In September 2025, the mumok in Vienna will present a solo show by the Austrian artist Tobias Pils. Curated by Manuela Ammer, it will be the most comprehensive presentation of the artist's oeuvre to date. Along with an overview of his painterly works of the last decade, it also highlights the artist’s extensive drawing practice. A site-specific mural, which references both the transitory and the spatial dimensions of Pils’ work, is also part of the show.
ACCA is delighted to present the first Australian solo exhibition of revered American contemporary artist Tschabalala Self. With new and recent large-scale paintings and works on paper and an immersive 3-channel video installation. Skin Tight introduces Australian audiences to a practice celebrated for its beauty and sophistication.
The Madoo Conservancy presents an exhibition of unique works by Ugo Rondinone. Featuring sixteen black-painted sailboats made within the last four years. A flotilla of black ships occupies the room, each set on a polished concrete plinth with a white top as shiny as the moonlit sea in a 19th-century photograph. Varying in scale, the sailboats recall hobbyist models familiar to this region—or to any seafaring community with a culture of leisure craft.
Tschabalala Self’s distinctive practice combines painting, printmaking, and sewn elements to construct textured depictions of female figures. Her work explores the complexities of identity and Black womanhood, blending traditions from both fine art and craft and using collage as a metaphor for the layered nature of selfhood. Ahead of her presentation at Tokyo Gendai with Galerie Eva Presenhuber this September, Self discusses the evolution of her technique and the intuitive interpretations she hopes viewers will bring to her work.
The exhibition featuring twelve iconic masks by Ugo Rondinone are unveiled on July 26 during The Watermill Center’s annual summer benefit. Installed across the Center’s grounds, the masks will be accessible to the public from dawn to dusk and will remain on view through spring 2026. This long-term exhibition reflects the Center’s commitment to showcasing visionary contemporary art in dialogue with its distinctive natural surroundings.
Museum Penzberg - Campendonk Collection shows over 60 works by the American painter Austin Eddy: From larger than life to postcard format. In multi-layered oil crayon, watercolour, drawing, collage and sculpture, Austin Eddy develops his pictorial language develops his visual language between figure and abstraction. Birds and fish, flowers, trees and buildings, which are more poetic forms than animals, nature and dwellings, enchant the viewer with their extraordinarily appealing visual language.
Yuz Museum is pleased to present Songs for the Sun, the first solo exhibition in China of Torbjørn Rødland, a pioneer of contemporary photography, featuring more than 20 works spanning from 2005 to 2023. Through his unique visual language full of calmness and tension, Rødland transforms ordinary scenes of everyday life into poetic expressions that contain existentialist thinking, reflecting the emotional atmosphere of the current era and the living conditions and spiritual aspects of modern people.
One of the most significant artists of his generation, Fischli is known for his four-decades-long collaboration with the late David Weiss (1946-2012) as the groundbreaking conceptual duo Fischli/Weiss. Today, Fischli’s solo practice continues his longstanding critical engagement with the aesthetics of the everyday and systems of meaning, through works that playfully upend the distinctions between art and life.
The Austrian painter Tobias Pils approaches the canvas with a precise idea, which he then executes in a muted color palette. He lets the energy of his subject speak through him, but is careful to add a certain estrangement to the work, so that the result offers a possibility of connection for everybody. Pils mixes abstract and figurative elements and thus constructs a multi layered composition. Once he is finished, a window that opens up in the work that will lead him to the next one, therefore placing his paintings into a process of creation.
La cinquième essence, a new solo exhibition by Jean-Marie Appriou, allows the artist to explore his medium of choice, sculpture – aluminum, bronze, glass, clay - and uses the architecture, built around a patio, to distill the four elements employed in his work: water, earth, air and fire. Alchemy introduces a fifth element, or a fifth essence: ether. According to its antique and medieval definition, ether is the invisible element that fills the void. It is everything and nothing, it gives life to others. That’s how Appriou approaches sculpture: “it is a matter of balance, of emptiness and fullness, of mass, like another part of life”.
