2008
Gagosian Gallery, New York
Galerie Partick Seguin, Paris
Gagosian Gallery Davies Street, London
Walker Art Center, Minneapolis
Serpentine Gallery, London (tbc)
Walker Art Center, Spiritual America, Minneapolis

2007
Astrup Fearnley Museet for Moderne Kunst, Oslo, Richard Prince – Canaries in the Coal Mine
52nd Venice Biennale, Panama Pavilion, Venice
Solomon R. Guggenheim Museum, New York, Richard Prince: Spiritual America

2006
John McWhinnie @ Glenn Horowitz, New York, Richard Prince: Cowboys and Nurses
Monika Sprüth Philomene Magers, Cologne, Richard Prince: Cowboys, Mountains, and Sunsets
Juergen Becker, Hamburg, Richard Prince: The Portfolios

2005
Gagosian Gallery, Beverly Hills, Los Angeles, Richard Prince, Check Paintings
Barbara Gladstone Gallery, New York
Sadie Coles HQ, London, Richard Prince: New Work

2004
Goetz Collection, Munich
Galerie Eva Presenhuber, Zürich, Man,  Artist's book Man
Regen Projects, Los Angeles, Women, Artist's book Women
Rubell Family Collection, Miami, American Dream: Collecting Richard Prince for 27 year

2003
Sadie Coles HQ, London, Artist's book American-English
Hydra Workshop, Hydra, Richard Prince: Publicities
Glenn Horowitz Bookseller, East Hampton, NY, Richard Prince: New Work, Artist's book Good Life.
Barbara Gladstone Gallery, New York, Richard Prince: Nurse Paintings,  Artist's book Nurse Paintings
Sabine Knust, Munich, Richard Prince: Upstate

2002
Barbara Gladstone Gallery, New York, Artist's book It's a free concert from now on
Patrick Painter, Inc., Santa Monica

2001
Museum für Gegenwartskunst, Basel und Kunsthalle Zürich
Kunstmuseum Wolfsburg, Germany (cat.)
Sadie Coles HQ, London
Regen Projects, Los Angeles
Skarstedt Fine Art, New York
Galerie Micheline Szwajcer, Antwerp

2000
Partobject Gallery, ’Richard Prince: Princeville’, Carrboro, NC
Barbara Gladstone  Gallery, New York
Jablonka Galerie, ’Richard Prince: Photographs, Paintings’, Cologne
MAK Vienna, ’Richard Prince: 4 x 4’, Vienna
MAK Center for Art and Architecture, Schindler House, Los Angeles, “Richard Prince: Upstate”

1999
Sadie Coles HQ, ’Richard Prince’, London
Sabine Knust, ’Richard Prince: Paintings and Works on Paper 1997/98’ and  ’Upstate’, Munich

1998
Stills Ltd, Edinburgh, “Richard Prince”
Regen Projects, Los Angeles
Skarstedt Fine Art, New York, “Richard Prince: Paintings 1988-92”
Barbara Gladstone Gallery, New York
Anton Kern Gallery, New York, “Psychoarchitecture: Richard Prince, Martin Kippenberger”

1997
Jürgen Becker, Hamburg, “The White Room”
Parco, Tokyo
Museum Haus Lange/Museum Haus Esters, Krefeld, Germany, “Richard Prince”
White Cube, London, “Richard Prince”
Espace d’art Yvonamor Palix, Paris, “Cowboys and Cowgirls”

1996
Sabine Knust- Maximilian Verlag, Munich, “Richard Prince”
Haus der Kunst/Süddeutsche Zeitung, Munich
Jablonka Galerie, Cologne, “Richard Prince: New Works”

1995
Barbara Gladstone Gallery, New York, “Richard Prince: Paintings”
Theoretical Events, Naples, Italy
Regen Projects, Los Angeles

