Selected Bibliography


Dirié, Clément and Eléonor de Pesters (eds.), Art Basel Year 46, fair catalogue, Art Basel June 13 – June 19th, Basel. Zurich: JRP Ringier, 2016, pp. 667, 669, ill. 


20 Minuten. (2015). Turner-Preisträger Martin Boyce im MGK-Basel. Retrieved April 24, 2015. from:
ArtfixDaily ArtWire. RISD Museum to Present Martin Boyce: When Now is Night, A Major Survey Exhibition of theScottish Sculptor. Retrived May 26, 2015. from:
Gerig, K. (2015) Martin Boyce zeigt die poetische Seite des Kulturpessimismus. Retrieved April 27, 2015. from:
Glauner, M. (2015) Martin Boyce. . Retrived September 2015. from
Grammel, S. Verwoert, J. (2015) Destabilizing Canonical Meaning. In: The Future is Here. May. pp.50-53.
Hight, R. (2015). RISD exhibit explores the dark side of Modernism. In: The Brown Daily Herold. October 9, 2015. Issue 82.
Manthey, S. (2015). Martin Boyce: There are Places. In: Kunst Bullentin. June. pp. 40-49.
Molon, D. (2015). Martin Boyce: When Now is Night.. New York. Princeton Architectural Press.
Object lessons. In: Cultured. Fall 2015. pp. 210-213.
Sansom, A. (2015). In a strange, sculptural way...:Martin Boyce’s fondness fro the surreal. In: Damn-Magazine (Nr.52). pp.72-78.
Smee, S. (2015 )Martin Boyce: When Now Is Night.In: Boston Sunday Globe. September 10, 2015.
Van Siclen, B. (2015). Esteemed Scottish artist Martin Boyce makes U.S. debut with RISD Museum show. Retrived September 27, 2015. from:
Ziegler, Y. (2015). Traumverlorene fragile Landschaften: Das Basler Museum für Gegenwartskunst zeigt Martin Boyce. Retrieved May 16, 2015. from:


Centro de Artes Visuales Fondacion helga de Avelar [Hrsg.], Las Lagrimas de las Cosas. The Tears of Things, Caceres: Centro de artes visuales fundacione Helga Alvear, 2014, pp. 158/159, 216 ill.
Ingeborg, R. (2014), MARTIN BOYCE AUSSTELLUNG JOHNEN GALERIE: Wenn die Sonne im Kamin verschwindet. Retrieved Dec 8, 2014, from
Rose, J. (2014). Steven Holl and Martin Boyce; Talk about their Collaboration at the Glasgow School of Art. In: Artforum, April 2014, (Vol 52, N8), pp. 238 – 241.


Jeffrei, M. (2013). Exhibitions: At Land | Martin Boyce. Retrieved July 20, 2013, from
Martin Boyce. (2013). A Partial Eclipse. MACK
Lacey, H. (2013). The Inventory: Martin Boyce. Retrieved April 26, 2013, from:


Mansfield, Susan (2012). Interview: Martin Boyce on his set-designing for Scottish Ballet. Retrieved October 22, 2012, from
Martin Boyce,in Kunst bulletin 1-2 2012, p. 93.
Wiehager, Renate und Christian Ganzenberg (Hrsg.) Martin Boyce. Köln,DE: Snoeck Verlagsgesellschaft GmbH


