2008

Ruf, Beatrix (ed.), Blasted Allegories. Works from the Ringier Collection, JRP Ringier Kunstverlag AG, Zurich, 2008
Smith, Roberta, When Artworks Collide, in: The New York Times, May 16, 2008
Bidner, Stefan (ed.), Franz West – Soufflé, eine Massenausstellung, Kunstraum Innsbruck (exh.cat.), Innsbruck 2008

2007

Ugo Rondinone, The Third Mind,  Palais Magazine, No. 04, Paris, Fall 2007

2006

Devine Thomas, Kelly, Say it with flowers – or Gourds, Goats, Fur Cups, or Fried Eggs,
in: ARTnews, no. 8, September 2006, p. 116-121

2005

Vitorelli , Rita,  A Letter From Sue Williams, in: spike – Art Quarterly, July 2005, No. 4, p. 62-73. Hezel, Sarah (ed.), EXTREME abstraction, Albright-Knox Gallery, Buffalo, New York, 2005

2003

Gorsen, Peter, Organverschlingung, in: FAZ, 6.1.03, p.33

2002

Palm Beach ICA, Sue Williams: A Fine Line, (cur. Michael Rush, text by Barry Schwabsky), 2000 (exh. cat.) Burton, Johanna, review, Time Out NY, May 16-23, No. 346, p. 73 Review, The New Yorker, May 6, p.18 Glueck, Grace, review, The New York Times, May 3, p. 39 Steiner, Urs, Disney durchgedreht, in: Neue Zürcher Zeitung, 6. September 2002, Nr. 206, p.44. Schwabsky, Barry Abjection by Other Means, in: Art in America, January, 2002, No. 1, p.92

2001

Kimmelman, Michael, In a Cheerful Groove, With a Plan and Senendipity, in: The New York Times, New York, December 28, 2001, p. 41, p. 43, ill. Reckitt, Helena (ed.), Art and Feminism [text by Peggy Phelan], London: Phaidon Press, 2001, pp. 24, 160 --, in: V Magazine, no. 11, May-June 2001, p. 40, ill. --, “Mom’s Foot Blue and Orange“, 1997, in: MOMA, New York, February 2001, p. 40

2000

Galerie Joan Prats (ed.), Sue Williams, Barcelona, 2000 (exh. cat.) 303 Gallery, Sue Williams, New York, 2000 (exh.cat.) Cottingham, Laura (ed.), Combien de “sales“ féministes faut-il pour changer une ampoule ? Antiféminisme et art contemporain, Lyon: Editions Tahin Purty, 2000, p. 49 Osterreichischen Galerie Belvedere (ed.), There Is Something You Should Know; EVN Sammlung [text by Paul Katzberger], Vienna, 2000, p. 39 (exh. cat.) Fundacion ‘la Caixa‘ (ed.), Catalogo de la Coleccion de Arte Contemporaneo, Fundacion ‘la Caixa‘, Madrid, 2000, p. 160 Sausset, Damien, Sue Williams, sexe féminin, in: L’Œil, Paris, no. 512, December-January 2000, p. 18, ill. Schwendener, Martha, review, in: TimeOut New York, Issue 271, November 30 – December 7, 2000, p. 91 --, in: Line Dance, New York, December 4, 2000, p. 134 Kimmelman, Michael, in: New York Times, December 1, 2000 --, in: The New Yorker, December, 2000 Comis, Guido, Sue Williams, in: Tema celeste, Milan, no. 82, October-December 2000, p. 97, ill. Pollack, Barbara, --, in: Artnews, November 2000, p. 46 Shimada, Junko, --, in: Studio Voice, Japan, Vol 297, September 2000, p. 36 --, Reconfiguration, in: The New Yorker, July 24, 2000, p. 14 Solomon, Deborah, Art Girls Just Wanna Have Fun, in: The New York Times Magazine, January 30, 2000, p. 39