1994
Kestner Gesellschaft, Hannover, Germany, Catalogue
Offshore Gallery, East Hampton, New York

1993
Museum Boijmans-van Beuningen, Rotterdam, The Netherlands,
"Richard Prince: Fotos, Schilderijen, Objecten"
Barbara Gladstone Gallery, New York
San Francisco Museum of Modern Art
Kunstverein and Kunsthalle, Düsseldorf
Stuart Regen Projects, Los Angeles, "First House,"
540 Westmount, West Hollywood CA
Jablonka Galerie, Cologne, Germany, "Girlfriends"
Galerie Micheline Szwajcer, Antwerp, Belgium

1992
Whitney Museum of American Art, New York, "Richard Prince," Catalogue
Maximilian Verlag-Sabine Knust, Munich, "Protest Paintings"
Beaver College Art Gallery, Glenside, PA
Le Case d'Arte, Milan, "Works on Paper"

1991
Barbara Gladstone Gallery, New York
Galleri Nordanstad - Skarstedt, Stockholm
Galerie Ghislaine Hussenot, Paris
Stuart Regen Gallery, Los Angeles

1990
Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne, "Richard Prince:
Jokes, Gangs, Hoods," Catalogue/Artist's Book
Galerie Micheline Szwajcer, Antwerp, "Richard Prince"
Arthur Roger Gallery, New Orleans

1989
IVAM Centre del Carme, Valencia, "Spiritual America," Catalogue
Barbara Gladstone Gallery, New York, "Richard Prince: Sculpture" (joint exhibition with Jay Gorney Modern Art)
Jay Gorney Modern Art, New York, "Richard Prince: Paintings," (joint exhibition
with Barbara Gladstone Gallery)
Barn Gallery, Ogunquit, ME, Brochure
Daniel Weinberg Gallery, Los Angeles

1988
Barbara Gladstone Gallery, New York
Centre National d'Art Contemporain de Grenoble (MAGASIN), Grenoble, France,
Catalogue
Le Case d'Arte, Milan
One Times Square, New York, "Tell Me Everything,"  Spectacolor Lightboard installation sponsored by The Public Art Fund, Inc., New York
Galerie Ghislaine Hussenot, Paris
Galerie Rafael Jablonka, Cologne, Germany

1987
Galerie Isabella Kacprzak, Stuttgart
Daniel Weinberg Gallery, Los Angeles

1986
International with Monument, New York
Feature Gallery, Chicago

1985
International with Monument, New York
Richard Kuhlenschmidt Gallery, Los Angeles

1984
Riverside Studios, London, England
Feature Gallery, Chicago
Baskerville + Watson, New York

1983
Le Nouveau Musée, Lyon, France
Institute of Contemporary Art, London
Richard Kuhlenschmidt Gallery, Los Angeles
Baskerville + Watson, New York

1982
Metro Pictures, New York

1981
Metro Pictures, New York
Richard Kuhlenschmidt Gallery, Los Angeles

1980
Artists Space, New York

2008
Villa Manin, Codroipo
Haus der Kunst, München, Made in Munich.
Gagosian Gallery / Red October Chocolate Factory, for what you are about to receive, Moskau
Museum van Hedendaagse Kunst, THE ORDER OF THINGS, Antwerpen
Haus der Kunst,    Brillantfeuerwerk, München   
Museum of Modern Art, Pipe, Glass, Bottle of Rum: The Art of Appropriation, New York
Deutsche Guggenheim, Freeway Balconies, Berlin
Kunstmuseum Luzern, 'Blasted Allegories. Werke aus der Sammlung Ringier', Luzern
Kunsthalle Kiel, True Romance, Kiel
Museion, Peripherer Blick und kollektiver Körper, Bozen
Tate Modern, Street & Studio, London
Neues Museum Weserburg, Go for it! Olbricht Collection (a sequel), Bremen
Kavalierstart  Museum Morsbroich, Leverkusen
Metropolitan Museum, Photography on Photography: Reflections on the Medium since 1960, New York