-- (2011). “I'll always be 'Turner Prize-nominated Martin Boyce'. Retrieved October 12, 2011, from Creative Times.
-- (2011). Martin Boyce's Muse Music. Retrieved January 5, 2012, from
-- (2011). Vier gewinnt - die Turner Preis 2011 Ausstellung in Newcastle upon Tyne, Contemporary goes North und GoSee geht mit Damien Hirst, Gilbert & George, Wolfgang Tillmanns - sie alle erhielten den Turner Prize. Retrieved November 8, 2011 from
Abbott-Gribben, João (2011). Has the Turner Prize lost its mojo? João Abbott-Gribben explores the Turner Prize 2011. Retrieved November 29, 2011, from
B.K. (2011). The Turner prize 2011. Worth a trip, even to Newcastle. Retrieved October 29, 2011 from
Baghdjian, Alice (2011). Favourite Martin Boyce scoops Turner Prize. Retrieved December 6, 2011, from
Burnside, Anna (2011). Glasgow at the avant-garde of the art world. Rerieved December 12, 2011, from
Cattanach, Andrew (2011). Martin Boyce: Urban Legend. Martin Boyce is one of two Scotland-based artists nominated for this year's Turner Prize. Showing at the Baltic, Gateshead, from 21 October as part of the prize's annual show, we hear how the venue, the city and design have impacted on his work. Retrieved October 3, 2011, from
Collett- White, Mike (2011). Turner Prize wins over critics before awards. Retrieved December 5, 2011 from
Cooper, Neil (2011). The Hot 100 2011 - No. 7: Martin Boyce on winning the Turner Prize: The Glasgow artist on Glasgow School of Art, fame and the future. Retrieved January 5, 2012, from
Cripps, Charlotte (2011). Cultural Life: Martin Boyce, artist. Retrieved October 3, 2011 from 2362936.html?service=Print.
Darwent, Charles (2011). Turner Prize 2011, Baltic, Gateshead: It's never easy to predict, not least because the best artist so seldom wins. But this year's Prize is hard to call because the shortlist is so strong. Retrieved October 27, 2011 from
Higgins, Charlotte (2011). Turner prize winner Martin Boyce: triumph of a slowburner: He was the best at drawing in school – a boy who stole a Joy Division LP just for its cover. In his first interview, Turner prize winner Martin Boyce speaks to Charlotte Higgins. Retrieved December 12, 2011, from
Milliard, Coline. (2011). Meet the Turner Prize Nominees: A Q&A With Scottish Artist Martin Boyce. Retrieved November 14, 2012, from

o.A. (2011). Art review: Turner Prize 2011, Baltic, Newcastle. Retrieved October 27, 2011, from
Sharratt, Chris (2011). What the Turner Prize really teaches us about contemporary art: When Martin Boyce accepted the Turner Prize, he made a powerful comment about the importance of education. Retrieved December 12, 2011, from
Whetstone, David (2011). Turner Prize 2011: Turner Prize nominee Martin Boyce. Retrieved November 3, 2011, from
Wiles, William (2011). Martin Boyce. Retrieved November 15, 2011, from
Wullschlager, Jackie (2011). A turn for the better: The 2011 Turner Prize show, held outside a Tate venue for the first time, is a breath of fresh air. Retrieved October 27, 2011, from
Youngs, Ian (2011). Profile: Turner Prize winner Martin Boyce. Retrieved December 6, 2011, from


Living Rooms, Pièces à vivre, conseil général de l`essonne, Essonne, 2010, pp. 10, 63.
The Garage Center for Contemporary Culture, Hayward Gallery, The New Decor, Hayward Publishing, London, pp. 37, 44-47.
Kopp, Herbert (ed.) 2010, Permanent Trouble. Sammlung Kopp, München, Ausstellungskatalog, 21.03.-13.06.2010, Kunstforum Ostdeutsche Galerie, Regensburg. Köln: Snoeck Verlagsgesellschaft, p. 32, ill.
Monopol 7/2010, Michael Ringier (ed.), Juni Kunstverlag, Berlin, 2010, p.133.


