Valentin Carron's latest body of work examines figuration as a fundamental concern of art and translates this into a contemporary visual language. Through this supposedly worn-out motif, he explores the origins of artistic representation and uses his sculptures to relate to the first cultural expressions of man.
Ugo Rondinone’s performatively costumed and made-up clowns stand in as those figures who remain outside society’s mainstream. In a time in which we have spent hours contemplating solitude, Rondinone offers the opportunity to explore notions of being through his community of jesters.
This major exhibition focuses on the importance of Steven Shearer’s archive of photographic and print material, collected over the past 25 years, and showcases how this pictorial reservoir continues to act as source material for works across a variety of media, including sculpture, prints, drawings, and painting.
Shara Hughes’ latest landscape paintings transcend spirituality, which was inspired by physical nature, bridging utopia and reality. The Bridge not only is an epitome of Hughes’ creative breakthrough during the pandemic but extends to her profound understanding of life and death, man and universe, ephemerality and immortality.
In this Sydney-exclusive exhibition, see Doug Aitken's installations, objects, photographs, and vast immersive multi-screen environments that will envelop you within a kaleidoscope of moving imagery and sound. Aitken's works lead us into a world where time, space, and memory are fluid concepts.
Who Is Queen? transforms MoMA’s Marron Family Atrium into a dynamic arena exploring Blackness, abstraction, and the avant-garde. Adam Pendleton has created a spatial collage of text, image, and sound—a total work of art for the 21st century.
For Oscar Tuazon, the artistic practice is a principle of life. His works are de facto inseparable from what can be called a life project, which includes living on the fringe of society, at the periphery of social codes, in pursuit of harmony with the environment that surrounds him.
Shara Hughes is often referred to as a landscape painter, but from the artist’s point of view, her paintings “are not really about landscapes” at all. Hughes' first major solo museum show in the US, On Edge includes more than 30 paintings, drawings, and prints.