2007
Kunsthalle Wien, True Romance, Vienna
Ludwig Museum – Museum of Contemporary Art, ‚Concept: Photography – Dialogues & Attitudes’, Budapest
Museum of Contemporary Art, Sympathy for the Devil, Chicago
House Eva Presenhuber, ‚Jubilee Exhibition’, Vnà, Switzerland
Skarstedt Fine Art, New York
Barbican, ‚Art in the punk years’, London
Witte de With, BODYPOLITICX, Rotterdam
Galerien der Stadt Esslingen am Neckar, Villa Merkel, ‚Brave Lonesome Cowboy: The Myth of the Western in Contemporary Art – Or: For the hundredth Birthday of John Wayne’, Esslingen am Neckar
Kunstmuseum St. Gallen, ‚Brave Lonesome Cowboy: The Myth of the Western in Contemporary Art – Or: For the hundredth Birthday of John Wayne’, St. Gallen
Frieze Art Fair, ‚Frieze Projects’, London
Rodolphe Janssen, ‚My Sweet Sixteen Party’, Brussels
Gagosian, ‚Beneath The Underdog, Including: Mafia (Or One Unopened Packet of Cigarettes)’, New York
DESTE Foundation for Contemporary Art, ‚Fractured Figure: Works from the Dakis Joannou Collection’, Athens
Witte de With Center for Contemporary Art, ‚Body Politicx’, Rotterdam
Le Casa D’ Arte, ‚New Acquisition’, Milan
The Arnold and Marie Schwartz Gallery, ‚Heroines: Richard Prince, Madame Butterfly’, Metropolitan Opera, New York
Contemporary Art Center of Virginia, ‚Counterparts: Contemporary Painters and their Influences’, Virginia Beach
Palazzo Grassi, ‚Sequence 1: Painting and Sculpture from the Pinault Collection’, Venice
Fisher Landau Center for Art, ‚Paper, Painting and Sculpture’, Long Island City, New York
Independent Curators International, ‚Situation Comedy: Humor in Recent Art’, Traveling Exhibition
Whitney, ‚Lights Camera Action: Artist’s Film for the Cinema’, New York
Andrea Rosen Gallery, ‚Robert Mangold, Richard Prince’, New York
‚Light Sentence’, Zeuggasse 7, Obergeschoss, Germany

2006
Galeria Fortes Vilaca, ‚Hollywood Boulevard’, Sao Paulo
ICA Institute of Contemporary Arts, ‚Surprise, Surprise’, London
CCA Virginia, ‚Likeness: Portraits of Artists by Other Artists’, Virginia Beach
Villa Manin Centro d’ Arte Contemporanea, ‚Infinite Painting – Contemporary Painting and Global Realism’, Codroipo (Udine)
Tony Shafrazi Gallery, ‚The Other Side’, New York
Stampa Galerie, ‚Medium Fotografie’, Basel
Cooley Gallery at Reed College, ‚New Trajectories I: Relocations: Recent painting, drawing and multi-media work from the Ovitz Family Collection, Los Angeles’, Portland
Santa Monica Museum of Art, ‚Dark Places’, Santa Monica
Museu Serralves, Museu de Arte Contemporanea, ‚Anos 80 – Uma Topologia’, Porto

2005
Undiscovered Country, UCLA Hammer
Jurgen Becker, ‚Photographic Works’, Hamburg
Gavin Brown’s enterprise, ‚Drunk vs. Stoned’, New York
Contemporary Art Center of Virginia, ‚100 Artists See God’, Virginia Beach
Whitechapel, ‚Faces in the Crowd: Picturing Modern Life from Manet to Today’,
 London
LeRoy Neiman Gallery, ‚Faking Real’, Columbia University School of the Arts,
New York
Zwirner & Wirth, ‚girls on film’, New York
Kunstmuseum Basel, ‚Atlantic & Bukarest’, Basel
Hamburger Bahnhof – Museum für Gegenwart, Flick Collection, Berlin
Mitchell-Innes & Nash, ‚Nudes in Vogue’, New York

