
Plant/Art Gallery of York University

2002

Gordon, Douglas, What have I done, Manchester: Cornerhouse Publications/Hayward Gallery
Publishing
Saurisse, Pierre, Review: Douglas Gordon: Le Cinéma des Ombres, in: Beaux Arts Magazine, No.
223, December 2002
News and around: Douglas Gordon at the Hayward Gallery, London, in: tema celeste,
November/December, p.115
Coomer, Martin, Review: Hollywood is a Verb, Gagosian West End, in: Time Out London, November
27-December 4, 2002
Taylor, John Russell, Review: Endurance Test, in: The Times, November 6, 2002
Searle, Adrian, Monsters Inc, in: Visual Arts, November 5, 2002, pp. 12-13
Güner, Fisun, Review: Opposites don’t attract, in: Metro, November 5, 2002
Lubbock, Tom, The dark side, in: The Independent Review, November 5, 2002
Cumming, Laura, Roaming in the gloaming, in: The Observer Review, November 3, 2002
McEwen, John, More than meets the eye, in: The Sunday Telegraph, November 3, 2002
Greenstreet, Rosanna, Q&A: Douglas Gordon, in: The Guardian Weekend, November 2, 2002
Hemming, Sarah, Art: Douglas Gordon: What Have I Done, Hayward Gallery, in: Daily Express, November
1, 2002
Mullens, Charlotte, Virtual reality, in: southbank, November 2002, pp. 16-17
Falconer, Morgan, Movie maker, in: [a-n] Magazine for Artists, November 2002, pp. 28-29
E.B., What’s On: Douglas Gordon: what have I done, Hayward Gallery, in: The Art Newspaper, No.
130, November 2002, p. 13
Herbert, Martin, ArtNext: Songs of Experience, in: Art Review, November 2002
Gayford, Martin, On the edge of otherness, in: The Daily Telegraph, October 31, 2002
Shead, Karen, City braced for modern art attack, in: Edinburgh Evening News, October 30, 2002
Renton, Andrew, Trust me, I’m an artist, in: Evening Standard, October 29, 2002, p. 43
Irving, Mark, Escape Artist, in: The Independent on Sunday, October 27, 2002, pp. 30-33
Boztas, Senay, Homegrown talent ignored by collectors, in: The Sunday Times, October 27, 2002
Exhibitions: Douglas Gordon: What Have I Done, London, in: The Guardian, October 26-November 1,
2002
See You Jimmy, in: Bromley Times, October 24, 2002
Garside, Juliette, Two-year wait for Gordon exhibition, in: Sunday Herald, October 20, 2002
Allan, Vicky, Devil in the Detail, in: Sunday Herald, October 20, 2002

2001

Ferguson, Russell, Douglas Gordon, Cambridge: MIT Press
Miles, Christopher, Review: Douglas Gordon at MOCA at the Geffen Contemporary, in:
artforum.com, November 2001
Jamieson, Teddy, Interview with Douglas Gordon, in: The Herald Magazine, October 19, 2001, pp. 20-23
Godfrey, Tony, Epic and intimate, in: The Royal Academy Magazine, No. 76, autumn 2001
Cheng, Scarlet, Slo-Mo ‘Psycho’/He Tweaks the Language of Hollywood, in: Los Angeles Times,
September 16, 2001
Knight, Christopher, Review: “Skewed by the Light, in: Los Angeles Times, September 20, 2001
Review: Monitor, in: The New Yorker, July 29, 2001, p. 16
Wong, Sherry, Television, in: artnet.com, July 22, 2001
Kantor, Jordan, Review: Loop at P.S. 1, in: Artforum, April 2001, pp. 137-138
Mack, Gerhard, Die schöne, bunte Wahnwelt, in: Art, No.2, February 2001, p.90