Boyce, Martin, Commission: Martin Boyce, MAP, Summer 2009, Issue 18, pp. 29-39.
Boyce, Martin, No Reflections, Nethergate, Dundee: Dundee Contemporary Arts (on the occassion of the Venice Biennale 2009), 2009.
Cope, James, Being and Nothingness, Light&Sie, (exhibition catalogue), March 2009, pp. 6-9.
Day, Charlotte, Martin Boyce: Ghosts in the landscape, Art & Australia, Vol. 46, No. 4, Winter 2009, pp. 570-573.
Delaney, Max, Solo Shows, Frieze, Issue 120, January / February 2009, pp.106/107.
Delany, Max, Looking back: Solo Show, in: Frieze, January-February 2009, p.106.
Dorment, Richard, Prize Collector’s Leap of Faith, The Daily Telegraph, Tuesday, June 9, 2009, p. 25.
Forbat, Sophie (ed.) 2009, 40 years: Kaldor Public Art Projects, exhibition catalogue, 02.10.2009 – 14.02.2010, Art Gallery of New South Wales, Sydney. Sydney: Kaldor Public Art Projects, pp. 250 - 259, ill.
Frac des Pays de la Loire/ Westfälischer Kunstverein/ Ikon Gallery (ed.): Martin Boyce. Zurich: JPR | Ringier Kunstverlag, 2009 (exh. cat.).
Gateau, Laurence, Carina Plath and Nigel Prince (eds.) Martin Boyce, (monograph), JRP, May Ringier, Mai 2009.
Häussler, Harriet und Bastian, Aeneas, Aus Künstlersicht. 13 Fragen – 51 Interviews – According to the Artists. 13 Qustions – 51 Interviews, Bielefeld: Kerber Verlag, 2009, pp. 32 – 36.
Herbert, Martin, Sifting Defunct Modernity in Search of Something Useful, in: Tate etc., No. 15, Spring 2009, pp. 62-69.
Jeffrey, Moira, Pilgrim to a Far Pavilion, Scotland on Sunday, January 4 2009 pp.12/13.
McLean-Ferris, Laura, Martin Boyce, (interview), Art World, Issue 10, April-May 2009, pp. 76-79.
Miller, Phil, Scottish ‘fractured landscapes’ head for Venice, The Herald, 30 April 2009.
Scottish Pavillon-Martin Boyce, Mousse, Contemporary Art Magazine, Issue 19, 2009, p. 125.
Sherwin, Skye, MARTIN BOYCE Scottish Pavilion, Art Review, Issue 33, Summer 2009, p. 94.
Yisun Kwon, Liz, Art & Space_Martin Boyce, Bob Magazine, Issue 055, pp. 129-133.


Boyce, Martin, The Artist’s Artists, (Best of 2008) Art Forum, December 2008, Issue XLVII, No 4, p.98.
Cros, Caroline, Qu’est-ce que la sculpture aujourd’hui?, Beaux-Arts éditions, Paris 2008, pp. 62/63.
Diez, Renato, Art Basel. Cosa compro con 40 mila euro?, in: Arte, May 2008, pp.126-131.
Helena Winston (ed.), theanyspacewhatever, Ausstellungskatalog, 24.10.2008 – 07.01.2009, Solomon R. Guggenheim Museum, New York. New York: Guggenheim Museum Publications, pp. 216/217, ill.
Luckow, Dirk (ed.), Heavy Metal. On the Inexplicable Lightness of a Material, Kunsthalle zu Kiel, Hatje Cantz Verlag, Ostfildern, 2008 (exh. cat.).
Manacorda, Francesco, Lydia Yee, Corinna Gardner, (eds.), Martian Museum of Terrestrial Art, (exhibition catalogue), Barbican Art Gallery, London, 2008.
Miller, Phil, ‘Big and Bold’ Show to Represent Venice at Scotland Biennale, 19 September 2008.
Stonard, John-Paul, The Third Mind, Palais de Toyko, in: Artforum, No. 7, March 2008, p. 373.