2004
Kunsthalle Vienna, ‚Precarious Sculpture’, Vienna
Whitney Museum of American Art, ’Whitney Biennial 2004’, New York
Institute of Contemporary Art, ‚The Big Nothing’, Philadelphia
Magazin 4, Vorarlberger and Bregenzer Kunstverein, ‚Planet B: The Aesthetics of B Movies in Contemporary Visual Arts, Bregenz
Susquehanna Art Museum, ‚Motorcycles and Art’, Harrisburg, PA
Cheim and Read Gallery, ‚I am the Walrus’, New York
Presenca Galeria, ‚Hollywood Blvd’, Porto
Participant Inc, ‚Indigestible Correctness’, New York
Roth Horowitz, ‚Power, Corruption, and Lies0, New York
Flick Collection at Hamburger Bahnhof, Berlin
Whitney Museum of American Art, ‚On the Road: Photographiy after Kerouac’, New York
Whitechappel Art Gallery, ‚Faces in the Crowd’, London
Gagosian Gallery, ‚Modernism’, New York
IKON Ltd./Kay Richards Contemporary Art, ‚Persona’, Santa Monica

2003
La Biennale di Venezia, ’Delays and Revolutions’, Venice
Pitti Imagin, ’The Fourth Sex: The Extreme People of Adolescence’, Milan
Renaissance Society, ’water, domestic’, Chicago
PKM Gallery, ’Unreal Estate Opportunities’, Seoul
Museum of Modern Art Queens, ‚’Artist’s Choice’ (cur. by Mona Hatoum), New York
Cohan, Leslie and Browne, ‚Back in Black’, New York
Apexart Curatorial Program, ‚Summer Program,’ New York
Guild Hall, ‚Stranger in the Village’, East Hampton
International Center of Photography, ‚Only Skin Deep’, New York
Contemporary Museum, Baltimore and Palm Beach Institute of Contemporary Art, ‚Imperfect Innocence’
Astrup Fearnly Museum, ‚Everyday Aesthetics’, Oslo
Walker Art Center, ‚The Last Picture Show’, Minneapolis

2002
Institute of Contemporary Arts, ’ Chic Clicks: Creativity and Commerce  Contemporary Fashion Photography’, Boston
Kunsthaus Zürich, ’Public Affairs’, Zürich
Henry Art Gallery, ’Short Stories’,
Whitney Museum of American Art, ’ Visions from America: Photographs from the Whitney Museum of American Art’, New York
"To Whom it May Concern," CCAC Wattis Intitute for Contemporary Arts, San Francisco
"The Photographic Impulse: Highlights from the Joseph and Elaine Monsen Photography Collection," Henry Art Gallery, Seattle
"Art Downtown: New York Painting and Sculpture," New York
"Copy," Roth Horowitz, New York. Curated by Neville Wakefield
New Visions of the West," Nassau County Museum of Art, Roslyn Harbor, New York
Renaissance Society, ‚Watery, domestic’, Chicago
Air de Paris, ‚TRANSFORMER’, Paris
"Seeing Things: Photographing Objects 1850 - 2001," The Canon Photography Gallery at the Victoria and Albert Museum, London

2001
Frances Lehman Loeb Art Center, „Summer Reading," Poughkeepsie, NY
Kunsthalle Wien, "Televisions," Wien
The Aldrich Museum of Contemporary Art, “Art at the Edge of the Law,” Ridgefield, CT
Cheim & Reid Gallery , “Brooklyn Academy of Music Photography Portfolio,” New York
Museum of Modern Art, “Parkett, Collaborations and Editions since 1984,” New York
Audiello Fine Art, “Spiritual America,’ New York
White Cube, “Settings and Players: Theatrical Ambiguity in American Photography,” London
“Mythic Proportions: Painting in the 1980s," Museum of Contemporary Art, Miami
Galerie Jablonka, Cologne

2000
Centre Pompidou, Paris “Au-delà du Spectacle”
Institute of Contemporary Art, Boston, "Customized: Art Inspired by Hot Rods, Low
Riders, and American Car Culture"
Royal Academy of Arts, London, “Apocalypse: Beauty & Horror in Contemporary Art”
PS1 Contemporary Art Center, New York, “Around 1984 : A Look at Art in the Eighties”
Galleria Franco Noero, Torino, Italy, “Art & Facts”
Govett-Brewster Art Gallery, New Plymouth, New Zealand, “Drive:  power>progress>desire”
Cheim & Read, New York, “Couples”
Walker Art Center, Minneapolis, MN, “Let’s Entertain," traveling to Centre Pompidou,
Paris and Miami Art Museum