1999

San Francisco Museum of Modern Art (ed.), Looking at ourselves: Works by Women Artists from the Logan Collection, San Francisco, 1999 (exh.cat.) Pollack, Barbara, Artnews, November, p. 46 Jack S. Blanton Museum of Art (ed.), Negotiating Small Truths [curated by Annette DiMeo Carlozzi], 1999, p. 102 (exh. cat.) Albright Knox Art Gallery (ed.),  American Landscapes: recent paintings by Inka Essenhigh, Buffalo (N.Y.), 1999, p. 7 (review), in: Handelszeitung, Zürich, December 8, 1999, p. 25, ill. Falkenstein, Michelle, What’s so good about being bad, in: ARTnews, New York, November 1999, pp. 158-163, ill. Turner, Grady T., Sue Williams, Spinning Figures, in: Flash Art, Milan, no. 208, vol. XXXII, October 1999, pp. 88-89, ill. Schade, Christopher, review of Negociating Small Truths, in: Austin American Statement, september 18, 1999 Reilly, Maura, in: Art in America, New York, February 1999, p. 115

1998

Klein, Richard, Nahas, Dominique [et al.], Pop Surrealism, Ridgefield: The Aldrich Museum of Contemporary Art, 1998, ill. (exh.cat.) Sozzani, Franca (ed.), A Noir, Paris: Editions Assouline, 1998 Under the influence, in: New York Magazine, New York, November 2, 1998, ill. (review), in: The New Yorker, New York, October 26/November 2, 1998, ill. Smith, Roberta, --, in: The New York Times, New York, vol. CXLVIII, no. 51/326, October 30, 1998, p. E38, ill. 1997 Sussler, Betsy (ed.), Speak Art: the Best of Bomb Magazine’s Interviews with Artists, New York: New Art Publications, published under licence under G + B Arts International, 1997, pp. 128-137, ill. Curiger, Bice, Perrone, Jeff [et al.] (ed.), Birth of the Cool, Zurich: Cantz, 1997, pp. 100-103, ill. (exh.cat.) Phillips, Lisa, Neri, Louise (ed.),

1997

Biennial Exhibition, New York: Whitney Museum of American Art, 1997 (exh.cat.) Impressionist, Modern and Contemporary Art, New York: Sotheby’s, 1997 (exh.cat.) Cappellazzo, Amy, Art on Paper, Greensboro: Weatherspoon Art Gallery, 1997 (exh.cat) Nilsson, Bo, A House Is Not a Home, Malmo: Rooseum, Center for Contemporary Art, 1997 (exh.cat.) Decter, Joshua, a/drift: Scenes from a Penetrable Culture, Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 1997 (exh.cat.) Nesbit, Molly, Touched/Angetastet, in: Parkett, Zurich: Parkett-Verlag, no. 50/51, December 1997, pp.177-185, ill. Dannatt, Adrian, Sweet Williams/Sanfte Attacke, in: Parkett, Zurich: Parkett-Verlag, no. 50/51, December 1997, pp. 186-199, ill. Camhi, Leslie, Domestic Horror/Häuslicher Horror, in: Parkett, Zurich: Parkett-Verlag, no. 50/51, December 1997, pp. 200-208, ill. Williams, Sue, Edition for Parkett, in: Parkett, Zurich: Parkett-Verlag, no. 50/51, December 1997, pp. 209-211, ill. Bad Girl, in: Neue Zürcher Zeitung, Zurich, November 21, 1997 Schjedahl, Peter, Painting Rules, in: The Village Voice, New York, September 30, 1997 BC, Birth of the cool. Amerikanische Malerei von Georgia O'Keefe bis Christopher Wool, in: Kunsthaus Zürich. Mitteilungsblatt der Zürcher Kunstgesellschaft, no. 2, 1997, pp.6-15 Goodman, Jonathan, Sue Williams at 303, in: Art in America, New York, May 1997, ill. Muster, Michael, (review), in: New Art Examiner, Chicago, April 1997 Schwendener, Martha, (review), in: Flash Art, Milan, vol. XXX, no. 193, March-April 1997, p. 120, ill. Stevens, Marc, The Ends of Art, in: New York Magazine, New York, March 31, 1997 Smith, Roberta, (review), in: The New York Times, New York, January 10, 1997 Saltz, Jerry, (review), in: Time Out New York, New York, January 1997, ill. Schjeldahl, Peter, Shock of the Good, in: The Village Voice, New York, January 1997, ill.