2000

Eiblmayr, Silvia [et al.], Die verletzte Diva: Hysterie, Technik in der Kunst des 20
Jahrhunderts, Cologne: Oktagon, 2000, ill. (exh.cat.)
Francis, Mark, Black Spot, Liverpool: Tate Liverpool
Obrist, Hans-Ulrich, Sheep and Goats, Paris: Musée d’art Moderne de la Ville de Paris
Buck, Louisa, Moving Targets 2. A User's Guide to British Art Now, London: Tate Publishing, 2000
capcMusée d'art contemporain de Bordeaux (ed.), Présumés innocents. L'art contemporain et l'enfance, Bordeaux, 2000 (exh.cat.)
Musée d'Art moderne de la Ville de Paris (ed.), voilà – le monde dans la tête, Paris: les Musées de la Ville de Paris, p. 23 (exh.brochure)
Daniel Kurjakovic (ed.), Mixing Memory and Desire – Wunsch und Erinnerung, Lucerne: Kunstmuseum Luzern, 2000, pp. 189-193 (exh.cat.)
Institut d'art contemporain Frac Rhône-Alpes/Nouveau Musée (ed.), Les Cahiers – Collection Rhônes-Alpes 1998/1999, Villeurbanne: Institut d'art contemporain, 1999, pp. 24-25
Walker Art Center (ed.), Let's Entertain: Life's Guilty Pleasures, Minneapolis: Walker Art Center, 2000 (exh.cat.)
Fujimori, Manami, Hasewaga Yuko + [et al.], Very New Art 2000 / 100 Artists of the Year, Tokyo: Bijutsu Shuppan-Sha, 2000, pp. 017-016
Lebovici, Elisabeth, Les galeries, vivier de la rentrée, in: Libération, Paris, September 22, 2000
Von Planta, Regina, Douglas Gordon in der Tate Gallery, in: Kunst-Bulletin, Zurich, no. 9,
September 2000, pp. 41-42
Basting, Barbara, Kunst wird zunehmend privatisiert, in: Tages-Anzeiger, Zurich, June 22, 2000, p. 67
--, Voilà, le programme, in: les Inrockuptibles, Paris, June 13, 2000
Kdo., Momente der Erinnerung, in: Neue Zürcher Zeitung, Zurich, May 26, 2000, p. 66
Oberholzer, Niklaus, Lokremise als Ort der Kunst, in: Neue Luzerner Zeitung, Lucerne (and in 5 other regional editions), May 26, 2000, p. 59
Sda., "Die älteste Erinnerung" – Erster Teil der Sammlung Hauser und Wirth in St. Gallen, in:
Thurgauer Tagblatt, Weinfelden, May 17, 2000, p. 25
Douglas Gordon, cinéphile averti, in: L'Œil, Paris, No. 515, April 2000, p. 106
Goetz, Joachim, Wie viel Hysterie steckt in der Jahrhundert-Kunst?, in: Saarbrücker Zeitung, March 15, 2000,
Van Assche, Christine, Douglas Gordon une nouvelle génération de ready made, in: Artpress, Paris, No. 255, March 2000, pp. 27-31
Douglas Gordon, in: Bijutsu Techo, vol. 52, No. 782, January 2000, pp. 17-20
Moderne zwischen Starrkrampf und Exzess. 'Die verletzte Diva' – eine Ausstellung in
München, in: Neue Zürcher Zeitung, Zurich, No. 97, April 26, 2000, p. 67