1999
Art in Embassies Program, Slovak Republic, “Art in America: 2000”
The Whitney Museum of American Art, New York, “The American Century – Part II
Real Art Ways, Hartford, CT, “Horse Play”
Museum of Contemporary Art, Chicago, “Transmute”
Barbara Gladstone Gallery, New York, “Plain Air”
Museum of Modern Art, New York, “Fame after Photography”
Whitechapel Art Gallery, London and The Museum of Contemporary Art, Chicago,
“Examining Pictures”

1998
Marianne Boesky Gallery, New York, “Real Stories”
The Cleveland Museum of Art, “Cleveland Collects Contemporary Art,” Catalogue
Matthew Marks and Pat Hearn Gallery, “Painting: Now and Forever Part I”
Museum of American Art, Pennsylvania Academy of Fine Arts,  “Dispersal of Pop
Abstraction”
Deichtorhallen Hamburg “Die Rache der Veronika,” Fotosammlung Lambert
Deichtorhallen, Hamburg, “emotion - Young British and American art from the Goetz
Collection,” Catalogue
The Power Plant, Toronto, “American Playhouse: The Theatre of Self-Presentation”

1997
Whitney Museum of American Art, New York, “The Whitney Biennial,” Catalogue
Deichtorhallen, Hamburg, "Birth of the Cool,” Catalogue
“American Painting from Georgia O'Keeffe to Christopher Wool,” Kunsthaus, Zürich
David Zwirner Gallery, New York, “Someone Else With My Fingerprints,”
Traveling to Galerie Hauser & Wirth, Zürich; August Sander Archiv, Cologne;
Kunstverein München; Kunsthaus München; Catalogue
Baumgartner Galleries, Washington, D.C. “New York on Paper”

1996
Gotlands Konst Museum, Visby, Sweden, "New York Scene"
The Saatchi Gallery, London, "Young Americans: New American Art in the Saatchi
Collection," Catalogue
The Power Plant, Toronto, "The American Trip," Catalogue    
Bard College, New York, "Who Do You Think You Are?", Annandale-on-Hudson, NY
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, "a/drift: Scenes from the Penetrable Culture"
Kunsthalle Zürich, Zürich, "Playpen of Corpus Delirium"
Gramercy International Art Fair, Los Angeles
Musée d'Art Moderne, Paris, "Passions Privée"
Friedrich Petzel Gallery, New York, “Screen”

1995
Le Consortium, Nouvelles Scenes 95, Dijon, France, "Photocollages"
Galerien der Stadt Esslingen am Neckar, 3.Internationale Foto-Triennale, "Close to Life," Catalogue, Alessandra Bonomo, Rome
University Art Museum, Berkeley, CA, "In A Different Light," Catalogue
Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz
Germany, "Pittura / Immedia," Catalogue
Musée du Luxembourg, Paris, "L'effet cinéma"
Randolf Street Gallery, Chicago, “Art as Dramatic Comedy”
"Multiple Exposure: The Group Portrait in Photography," Independent Curators International, New York. Curated by Leslie Tonkonow. Traveling.

1994
Kunstmuseum Wolfsburg, Wolfsburg, Germany, "Tuning Up," Catalogue
Paula Cooper Gallery, New York, "Pictures of the Real World  (In Real Time)," organized by Robert Nickas
Galeria Luisa Strina, São Paolo, Brazil, "Das Americas," traveling exhibition, Catalogue
Luhring Augustine, New York, "The Ossuary"
Galerie Asbaek, Copenhagen
Per Skarstedt Fine Art, New York, "Cowboys and Jokes - Works from 1980-1988"