1996

Krempel, Ulrich [et al.], Sex & Crime: Von den Verhältnissen des Menschen, Hannover: Sprengel Museum, 1996 (exh.cat.) Weissman, Benjamin, Sue Williams. Regen Projects, in: Artforum, New York, November 1996, ill. Cooper, Jacqueline, (review), in: New Art Examiner, Chicago, May 1996, ill. Gonzales-Day, Ken, (review), in: Art Issues, Los Angeles, May 1996, ill. Hofleitner, Johanna, Auf den Leib geschrieben, in: Flash Art, Milan, March-April 1996, p. 49 McKenna, Kristine, After Darkness, Sue Williams Discovers Softer Hues of Life, in: Los Angeles Times, Los Angeles, March 30, 1996

1995

Kertess, Klaus, 1995 Biennial Exhibition, New York: Whitney Museum of American Art, 1995 (exh.cat.) Imperfect, Amherst: Herter Art Gallery, University of Massachusetts, 1995 (exh.cat.) Romano, Gianni, Oltre La Normalita Concentrica, Padova: Communune di Padova, 1995 (exh.cat.) Sobel, Dean, 25 Americans: Painting in the 90‘s, Milwaukee: Milwaukee Art Museum, 1995 (exh.cat.) Weibel, Peter, Pittura Immedia: Malerei in den 90er Jahren, Graz: Neue Galerie am Landesmuseum Joanneum Graz, 1995 (exh.cat.) Auf den Leib geschrieben, Vienna: Kunsthalle im Museumsquartier, 1995 (exh.cat.) Coicido y Crucido, Madrid: Museo Nacional Centro De Arte Reina Sofia, 1995 (exh.cat.) Goldberger, Paul, The art of his choosing, in: The New York Times Magazine, New York, February 26, 1995, pp. 30-39, 52-55, 61-62, ill. Collin, Françoise, Fémininmasculin: Des Organes sans Corps, in: Blocnotes, Paris, no. 11, January-February 1996, pp. 80-83, ill. Hapgood, Susan, Sue Williams at 303 (review), in: Art in America, New York, January 1995 Schwabsky, Barry, Sue Williams at 303 Gallery (review), in: Artforum, New York, January 1995, ill.

1994

Wilhelm, Daniel, Kaufmann (ed.), Furor, Geneva: Voltare, 1994 (exh.cat.) ICA (ed.), Bad Girls, London, (exh. cat.) Levin, Kim, Choices, in: The Village Voice, New York, November 15, 1994 Rimaneli, David, Beyond Victimology, in: The New Yorker, New York, November 14, 1994 Bonami, Francesco, Group Shows, in: Flash Art, Milan, Summer 1994, p. 65 1993

1993

Biennial Exhibition, New York: Whitney Museum of American Art, 1993 (exh.cat.) Smyth, Cherry, Cottingham, Laura [et al.], Bad Girls, London: Institute of Contemporary Arts, 1994 (exh.cat.) Kaanert Art Museum (ed.), Out of Town, Illinois: Kaanert Art Museum, 1993 (exh.cat.) Nathalie Karg (ed.), Playing House, New York: Nathalie Karg, 1993 (exh.cat.) They Eat Shit, San Francisco: San Francisco Art Institute, 1993 (exh.cat.) Peretta, Gabriele, (review), in: Flash Art, Milan, vol. XXVI, no. 178, 1993, p. 115 Spero, Nancy, Sue Williams (interview), in: Bomb, New York: New Art Publications, Winter 1993, p. 22-27, ill. Moore, Catriona, Cunts with Attitude, Acting Out in the Gallery, in: Art & Text, September 1993, pp. 34-37 Edelman, Robert G., (review), in: Artpress, September 1993, p. 87 Baker, Kenneth, Sue Williams‘ In Your Face Art, in: San Francisco Chronicle, San Francisco, July 25, 1993, pp. 45-46 Volkart, Yvonne, Dreck und Bellezza, in: WOZ, Zurich, no. 23, June 11, 1993, ill. Ayerza, Josefina (ed.), Sue Williams, in: Lacanian Ink, New York, no. 7, Spring-Summer 1993, p. 110 Heartney, Eleanor, Identity Politics at the Whitney, in: Art in America, New York, May 1993 Lebovici, Elizabeth, Le Whitney de New York à l’heure Clinton, in: Libération, Paris, April 24, 1993, p. 31 Danto, Arthur C., The 1993 Whitney Biennial, in: The Nation, New York, April 19, 1993, pp. 533-536 Madoff, Steven Henry, Whitney Biennial: Apocalypse Now?, in: ARTnews, New York, April 1993, p. 129 Hughes, Robert, A Fiesta of Whinning, in: Time, New York, March 22, 1993, pp. 68-69 Hess, Elizabeth, S=Biennial, in: The Whitney Biennial, 1993, ill. Helfand, Glen, Changing the Subject, in: San Francisco Weekly, San Francisco, 1993 Bonetti, David, Artists find fresh ways of looking at the human torso, in: San Francisco Examiner, San Francisco, 1993, p. E-11 Pagel, David, Stuart Regan Gallery (review), in: Artforum, New York, January 1993, p. 104 Bonami, Francesco, Sue Williams, in: Flash Art, Milan, vol. XXVI, no. 177, 1993, ill.