Butler, Emily, Bruce Haines, Echo Room, (exhibition catalogue), Consejería de Cultura y Deportes Comunidad de Madrid, British Council, 2007, pp. 128-137.
Unmonumental. The Object in the 21st Century, New Museum of Contemporary Art New York, New York, 2007 (Exh. Cat.).
Ugo Rondinone, The Third Mind, Palais Magazine, No. 04, Paris, Fall 2007.
La cámara del eco, in: Todo Madrid, April 9, 2007.
Nacho Santos, La cámara del eco, in: Arte, April, 2007, p. 25.
Arte británico actual. Por el fin de la ironía, in: La Vanguardia, Barcelona, May 2, 2007, p. 19.
La razón desvaída, in: El Pais, Madrid, April 28, 2007, p. 20.
Mirando desde una Isla, in: ABC de las artes y las letras, Madrid, April 28, 2007, pp. 38/39.
Los Nuevos Britanicos, in: El Mundo S.XXI, Madrid, April 13, 2007, p. 62.
Ecos de la Modernidad, in: El Mundo, Madrid, April 5, 2007, p. 33.
Ecos de las vanguardias, in: Diario Palentino, Palencia, March 30, 2007, p. 58.
The Echo Room, in: El Pais, Madrid, March 30, 2007, p. 42.
Menz, Marguerite, in: Kunst-Bulletin, No. 8, July/August 2007, p. 62.
Menz, Marguerite, Verlorene Katzen, in: NZZ, No. 168, July 23, 2007, p. 20.
Mack, Gerhard, in: NZZ am Sonntag, July 1, 2007, p. 67.
Martin Boyce, in: Monopol, No. 7, July 2007, p. 128.


Butler, Emily, Bruce Haines, La Cámara del Eco, Arte Británico. Echo Room, Art from Britain, Exh. Cat. Alcalá31/British Council, Madrid, 2006.
Haubrock, Axel, Der Konzeptioner, in: Spike, No. 10, Winter 2006, pp. 100-103.
Herbert, Martin, All That is Solid, in: frieze, No. 102, October 2006, pp. 232-237.
Royal College of Art, Again for Tomorrow, Royal College of Art, London, 2006
Ward, Osian, Brise im Blätterwald aus Beton, in: monopol, No. 5, October/November 2006, pp. 68-72.
Weibel, Peter, Jansen, Gregor (ed.), light art from artificial light. Light as a Medium in 20th and 21th Century Art, ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe, 2006, p. 551.


Lunn, Felicity, Martin Boyce: Reviews - Galerie Eva Presenhuber, Zürich, in: Artforum International Magazine, XLIII, No. 5, January 2005, p. 192.


Derieux, Florence, Martin Boyce, géomètre, in: Art Press, September 2004.
Iain Gale, in: The Scotsman, May 14, 2004.
Mansfield, Susan, Martin Boyce, in: The Scotsman, May 22, 2004.
Mottram, in: The List, April 29 – May 13, 2004.


Fabricius, Jacob, in: Flash Art, May/June 2003.
Larsen, Lars Bang, Martin Boyce. Tramway, in: Artforum International, Summer 2003, No.10, p.202.
Williams, Gilda (ed.), Cream 3. Contemporary Art in Culture, London: Phaidon, 2003, pp. 80 – 83, ill.


Dorment, Richard, in: The Daily Telegraph, January 15, 2002.
Garavelli, Dani, in: Scotland on Sunday, November 17, 2002.
Lorch, Catrin, in: Kunst-Bulletin, December 2002.
Osberghaus, Monika, in: Frankfurter Allgemeine Zeitung, September 13, 2002.
Pfeffer, Susanne, For 1959 Capital Avenue (exhibition text, Frankfurt), September 2002.


Bradley, Will, Ero Gravity, Exhibition catalogue, April 2001.
Caoimhin Mac Giolla Leith, in: Artforum, December 2001.
Hess, Barbara, in: Flash Art, Januaray / February 2001.
Tufnel, Rob, Here + Now, exhibition catalogue, September 2001.


Bloom, Ina, What if Modern Museet Stockholm, in: Frieze, September 2000.
Crowley, David, The Jerwood Gallery, February 2000.
Gidley, Tom, Martin Boyce, Fruitmarket Gallery Catalogue, May 2000.
McLaren, Duncan, in: The Independent on Sunday newspaper, January 23, 2000.
Mulholland, Neil, If I ruled the World, CCA Glasgow, in: Frieze, September 2000.
Smyth, Cherry, in: Art Monthley, May 2000, Becks Futures ICA, London.