1999

Bellour, Raymond, Feature Film, London: Artangel
Taubin, Amy & Hal Hartley, through a looking glass, New York: Gagosian Gallery
Douglas Gordon, Lisbon: Centro Cultural de Belém
Benezra, Neal David, Arthur C. Danto & Olga Viso, Regarding Beauty, Washington:
Cantz/Hirshhorn Museum and Sculpture Garden
Galerie für zeitgenössische Kunst Leipzig (ed.), Moving Images: Film – Reflexion in derKunst,
Munich: Siemens Kulturprogramm, 1999, pp. 122-125, ill. (exh.cat.)
Frohne, Ursula (ed.), video cult/ures. Multimediale Installationen der 90er Jahre, DuMont: Cologne, 1999 (exh.cat.)
Blase, Christoph, Douglas Gordon, in: Riemschneider Burkhard, Grosenick Uta (ed.), Art at The Turn Of The Millenium, Cologne: Benedict Taschen Verlag GmBH, 1999, pp. 190-193
Centraal Museum (ed.), Panorama 2000, Art in Utrecht seen from the Dom tower, Utrecht: Centraal Museum, 1999, pp. 56-57
Rush, Michael, New Media in Late 20th-Century Art, London: Thames & Hudson Ltd., 1999, pp. 135-136
Stedelijk Van Abbemuseum (ed.), Cinéma, Cinéma, Contemporary Art and the Cinematic
Experience, Eindhoven: Stedelijk Van Abbemuseum, 1999, (exh.cat.)
Knight, Christopher, Fall Preview: Art Picks: Hollywood by Way of Scotland and Other
Intersections, in: Los Angeles Times, September 16, 1999
MDB., Preview, Lisbon: “Douglas Gordon, Centro Cultural de Belém, in: Artforum, January
1999
Stoeber, Michael, Douglas Gordon TRAILER, in: neue bildende kunst, January-February 1999
Groys, Boris, Douglas Gordon at Kunstverein Hannover, in: Artforum, February 1999
Spotlight, in: Art & Auction, March 1-14, 1999
Homes, A.M., Film Threat, in: Vanity Fair, March1999
Schorr, Collier, Split Vision, in: Harper’s Bazaar, March 1999
Searle, Adrian, Hitchcock’s finest hour, in: The Guardian, March 1999
Saltz, Jerry, Up and Down, in: Village Voice, March 30, 1999
Schmerler, Sarah, The splittin’ image, in: Time Out New York, March 4-11, 1999
Buck, Louisa, Douglas Gordon’s directional debut, in: The Art Newspaper, No. 91, April 1999
McEvilley, Thomas, Seeing Double, in: Interview, April 1999
Gins, Claire, Douglas Gordon’s Hall of Mirrors @ Gagosian Gallery, in: www.art123.com, April 1999
Johnson, Ken, Douglas Gordon: through a looking glass at Gagosian Gallery, in: The New York
Times, April 2, 1999
Judah, Hettie, The man who knew the score, in: The Independent, April 1, 1999
Lubbock, Tom, Manoeuvers in the dark, in: The Independent, April 6, 1999
Cork, Richard, Hitching a dizzy ride, in: The Times, April 7, 1999
Dorment, Richard, Hitchcock from a whole new angle, in: The Daily Telegraph, April 7, 1999
Damianovic, Maia, Douglas Gordon e Stan Douglas at Dia Center for the Arts, New York, in: tema
celeste, May-June 1999
Schjeldahl, Peter, Eurosplash, in: The New Yorker, May 10, 1999
Material and Narrative, in: NYArts, May, 1999
Weiland, Scott, Interactive, in: NYArts, May 1999
Henry, Clare, Boy wonder to wonder boy, in: The Herald, May 24, 1999
Cambi, Leslie, Very Visible and Impossible to Find, in: ARTnews, summer 1999
Bishop, Claire, Douglas Gordon: Are You Looking At Him?, in: Flash Art, summer 1999
Higgie, Jennifer, Review: Douglas Gordon at Atlantis, London, in: Frieze, Issue 48, October 1999
Smith, Roberta, Uncharacteristic Adventures in Comparative Viewing, in: The New York Times, December
17, 1999
Koegel, Alice, Moving Images „Film – Reflexion in der Kunst“, in: Kunstforum International, Ruppichteroth, December 1999 – January 2000, no. 148, pp. 371-372
Löffler, Petra, Douglas Gordon: Feature Film, in: springerin, Vienna, June-August 1999, pp. 65-66
Douglas Gordon. Auf der Rückseite des Spiegels. Ein Gespräch von Amine Haase, in: Kunstforum International, Ruppichteroth, July – August 1999, no. 146, pp. 312-320
Berger, Carl, Douglas Gordon. Kölnischer Kunstverein Köln, in: noema art journal, Vienna, no. 52, August-October 1999, pp. 108-109
Bishop, Claire, Douglas Gordon. Are you looking at him? [interview], in: Flash Art, Milan, vol. XXXII, no.207, pp.102-105, ill.
Partsch, Susanna, Zeit ist immer subjektiv. Acht Videoinstallationen im Müncher Lenbachhaus, in: Neue Zürcher Zeitung, Zurich, no. 116, May 22/23, 1999, p. 65
Orzessek, Arno, Im Labyrinth der Ruhmreichen. Der Künstler Douglas Gordon macht in Köln
mit "Feature Film" große Kunst auf Nummer sicher, in: Süddeutsche Zeitung, Munich, no.
102, May 5, 1999, p. 16
Blomberg, Katja, Im Märchenwald der laufenden Bilder. Cinéma, Cinéma: Eine Ausstellung im Van Abbe Museum Eindhoven, in: Frankfurter Allgmeine Zeitung, Francfurt/M., no. 104, May 6, 1999, p. 54
Agosti, Giacomo, Psycho. Segnali di una storia attuale/Psycho. Signs of a contemporary
story, in: Cross. Visual arts and contemporary culture, Cremona, no.3, 1999, pp.101-111

1998

van Assche, Christine, Jeremy Millar, Raymond Bellour & Oscar van den Boogaard, Douglas
Gordon, Lisbon: Centro Cultural de Belem
Cooke, Lynne & Ekhard Schneider, Douglas Gordon, Hannover: Hannover Kunstverein
Spector, Nancy, Hugo Boss Prize 1998, New York: Guggenheim Museum
Deichtorhallen Hamburg (ed.), Emotion. Junge britische und amerikanische Kunst aus der
Sammlung Goetz, Ostfildern-Ruit: Cantz Verlag, 1998, pp. 12-14, ill. (exh. cat.)
Drobnick, Jim, Reveries, Assaults and Evaporating Presences, in: Parachute, January/February/March
1998, pp. 10-19
Saltz, Jerry, Who’s the Boss?, in: Time Out New York, July 9-16, 1998
Boss Prize to Douglas Gordon, in: artnet.com, July 31, 1998
Von Kipphoff, Petra, Zeit plus/minus Ewigkeit, in: Die Zeit, October 1, 1998
Wakefield, Neville, Let’s Go the Videotape, in: Art + Auction, October 19-November 1, 1998
Greenberg, Sarah, Bouncing around town, in: The Art Newspaper, No. 86, November 1998
M File Recommends: The Hugo Boss Prize, Guggenheim Museum SoHo, in: Manhattan
File, summer 1998
Thorncraft, Antony, Dealers at the cutting edge, in: Financial Times, 18, 1998
Sanders, Jan Mark, Next Stop Barbados, in: Dazed & Confused, January 1998, pp.54-60
Debbaut, Jan & Douglas Gordon, Kidnapping. van Abbe Museum, Eindhoven, 1998