1993
Kunsthalle Wien, Vienna, "The Language of Art"
Knoedler & Co., New York, "Up in Smoke: Photographs 1991-1992,"
curated by Barbara Jakobson and Keith DeLellis
International Center of Photography, New York, "Commodity Image"
Galerie Johnen & Schöttle, Cologne, "Patrick Painter Editions"
Galerie Jürgen Becker, Hamburg, "Sean Landers, Raymond Pettibon, Richard Prince"
Center for the Fine Arts, Miami, "Photoplay: Works from the Chase Manhattan
Collection," Catalogue
Thread Waxing Space, New York, "I Am the Enunciator"

1992
Barbara Gladstone Gallery, New York, "c. 1980"
"Documenta IX," Kassel, Germany, Catalogue
Museum of Modern Art, New York, "Allegories of Modernism: Contemporary Drawings,“ Catalogue
"Ars Pro Domo," sponsored by Museum Ludwig, Cologne, curated by W. Dickhoff, Catalogue
Kunstraum Daxer, Munich, "Selected Works from the Early 80's," Catalogue
Wexner Center for the Arts, Columbus, OH, "Re: Framing Cartoons," curated by Tom Zummer, Catalogue
The Aldrich Museum of Art, Ridgefield, CT. "Quotations: The Second History of Art," Catalogue
Art Center College of Design, Pasadena, CA, "Hollywood Hollywood," curated by Fred Fehlau
University Art Museum, Santa Barbara, CA, "Knowledge: Aspects of Conceptual Art," Catalogue; travelling to Santa Monica Museum of Art and North Carolina Museum of Art,  Raleigh, NC
Chiesa di San Lorenzo, Aosta, Italy, "Theoretically Yours," Curated by Collins & Milazzo, Catalogue
Gerald Peters Gallery, Dallas, "Summer Stock"
Galerie Micheline Szwajcer, Antwerp, "Mees, Klingelhöller, Therrien & Prince"
International Center of Photography Midtown, New York, "Special Collections-
The Photographic Order from Pop to Now," Catalogue
Rena Bransten Gallery, San Francisco, "Childhood Revisited"

1991
Palazzo delle Albere, Trento, Italy, "American Art of the 80's," organized by Jerry Saltz, Catalogue.
Paula Cooper Gallery, New York, ACT-UP Benefit Art Sale
Fonds Régional d'Art Contemporain des Pays de la Loire, Clisson, France, Catalogue
Walter Gropius Bau, Berlin, "Metropolis," Catalogue
Central Museum, Utrecht, the Netherlands, "Night Lines," Catalogue
Central Museum, Utrecht, the Netherlands, "The Words and the Images," Catalogue
Indianapolis Museum of Art, "Power: Its Myths, Icons, and Structures in American Art, 1961-1991," Catalogue
Museum of Contemporary Art, Wright State University, Dayton, OH, "Words &
Number's," Catalogue
Fonds Régional d'Art Contemporain des Pays de la Loire, Clisson, France, "Oeuvres
Originales"
Margo Leavin Gallery, Los Angeles, "20th Century Collage"
Galerie Pierre Huber, Geneva, "La Revanche de L'Image"
Fernando Alcolea Gallery, Barcelona, "Rope"
Rosa Esman Gallery, New York, "To Wit"
Robert Miller Gallery, New York, "Portraits on Paper"
Pat Hearn Gallery, New York
Stuart Regen Gallery, Los Angeles
Luhring-Augustine-Hetzler, Santa Monica

1990
The Israel Museum, Jerusalem, "Life Size: A Sense of the Real in Recent Art," Catalogue
Milwaukee Museum of Art, "Word as Image: American Art  1960-1990,"
Travelling to Oklahoma City Arts Museum and Contemporary Art Museum, Houston, Catalogue
National Museum of Modern Art, Kyoto, "Images in Transition: Photographic Representation in the Eighties," Catalogue
Tony Shafrazi Gallery, New York, "The Last Decade: American Artists of the 1980's,"
Curated by Collins and Milazzo, CatalogueWhitney Museum of American Art Downtown at Federal Reserve Plaza, "The Charade of  Mastery," Catalogue
Centre Pompidou, Paris, "Art et Publicité 1890-1990," Catalogue
303 Gallery, New York, and Stuart Regen Gallery, Los Angeles, "Paintball"
The New Museum, New York, "The Decade Show: Frameworks of Identity in the 80's," Catalogue    
Andrea Ruggieri Gallery, Washington, D.C., "The Age of  Information"
Galleri Nordanstad-Skarstedt, Stockholm, "Disconnections"       
International Center of Photography Midtown, New York, "The Indomitable Spirit: Photographers and Friends United Against AIDS," Catalogue, traveling to Los Angeles Municipal Art Gallery
Massimo Audiello Gallery, New York, "The Last Laugh: Irony, Humor, Selfmockery, and Derision," Curated by Collins and Milazzo, Brochure