This multimedia film installation showcases the complete body of work of Douglas Gordon, one of the most influential figures in video art. Unlike Gordon's renowned large-scale immersive projections, this installation evokes a personal video archive while providing an in-depth analysis of the themes that define his work.
Nothing Without Nature, a new solo presentation by Sam Falls, marks the inauguration of the Cookie Factory in Denver. Created specifically for the site, the exhibition features new paintings, sculptures, outdoor banners, and a live video installation that bring the immensity of Colorado’s landscapes into the gallery through direct collaboration with the natural world. Falls’ nomadic process embraces unpredictability and elemental forces. Working en plein air, he allows sunlight, wind, rain, and plant life to shape his canvases—surrendering control and inviting nature to act as co-author.
At Pilane Heritage, Ugo Rondinone presents five monumental stone sculptures from 2024—each with a distinct personality—and the bronze piece the sun from 2022. Standing nearly five meters tall, these rough-hewn yet expressive figures evoke ancient presences along the sculpture park’s pathway. Rondinone’s use of raw stone and archaic forms reveals a quiet beauty in the play of light, texture, and natural color. Set against the landscape of verdant hills and ancient burial grounds, the sculptures feel deeply rooted, as if they’ve always belonged there.
As part of the New Museum’s ongoing Facade Sculpture Program, Tschabalala Self will present a new site-specific work entitled Art Lovers. Self’s work depicts a romantic scene of a couple embracing, mirroring the architectural “kiss point” where the SANAA-designed building meets the OMA-designed expansion. Visible from Bowery and Prince Street, Art Lovers offers viewers a contemporary portrait of NYC life and the personal connections enabled by public spaces like museums.
The new show at the Hirshhorn Museum, “Adam Pendleton: Love, Queen,” plumbs the past, the idea of presence and the possibilities of what painting could be.
French artist Jean-Marie Appriou uses various materials, such as clay, bronze, and glass, to craft immersive sculptures that evoke mythological and surreal landscapes. Through his process-driven practice, he explores themes of mythology, subconscious realms, and universal narratives. In his sculptures, the artist blends classic influences with contemporary narratives, bridging his respect for ancient artistic traditions with a fascination for science fiction and different states of perception.
The Hirshhorn Museum presents Adam Pendleton: Love, Queen, a landmark exhibition of new and recent paintings as well as a single-channel video work in the Museum’s second-floor inner-ring galleries from April 4, 2025, to January 3, 2027. For his first solo exhibition in Washington, DC, Adam Pendleton will highlight his unique contributions to contemporary American painting while making use of the architecture of the Museum and the history of the National Mall.
The collection exhibition outlines a small history of aesthetics with reference to different epochs and styles. What is beautiful for one person, can be repellent for another. What is regarded as beautiful depends on the cultural, social and societal background. Not only does the idea of beauty constantly change, the relationship between beauty and art does so too. For a long time, art was supposed to teach and to adorn. With modernism, however, the close relationship between beauty and art is no longer taken for granted, on the contrary. Beautiful art is suspected of being more pleasing than profound.
For over twenty years, Joe Bradley has worked on a multi-layered oeuvre characterized by graphical, comic-like figuration, minimalism, and color field elements. Many of the works also have ironic traits often found in post-conceptual art. The show at the Kunsthalle Krems encompasses around 70 of Bradley’s most recent works, including paintings, drawings, and sculptures. It is the US American’s first museum exhibition in Austria.
Acting as reflections of the artist and viewer, the paintings of Swiss artist Louisa Gagliardi intend to capture internal and emotional worlds while mirroring the rapid developments in technology that shape our visual and social landscapes. Their liminal status—in between digitally crafted and physically constructed—addresses issues of self-curated identities while simultaneously navigating art historical narratives. On the occasion of her solo show Whereabouts at Eva Presenhuber in Vienna, Claire Koron Elat sat down with Gagliardi to discuss why we seem to be more confident when we’re children, cringing over old work, and being forced to be pessimistic.