1997

Quelques motifs de declaration, Paris: Fondation Cartier pour l’art Contemporain
Bevan, Roger, Babes in arms, in: The Art Newspaper, No. 67, February 1997, pp.23-26
Worsdale, Godfrey, Morality bites, in: Artists Newsletter, Sunderland, February 1997, pp.14-16
Kyriacou, Sotiris, The Rise and Rise of British Video, in: Contemporary Visual Arts, Issue 14, 1997
Movin, Lars, Calvinist på kunstscenen, in: Information, 17 January 1997
Sheikh, Simon, Et interview med billedkunstneren Douglas Gordon, in: Øjeblikkett, Issue 31, spring 1997
Blom, Ina, Slow motion, Douglas Gordon finds emotional solace, in: Siksi, the free supplement, No.
1, spring 1997
Dorment, Richard, Hypnotic Power of the object, in: The Daily Telegraph, 23 April 1997
Lister, David, When the art world painted the city of dreams bright red, in: The Independent,
June 16, 1997, p.20
Flood, Richard, 24 hour psycho, in: Parkett, No. 49, pp.47-49
Bezzola, Tobia, De Spectaculis or Who is Kim Novak Really Playing?, in: Parkett 49, 1997, p.52-57
Ferguson, Russell, Divided Self, in: Parkett, No. 49, pp.59-63
Volkart, Yvonne, Douglas Gordon, Museum für Gegenwartskunst, Galerie Walcheturm, in: Flash
Art, summer 1997, pp.145-146
Sailing Alone Around the World - a correspondence between Douglas Gordon and Liam
Gillick, in: Parkett, No. 49, 1997, pp. 73-76
Signature, edition for Parkett, No. 49, April 1997, pp. 82-83
Point d’Ironie, No. 3 of art publication commissioned by Agnès B. and Hans-Ulrich Obrist, November 1997