1989
Paleis voor Schone Kunsten, Brussels, "WittgensteinThe Play of the Unsayable,"
Curated by Joseph Kosuth, Catalogue
Whitney Museum of American Art, New York, "Image World: Art and Media Culture," Catalogue
Museum of Contemporary Art, Los Angeles, "A forest of SIGNS: ART IN THE CRISIS OF REPRESENTATION," Catalogue
Festival of Vienna, Vienna, "Moskau - Wien - New York," Catalogue
Frankfurter Kunstverein, Frankfurt, "Prospect Photographie," Catalogue
Festival Nouvelles Scenes '89, Dijon, France, "Une Autre Affaire"
The School of Visual Arts Gallery, New York, "Dream Reality," Curated by Peter Nagy
Museum am Ostwall, Dortmund, West Germany, "In Other Words: Wort und Schrift in Bildern der Konzeptuellen Kunst," Catalogue
Kunstverein in Hamburg, "D & S Ausstellung," Catalogue
Yokohama Museum of Art, Japan, "Contemporary Art from New York: The Collection of the Chase Manhattan Bank," Catalogue
National Museum of American Art, Washington, D.C. "The Photography of Invention    
American Pictures of the 1980's," Catalogue
International Museum of Photography at George Eastman House, Rochester,
New York, "New Acquisitions, New Work, New Directions"
Simon Watson Gallery, New York, "Re-presenting the 80's," Catalogue
Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York "Suburban Home Life: Tracking the American Dream"
Whitney Museum of American Art at Equitable Center, New York, "Nocturnal Visions in Contemporary Painting"
Rheinhalle, Cologne Fair Grounds, Cologne, "Bilderstreit," Catalogue
Frankfurter Kunstverein, "Prospect '89,” Catalogue
University Galleries, Illinois State University, Normal, IL, "Through a Glass, Darkly,"
Catalogue
Victoria and Albert Museum, London, "Photography Now," Catalogue
Monika Sprüth Galerie, Cologne, "Scripta Manent - Verba Volant"
Stedman Art Gallery, Rutgers University, Camden, NJ, "Conspicuous Display," Brochure
Stedelijk Museum, Amsterdam, "Horn of Plenty: Sixteen Artists from New York City"
Mai 36 Galerie, Lucerne, "Arrangements 1"
Hallwalls Contemporary Arts Center, Buffalo, "Amerikarma"

1988
Städt. Kunsthalle, Kunstsammlung Nordrhein-Westfalen, Kunstverein für d. Rheinlande u. Westfalen, Düsseldorf, "BiNATIONALE: Deutsche/Amerikanische Kunst der 80er Jahre," Travelling to The Institute of Contemporary Art, Museum of Fine
Arts, Boston, Catalogue
PPS. Galerie F.C. Grundlach, Hamburg and Galleri Contur, Stockholm, "Das Licht von der anderen Seite"
Daniel Weinberg Gallery, Los Angeles, "New Works by Ashley Bickerton, Robert Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer Vaisman, Christopher Wool"
PS. Galerie F.C. Gundlach, Hamburg, "Gangs of Surrogate Entertainers Since McCollum - Robbins"
Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York,
"Modes of Address: Language in Art Since 1960"
Centre National des Arts Plastiques, Paris, "The Object of the Exhibition," Catalogue
Halle Sud, Geneva, "Reprises de Vues"
Lorence-Monk Gallery, New York, "Lifelike"
Kunsthalle Zürich, Zürich, "Allan McCollum-Richard Prince"
Metro Pictures, New York, "Hover Culture"
Clocktower Gallery, New York, "Nostalgia as Resistance"
Cable Gallery, New York, "A 'Drawing' Show"
The Haggerty Museum of Art, Marquette University, Milwaukee, "Photography on the
Edge"
Wallach Art Gallery, Columbia University, New York, "Sexual Difference: Both Sides of the Camera"
The Bruce Museum, Greenwich, CT, "Photographic Truth"
Venice Biennial, Venice, "Aperto '88," included in an installation by Robert Gober