1992

Larson, Kay, What A Long, Strange Trip, in: --, New York, 1992, pp. 71-72 Princenthal, Nancy, Going to Extremes: Violence in Contemporary Sculpture, in: --, 1992 Rugoff, Ralph, It’s a Bash, Sue Williams uses bad-boy art for women’s revenge, in: LA Weekly, Los Angeles, no. 47, December 4-10, 1992, p. 47, ill. Cameron, Dan, Reverse Backlash, Sue Williams‘ Black Comedy of Manners, in: Artforum, New York, vol. 31, no. 3, November 1992, pp. 70-73, ill. Kandel, Susan, Hurtful Laughter, in: Los Angeles Times, Los Angeles, November 12, 1992 The Question of Gender in Art (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, Special Issue, Autumn 1992, pp. 54-55, ill. Schor, Mira, Amnesiac Return, in: Tema Celeste, Syracuse/IT, no. 37-38, Special Issue, Autumn 1992, pp. 16-17, ill. Averra, Josefina, -- [Interview], in: Lacanian Ink, #7, Spring/Summer, 1992, p. 110 --, in: New Observations, Issue #96, July-August, 1992, p. 3 Cottingham, Laura, Painted Bad, in: Frieze, London, no. 5, June-July-August 1992, pp. 32-36, ill. Smith, Roberta, An Angry Young Woman Draws A Bean On Men, in: The New York Times, New York, May 24, 1992, p. 25, ill. Hess, Elizabeth, Spiritual America, in: The Village Voice, New York, May 19, 1992, p. 101, ill. Smith, Roberta, (review), in: The New York Times, New York, May 15, 1992, p. C-24, ill. Lebovici, Elizabeth, Le Whitney de New York à l’heure Clinton, in: Libération, April 24, 1992, p. 31 Mahoney, Robert, (review), in: Arts Magazine, New York, April 1992 Cameron, Dan, Don't look Now, in: Frieze, London, no. 3, March-April, 1992, pp. 4-8, ill. --, in: Sculpture, Washington, March-April 1992, pp. 58-61 --, Guest Room with a View, in: Paper Magazine, February 1992, p. 16 Guest Room with a View, in: Paper Magazine, New York, February 1992, p. 16 Rian, Jeff, What’s All This Body Art?, in: Flash Art, Milan, January-February 1992, p. 50 Barden, Lane, Body Language, in: Artweek, San José, January 7, 1992, p. 23 Cameron, Dan, The Changing Tide, in: Art & Auction, New York, January 1992, p. 54 Halle, Howard, Oh Baby, in: Grand Street, no. 43, 1992, pp. 153-167

1991

Rosamund Felsen Gallery (ed.), Presenting Rearwards, Los Angeles, 1991 (exh. cat.) Kimmelman, Michael, (review), in: The New York Times, New York, November 1, 1991, p. C-16 Hess, Elizabeth, Death to the Masters, in: The Village Voice, New York, October 22, 1991 Holst, Lise, (review), in: Art in America, New York, Summer 1991 Mahoney, Robert, (review), in: Arts Magazine, New York, April 1991 Men vs. Women, in: Los Angeles Times, Los Angeles, January 11, 1991

1990

Saltz, Jerry, Twisted Sister, in: Arts Magazine, New York, May 1990, pp. 17-18, ill. Humphrey, David, Hair Piece, in: Art Issues, Los Angeles, February 1990

1989

Decter, Joshua, (review), in: Arts Magazine, New York, October 1989, p. 100, ill. Williams, Sue, Project for BOMB magazine, September 1989 Miller, John, Sue Williams, in: Artforum, New York, September 1989 Levin, Kim, Choices, in: The Village Voice, New York, July 11, 1989 Smith, Roberta, (review), in: The New Yorker, July 10, 1989 Smith, Roberta, (review), in: The New York Times, New York, June 30, 1989

1984

Smith, Roberta, (review), in: The Village Voice, New York, September 4, 1984