1996

Close your eyes, Zürich: Museum für Gegenwarskunst
Traffic, Bordeaux: CAPC Musée d’Art Contemporain
By Night, Paris: Fondation Cartier pour l’Art Contemporain
Spellbound, London: The South Bank Centre
Art and Film Since 1945, Hall of Mirrors, Los Angeles: MOCA/Monacelli
Controfigur. Milan: Sutdio Guenzani
Out of Space, Oxford: Cole and Cole, Oxford
Propositions, Rochechouart: Musée Départemental de Rochechouart
Nach Weimar, Weimar: Kunstammlungen Weimar, Cantz Verlag
Artisti Britannici a Roma, Turin: Umberto Allemandi & C. Turin
Sawn-Off, Sweden: Various Venues
Manifesta 1, Rotterdam: Idea Books
Scream and Scream Again, Oxford: MOMA
33 1/3, Camberra: Camberra Contemporary Art Space
TheTurner Prize 1996, London: Tate Gallery
Blazwick, Iwona, In Arcadia, in: Art Monthly, September 1996, pp.7-10
Birnbaum, Daniel, Sweet Nothings, in: Frieze, Issue 36, September-October 1996, p. 80
Synge, Daniel, When artists go to the movies, in: The Daily Telegraph, December 23, 1996
Fargier, Jean-Paul, L’immobilité hypnotique de Douglas Gordon, in: Le Monde, January 6, 1996
Dalla Bernardina, Marta, 3e biennale de Lyon, in: Art Monthly, No. 193, February 1996, pp. 27-28
Spellbound at the Hayward Gallery, in: The Art Newspaper, No. 56, February 1996, p. 10
Moisdon-Trembley, Stéphanie, Douglas Gordon, ‘Attraction-répulsion’, in: Blocnotes, No. 11, January-February 1996, pp. 46-53, 109-115
Moisdon-Trembley, Stéphanie, Biennale de Lyon, in: Blocnotes, No. 11, January-February 1996, p. 80
Mars-Jones, Adam, Affairs of the art, in: The Independent, 27 Febuary 1996
Dorment, Richard, Mixed media caught on camera, in: The Daily Telegraph, February 28, 1996
Year of the moving image, in: RA, No. 50, spring 1996, p. 20
Quinn, Paul, The Art of the Reel, in: Tate Magazine, Issue 8, spring 1996, pp. 40-47
Sladen, Mark, Spellbound: Art and Film, in: Art Monthly, No.195, April 1996, pp. 25-2
Feldman, Melissa E., 21 Days of Darkness, in: Art Monthly, No.195, April 1996, pp. 38-40
The British Council Collection 1984-94, in: The Art Newspaper, April 1996
De Appel Curator League Tables, in: The Crap Shooter, First edition, 1996, p. 4
Sans, Jerome, Review: Douglas Gordon, Centre Georges Pompidou, in: Artforum, April 1996, pp. 109-
110
Gayford, Martin, When up is down and in is out, in: Spectator, November 30, 1996, pp. 59-61
Edwards, Mark, So that’s why they call it art, in: Sunday Times, December 1, 1996
Fallon, Brian, Turner Prize a triumph of PR, in: Irish Times, 5 December 1996
Parry, John, Virginia in Wonderland, in: Spectator, December 7, pp. 62-63
Levy, Paul, Turner Prize Sinks; Other Shows Soar, in: Wall Street Journal, December 6, 1996
Cecchetto, Paolo, Douglas Gordon, in: Juliet, No.77, April-May 1996, pp. 34-35
Lowry, Joanna, Spellbound, in: Creative Camera, April-May 1996, pp. -41
Arnason, Gunnar, What’s all this talk about Glasgow?, in: Siksi, Vol. XI, No.1, spring 1996, pp. 48-53
Morrissey, Simon, Art & Film, in: Untitled, No. 10, spring 1996, p. 3
Crabtree, Amanda, Biennale de Lyon, in: Untitled, No. 10, spring 1996, p.16
Biennale, in: Untitled, No. 10, spring 1996, pp.18-19
Hunt, Ian, Vide Video, in: Art Monthly, No. 196, May 1996, pp. 3-7
Brown, Katrina M., Sawn Off, in: Art Monthly, No. 196, May 1996, pp. 40-43
Gennari, Flaminia, Oltre Manica alla moda, in: Il manifesto, May 30, 1996
Findlay, Judith, Glaswegian Godds, in: Flash Art, No. 188, May-June 1996, p. 64
Gillick, Liam, The Corruption of Time, in: Flash Art, No. 188, May-June 1996, pp. 69-70
Glover, Michael, Spellbound: Art and Film, in: ARTnews, June 1996, pp. 158-59
Buck, Louisa, Silver Scene, in: Artforum, summer 1996, pp. 34-36
Houghton, Nik, Of Shadows, Shadows, Angelmakers and Ciberflash, in: Mute, Issue 5, summer 1996,
p. XIV
Stringer, Robin, Photographs and technology vie for £20,000 Turner Prize, in: Evening Standard,
June 19, 1996
An Art exhibit that’s calculated to confuse, in: Daily Express, June 20, 1996
Glaister, Dan, Turner shortlist fails to shock, in: The Guardian, June 20, 1996
Lister, David, Boys’ own club occupies shortlist for the Turner Prize, in: June 20, 1996
Alberge, Dalya, Tate excludes shock factor from Turner Prize, in: The Times, June 20, 1996
Dorment, Richard, A shockingly sensible choice, in: The Daily Telegraph, June 20, 1996
Jordan, Thea, The Glasgow boy done good, in: The Scotsman, June 24, 1996
Turner Prizewise, in: Art Monthly, No. 198, July 1996, p.19
Findlay, Judith, Glaswegian Godds, in: Flash Art, No. 188, May-June 1996, p. 64
Gillick, Liam,The Corruption of Time, in: Flash Art, No. 188, May-June 1996, pp. 69-70
Bang Larsen, Lars, Traffic, in: Flash Art, summer 1996, pp. 126-127
Hare, Bill, Motion and Emotion: Walking a Tightrope, in: Contemporary Art, Vol. 4, No. 4, summer 1996,
pp. 42-45
Colin, Beatrice, The man they couldn’t hang, in: The Scotsman. Weekend Supplement, August 17, 1996,
pp. 20-23
Elwes, Catherine, The Big screen, in: Art Monthly, No. 199, September 1996, pp. 11-16
Morgan, Stuart, Manifesta, in: Frieze, Issue 30, September-October 1996, pp. 50-51
Collings, Matthew, The Hirst Effect, in: Telegraph Magazine, September 21,1996, pp. 46-50
Maloney, Martin, Gianmarco Del Re & Peter Davies, Ghost of Celluloid, in: Flash Art, No.190, October
1996, pp. 94-100
Cork, Richard, Playing to the Gallery, in: The Times Magazine, in: October 19, 1996, pp. 38-42
Reynolds, Nigel, Scottish artist captures the Turner Prize on video, in: The Daily Telegraph, November 29,
1996
Dorment, RichardHopefuls find a new frame of reference, in: The Daily Telegraph, November 29, 1996
Bruce, Keith, Turner Prize goes to Glasgow artist, in: Glasgow Herald, November 29, 1996
Lamb, Robert, The Turner Prize effect, in: Artists Newsletter, Sunderland, November 1996
Video ‘artist’ reels in prize, in: Doncaster Star, November 29, 1996
Old horror is new big hit, in: Wolverhampton Express & Star, November 29, 1996
Lister, David, Turner Prize is caught on video, in: The Independent, November 29, 1996
Stringer, Robin, Braveheart Gordon snatches the Turner, in: The Standard, November 29, 1996
Lister, David, Turner gets to grip with the video age, in: The Independent, November 29, 1996
Alberge, Dalya & Russell Jenkins, Modern art’s Jekyll and Hyde rewarded with monster prize,
in: The Times, November 29, 1996
Glaister, Dan, Slow motion movies help outsider to take £20,000, in: The Guardian, November 29, 1996
Searle, Adrian, Winning game of good and evil, in: The Guardian, November 29, 1996
Jones, Jonathan, Douglas Gordon Confessions of a justified sinner, in: Untitled, No. 12, winter 1996, pp.
10-11
Spinelli, Claudia, Zwischen Kinoraum und Leseraum, in: Basler Zeitung, Dec 14/15, 1996
Mack, Gerhard, Gordons Knoten, in: Extra Cash, No. 48, November 29, 1996
von Däniken, Hans-Peter, Wenn sich Körper und Bewusstsein trennen, in: Tages-Anzeiger, October 15, 1996
Affentranger-Kirchrath, Angelika, Strategien der Verunsicherung, in: Neue Zürcher Zeitung, October 1,
1996
Van Assche, Christine, Six Questions to Douglas Gordon, in: Parachute, No. 84,
October/November/December 1996
Beil, Ralf, From the moment you hear these words, until you kiss someone with blue eyes, in: Kunst-
Bulletin, December 1996
Ex-S 24 Hour Psycho, BBC Scotland, November 18, 1996, 10.50pm
The Turner Prize 1997, Channel 4
Douglas Gordon in discussion with Ami Barak, March 1996, English, circa 30 min.