1987
Sidney Janis Gallery, New York, "Recent Tendencies in Black and White”
Le Case d'Arte, Milan
Galerie Nächst St. Stephan, Vienna, "Fotografien“
Knight Gallery/Spirit Square Arts Center, Charlotte, NC, "Romance," Catalogue
Los Angeles County Museum of Art, "Photography and Art: Interactions since 1946,"
Travelling to Whitney Museum of American Art, New York
"1987 Biennial Exhibition"
John Good Gallery, New York, "True Pictures"
Harm Bouckaert Gallery, New York, "Prints"
Galerie Christoph Dürr, "Der Reine Alltag"
Hillwood Art Gallery, C.W. Post Campus/Long Island University, New York, "Perverted by  Language"
Whitney Museum of American Art at Philip Morris, New York "The Viewer as Voyeur“
Hoffman Borman Gallery, Los Angeles, "The New Who's Who"

1986
The 6th Biennial of Sydney, Australia, Catalogue
Holly Solomon Gallery, New York, "Text and Image: The Wording of American Art"
Castelli Graphics, New York, "The Moral Essays"
Institute of Contemporary Art, Boston, "As Found"
Michael Kohn Gallery, Los Angeles, "Post-Pop"
San Francisco Camerawork, CA, "Products and Promotion," Travelling, Catalogue
Wiener Festwochen, Wiener Secession, Vienna, "Wien Fluss," Catalogue
Colin De Land Gallery, New York (with John Dogg)
LACE, Los Angeles, "TV Generations"
Queens Museum, New York, "The Real Big Picture"

1985
Whitney Museum of American Art, New York, "1985 Biennial Exhibition," Catalogue
303 Gallery, New York (with David Robbins)
New Museum of Contemporary Art, New York, "The Art of Memory/ The Loss of History"
Center for Contemporary Arts, Santa Fe,, "Strategies of Appropriation"

1984
ARC/Musee d'Art Moderne de la Ville de Paris, France, "New York: Ailleurs et
Autrement,"  Catalogue
Washington Project for the Arts, Washington, D.C., "The Magazine Stand"
Spiritual America, New York, "Pop"
Contemporary Arts Museum, Houston, "The Heroic Figure"
Allen Memorial Art Museum, Oberlin College, OH, "Drawings: After Photography"
Knight Gallery, Spirit Square Arts Center, Charlotte, NC, "Jenny Holzer, Barbara Kruger, Richard Prince," Catalogue

1983
The New Museum of Contemporary Art, New York, "Language, Drama, Source and
Vision" Biennale of São Paolo, Brazil
John Weber Gallery, New York, "Science Fiction"

1982
Institute of Contemporary Art, Philadelphia, "Image Scavengers," Catalogue
The Contemporary Arts Center, Cincinnati, "Face It"
The Renaissance Society at the University of Chicago, "Art and the Media"

1981
Allen Memorial Art Museum, Oberlin College, OH, "New Voices 2: Six Photographers Concept/Theater/Fiction"
5th Wiener Internationale Biennale, Wiener Secession, Vienna, "Erweiterte Fotografie"
Hayden Gallery, Massachusetts Institute of Technology, Cambridge, "Body Language“, Catalogue

1980
ARC/Musee d'Art Moderne de la Ville de Paris, "Ils se disent peintres, ils se disent photographes"
Metro Pictures, New York

1979
Castelli Graphics, New York, "Pictures - Photographs"
Hartford Art School, University of Hartford, Connecticut, "Imitation of Life"