1995

Wild Walls, Amsterdam: Stedelijk Museum
Kopfbahnhof/Terminal, Leipzig: Hauptbahnhof Leipzig
Arte Inglese d’oggi, Modena: Galleria Civica and Milan: Mazzotta
General Release: British Council Selection of Young British Artists, Venice: Scuola di San
Pasquale
Douglas Gordon, Eindhoven: Van Abbemuseum
Shift, Amsterdam: De Appel Foundation
Am Rande der Malerei, Bern: Kunsthalle Bern
Chez l’un, L’AUTRE, Paris: Éditions Anton Weller
The British Art Show 4, London: South Bank Centre
Cork, Richard, The naked and the undying, in: The Times, January 3, 1995
A directory of the best shows in the capital this month, in: The Art Newspaper, No. 44, January 1995,
p. 33
Kent, Sarah, Douglas Gordon, in: Time Out, No. 1273, January 11-18, 1995, p. 44
Feaver, William, A Strange Ghetto Of Allusions, in: The Observer, January 8, 1995
Blazwick, Iwona, Douglas Gordon, in: Art Monthly, No.183, February 1995, pp. 35-36
Henry, Clare, One Man’s Bubble Vision, in: Glasgow Herald, January 23, 1995
Muir, Gregor, Review: Douglas Gordon- Lisson Gallery-Londres, in: Blocknotes, No. 8, winter 1995,
p. 107
Hanru, Hou, Une élégante menace, in: Omnibus, No. 8, February 1995
Kingston, Angela, Douglas Gordon, in: Frieze, Issue 21, March-April 1995, pp. 60-61
Norman, Geraldine, Turning the Tide in Venice, in: The Independent on Sunday, March12, 1995
Feaver, William, Douglas Gordon, in: ARTnews, Vol. 94, No. 3, March 1995, p. 144
Millard, Rosie, Beware of the hungry artist, in: Daily Telegraph, March 18, 1995
Sandbach, Emma, London: <Take me (I’m yours)> in der Serpentine Gallery, in: Kunst-Bulletin, No. 4,
April 1995, p. 48
Murdoch, Sadie, Dead Give-away, in: Women’s Art Magazine, No. 64, May/June 1995, pp. 24-25
Persson, Margareta, Take me (I’m yours), in: Material, No. 25, 1995, p. 13
Newman, Michael, Beyond the Lost Object: from Sculpture to Film and Video, in: Art Press, No. 202,
May 1995, pp. 45-50
Freedman, Carl, Take me (I’m yours), in: Frieze, Issue 23, summer 1995, pp. 73-74
Maloney, Martin, Douglas Gordon, in: Flash Art International, Vol. XXVIII, No. 182, May-Jun,
pp. 114-115
Archer, Michael, Home and Away, in: Art Monthly, No. 188, July-August 1995, pp. 98
Benjamin, Marina, Trigger happy, British Journal of Photography, May 17, 1995
Higgins, Ria, Gun Shots, in: The Face, May 1995, pp. 164-165
O’Reilly, John, Dark deeds from the darkroom, The Guardian, May 19, 1995
Richards, Jane, Calling the shots, The Independent, May 19, 1995
Curtis, Sarah, Take me (I’m yours), in: World Art, No. 3, summer 1995, p. 98
Maclean, James, State of the Art, in: House & Garden, August 1995, p. 23
Godfrey, Tony, Venice Biennale Report, in: Untitled, summer 1995, pp. 4-5
Findlay, Judith, Trust. Tramway, Glasgow, in: Untitled, summer 1995, pp. 18-19
Les Infos du Paradis, in: Parkett, No. 44, July 1995, pp. 197-201
Wulffen, Thomas, Take me (I’m yours), in: Kunstforum, No.131, August-October 1995, pp. 362-363
Wulffen, Thomas, Kopfbahnhof/Terminal, in: Kunstforum. No.131, August-October 1995, pp. 364-66
Kent, Sarah, Sound & Vision, in: Time Out, No. 1306, August 30-September 6, 1995, pp. 24-27
Gibbs, Michael, Wild Walls,Stedeljik Museum, in: Art Monthly,No.191, November 1995, p. 30-32
Gerber, Elisabeth, Am Rande der Malerei in der Kunsthalle Bern, in: Kunst-Bulletin, No.11,
November 1995, pp. 33-34
Di Raddo, Elena, General Release, in: tema celeste, No. 53-54, autumn 1995, p. 88
Bevan, Roger, Home-made youth, in: The Art Newspaper, No. 53, November 1995, p. 12
Agitate, in: Tate Art Magazine, Issue 7, winter 1995, p. 9
Dorment, Richard, Anything but boring, in: The Daily Telegraph, December 30, 1995
Garnett, Robert, The British Art Show 4, in: Art Monthly, No. 192, December-January 1996, pp. 27-29
Berlin visit, published in the catalogue Kopfbahnhof, Berlin, 1995
2 days in spring, published in the catalogue On Board, Riva san Biagio, Venice, 1995
Grim, in collaboration with Liam Gillick, Parkett, No. 44, 1995
Index, No. 3-4, Stockholm, 1995, pp. 54-63

1994

Stains In Reality, Copenhagen: Gallerie Nicolai Wallner
Points de Vue, Paris: Centre Georges Pompidou
Sheikh, Simon, Stan Douglas, Douglas Gordon, Joachim Koester, Copenhagen: Galleri Nicolai
Wallner
Flexible Response, p. 44
Gordon, Douglas, Cahier #2, June 94, Düsseldorf: Witte de With, Richter Verlag
Wall to Wall, London: South Bank Centre
Points de View: Images d’Europe, Paris: Centre Georges Pompidou
Morgan, Stuart & Ross Sinclair, 24 Hour Psycho, Glasgow: Tramway
Gordon, Douglas, Migrateur, Paris: ARC Musée d’Art Moderne de la Ville de Paris
Viennese Story, Vienna: Vienna Secession
Migrateur, Paris: ARC Musée d’Art Moderne de la Ville de Paris
Prospekt 93, Frankfurt: Frankfurt Kunsthalle
Lawson, Thomas, Guilt by Association, Dublin: Museum of Modern Art, Dublin
Instructions Received, Milan: Gio’ Marconi
Dunn, Alan, Francis McKee & Nigel Rolfe, The Bellgrove Station Billbaord Project, Glasgow:
Bellgrove
Windfall ’91, Glasgow: Seaman’s Mission
Macdonald, Murdo, Walk On, New York: Jack Tilton Gallery and Edinburgh: Fruitmarket Gallery
Barclays Young Artist Award, London: Serpentine Gallery
Roberts, James, Out in the Real World, in: Bijutsu Techo, Vol. 46, No. 688. pp. 36-39
London Strikes Back, in: Bijutsu Techo, Vol. 46, No. 688, pp. 48-49
The News, in: Galeries Magazine, No. 59, spring 1994, p. 114
Dahlqvist, Dennis, Plankat I Köpenhamm, in: Expression, April 7 1994
Nakamura, Hiromi, Photography is Already Antique, in: Nippon Camera, No. 636, July 1994, p. 137
Van Den Boogerd, Dominic, It’s Real But Very Fucked Up, in: Metropolis, No. 2
Archer, Michael, Collaborators, in: Art Monthly, No. 178, July-August 1994, pp. 3-5
Munich Europa ’94, in: Flash Art International, Vol. XXVII, No. 178, October 1994, p. 40
Wonderful Life, in: Nikkei Art, No. 61, October 1994, p. 97
Godfrey, Tony, Wall to Wall, in: Untitled, No. 5, summer 1994
Douglas Gordon, in: The Guardian, December 10, 1994
Stretching the Truth All The Way Across Niagra Falls, in: Hampstead and Highgate
Express, December 23, 1994
Henry, Clare, A Passion That Puts Glasgow to Shame, in: Glasgow Herald, December 19, 1994
Cork, Richard, Douglas Gordon, in: The Times, December 31, 1994
Drake, Nicholas, Douglas Gordon, in: The Standard, December 16, 1994
Roberts, James, Douglas Gordon, in: Paletten, No. 219, 1994, pp. 22-25
Wilson, Andrew, Slowly All Around You Will Pass away, in: Paletten, No. 219, 1994, pp. 16-19
Lost Then Found Then Lost Again, published in Witte de With Cahier#2, 1994

1993

Obrist, Hans Ulrich, 24 Hour Psycho, Glasgow: Tramway and Berlin: Kunst-Werke
High Fidelity, Nagoya: Kohji Ogura Gallery, Nagoya
Makigano, Hideo, Douglas Gordon, in: Cheek Magazine, August 1993
Henry, Clare, The best and worst of 1993, in: The Glasgow Herald, December 31, 1993
Buchan, Ian, Artist Calls the TV Shots, in: Evening Times, April 30, 1993
Buchan, Ian, Day of the Psycho, in: Evening Times, March 13, 1993
Sveen, Dag, Tegst Og Lys, in: Billedkunstneren, February 1993
Villiers, Sara, Psycho with Surreal Touch, in: The Glasgow Herald, May 1993
Campbell, Alan, Film with Time to Kill, in: The Scotsman, April 1993
Mellor, David, Wonderful Life, in: Untitled, No. 3, 1993, p. 8
Colin, Beatrice, Speed Freak, in: The List, April 1993
Wilson, Andrew, Walter Benjamin’s Briefcase, in: Art Monthly, No. 172, 1993, pp. 30-31
Campbell, Allan, Oscar Bravo, in: The Scotsman, April 1993
Buchan, Ian, Clubbing in, in: Evening Times, April 1993
High Fidelity, in: Pia, No. 22, Vol. 220, March 1993, p. 22
High Fidelity, in: Studio Voice, Vol. 220, April 1993
Lawson, Thomas, Hello, it’s me, in: Frieze, Issue 9, March-April 1993, pp. 14-17
Sinclair, Ross, Douglas Gordon, in: Art Monthly, June 1993, pp. 22-23
Henry, Clare, Spyhoe sculpture, in: The Glasgow Herald, October 15, 1993
Renton, Andrew, Douglas Gordon. Tramway [review], in: Flash Art, Milan, vol. 26, no. 172,
October 1993, p. 92
Cottingham, Laura, Wonderful Life, Lisson Gallery, in: Frieze, Issue 12, September-October 1993
Wilson, Andrew, Wonderful Life, Lisson Gallery, London, in: Forum International, Vol. IV, No. 19,
October/November 1993
It’s a Wonderful Life at the Lisson, in: Flash Art News, Vol. XXVI, No. 172, 1993, p. 60
Harada, Ruiko, From London, in: Bijutsu Techo Monthly Art Magazine, Vol.45, No. 678, 1993,
pp. 148-149
Renton, Andrew, Douglas Gordon: Tramway, in: Flash Art, Vo. XXVI, No. 172, 1993
Fricke, Harald, August Rezension, in: Texte zur Kunst, No. 12, November 1993
Lorés, Maite, Wonderful Life, in: Art Line, December 1993
Renton, Andrew, Wonderful Life, in: Flash Art, Vol. XXVI, No. 173, November/December, p. 78
Cassim, Julia, Low frequency breeds ‘High Fidelity’, in: The Japan Times, October 17, 1993
It’s Art Jim But Not As We Know It, in: The Scotsman, October 1993
Migrateurs, Les Amis du Musée d’art Moderne de la Ville de Paris, Paris, 1993
Telephone Conversation, excerpts from soundwork on the cassette The Speaker Project,
ICA, London, 1993
Paris Memories, 3 Minute soundwork on the cassette Before The Sound Of The Beep, Galerie
Giles Peyroulet, Paris, 1993
A Bad Trip, Prospekt ’93, 1993
I Love In Vienna, published in the book Viennese Story, Wall Drawing, published in the
catalogue Wall To Wall, 1993

1992

Guilt by Association, Dublin: Museum of Modern Art, Dublin
Instructions, Milan: Studio Marconi
Troncy, Eric, London Calling, in: Flash Art, Vol. XXV, No. 165, summer 1992, pp. 86-89
Hunt, Ian Connolly, Guilt by Association, in: Frieze, Issue 7, November-December 1992
Colours for Identification, in: Frieze, No. 2 (in collaboration with Simon Patterson), 1992

1991

Barclays Young Artist Award, London: Serpentine Gallery
The Bellgrove Station Billboard Project, Glasgow: Bellgrove
Windfall ’91, Glasgow: Seaman’s Mission
Walk On, New York: Jack Tilton Gallery and Edinburgh: Fruitmarket Gallery
Gillick, Liam, The Placebo Effect, in: Arts Magazine, May 1991, pp. 56-59
Northern Lights, in: Frieze, Issue 1, 1991, pp. 36-40
Marysia Lewandowska (ed.), The Missing Text, Chance Books, London, 1991

1990

Self Conscious State, Glasgow: Third Eye Centre
McArthur, Euan, Sites/Positions, in: Artscribe, summer 1990, pp. 77-78

1989

Windfall ’89, Bremen
Future Dread, in: The List, December 22-January 11, 1990

Own Publications

2002

Gordon, Douglas, What have I done, Manchester: Cornerhouse Publications/Hayward Gallery
Publishing

1998

Debbaut, Jan & Gordon, Douglas, Kidnapping. van Abbe Museum, Eindhoven, 1998

1994

Gordon, Douglas, Migrateur, Paris: ARC Musée d’Art Moderne de la Ville de Paris