1964, born in Aylesbury, UK
1983 – 1984, Hertfordshire College of Art, Hertfordshire, UK
1984 – 1987, Goldsmiths College, University of London, B.A. (Hons.), London, UK

Lives and works in New York, NY, USA and London, UK.
 

Solo Exhibitions

2018
There Should be Fresh Springs... Gallery Baton, Seoul
Liam Gillick Adam Pendleton Adam Pendleton Liam Gillick, Eva Presenhuber, New York

2017
The Light is no Brighter at the Centre, Contemporary Art Centre, Vilnius
Extended Soundtrack for a Lost Production Line: Ton und Film, Galerie Eva Presenhuber, Zurich
Were People This Dumb Before TV? Grafische Arbeit 1990-2016, Esther Schipper, Berlin

2016
Liam Gillick: Campaign, Serralves Museum of Contemporary Art, Porto
Phantom Structures, Casey Kaplan, New York
What’s What in a Mirror, Dublin City Gallery, The Hugh Lane, Dublin
The Red Wood Pigeon Meets Some Meetings, Air de Paris, Paris
Stardust Expressions, Taro Nasu, Tokyo

2015
1 rue Gabriel Tarde, Sarlat-La-Canéda, Dordogne, Micheline Szwajcer, Brussels
All-Imitate-Act, Stedelijk Museum/ Holland Festival, Amsterdam, Netherlands
Australian Fine Arts, Brisbane, Australia
The Thought Style Meets the Thought Collective, Maureen Paley, London. 

2014 
De 199C à 199D, Le Magasin, Grenoble, France
Revenons À Nos Moutons, Esther Schipper, Berlin, Germany
Complete Bin Development, Galerie Hans Mayer, Düsseldorf, Germany 

2013 
Vertical Disintegration, Taro Nasu, Tokyo, Japan
November 1 – December 21, with Louise Lawler, Casey Kaplan, New York, NY,  USA
Liam Gillick, The Contemporary Austin, Austin, TX, USA
From Fredensborg to Halen via Loch Ruthven Courtyard Housing Projections, HICA, Dalcrombie, Inverness-shire, UK
For the doors that are welded shut, Kerlin Gallery, Dublin, Ireland
Five Structures and a Shanty, Gallery IHN, Seoul, Korea

2012 
Four Propositions Six Structures, Alfonso Artiaco, Naples, Italy
Margin Time, Maureen Paley, London, UK
From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, Annandale- on-Hudson, New York, NY, USA
Scorpion or Felix, Galerie Eva Presenhuber, Zurich, Switzerland
Switzerland Scorpion and und et Felix, Casey Kaplan, New York,, NY, USA
Agreements, McNamara and Lead Times, Taro Nasu, Tokyo, Japan

2011
Liam Gillick: A Game of War Structure, Irish Museum of Modern Art, The Courtyard, Dublin, Ireland Sit in the machine, Air de Paris, Paris, France
it in the machine, Micheline Szwajcer, Antwerp, Belgium  

2010  
1848!!!, Esther Schipper, Berlin, Germany One long walk... Two short piers..., Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany Seven Structures and a Large Vodka Soda..., Kerlin Gallery, Dublin, Ireland
Discussion Bench Platforms, A „Volvo“ Bar + Everything Good Goes, Casey Kaplan Gallery, New York, NY, USA
Everything Good Goes, Meyer Kainer, Vienna, Austria
Two Short Plays, Eastside Projects, Birmingham, UK  

2009  
How Will You Behave? A Kitchen Cat Speaks, German Pavillon, 53. Biennale di Venezia, Venice, Italy Three Perspectives And A Short Scenario, Museum of Contemporary Art, Chicago, IL, USA Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Vienna, Austria Wall Diagrams from the 1990s and early 2000s, House of Art, Budweis, Czech Republic Two Short Plays, Eastside Projects, Birmingham, UK Literally Based H.Z., 2006, IMMA – Irish Museum of Modern Art, Dublin, Ireland 

2008  
Three Perspectives And A Short Scenario, Witte de With Center for Contemporary Art, Rotterdam,  The Netherlands Three Perspectives And A Short Scenario, Kunsthalle Zürich, Zurich, Switzerland The State itself Becomes A Super Whatnot, Casey, Kaplan, New York, NY, USA Three Perspectives And A Short Scenario, Kunstverein München, Munich, Germany Fractional Factories in the Snow, Air de Paris, Paris, France   

2007  
Weekend in so Show, The Lab at Belmar, Lakewood, CO, USA The Commune itself Becomes a Super State, Corvi-Mora, London, UK  The State/Commune itself Becomes a Super State/Commune, Galerie Micheline Szwajcer, Antwerp, Belgium
Liam Gillick: Five Short Texts on the Possibility of Creating an Economy of Equivalence, United Nations Plaza, Berlin, Germany 

2006
We Are Medi(evil), Angela Bulloch and Liam Gillick, Cubitt, London Briannnnn & Ferryyyyy, Liam Gillick and Philippe Parreno, Kunsthalle Zürich, Zurich, Switzerland Literally based on HZ, The Kerlin Gallery, Dublin, Ireland The State Itself Becomes a Super Commune, Galerie Esther Schipper, Berlin, Germany  

2005  
222nd Floor, Galerie Eva Presenhuber, Zurich, Switzerland A Short Essay on the Possibility of an Economy of Equivalence, Palais de Tokyo, Paris, France Another 2004 Again , Baltimore Museum of Art, Baltimore, MD, USA Presentism, Corvi-Mora, London, UK Factories in the Snow,  Galerie Meyer Kainer, Vienna, Austria McNamara Motel, CAC Centro de Arte Contemporaneo Malaga, Malaga, Spain A Short Essay on the Possibility of an Economy of Equivalence, Casa Encendida, Madrid, Spain As You Approach the Edge of Town the Lights are no softer than they were in the Centre, Casey Kaplan Gallery, New York, NY, USA  

2004  
Construccion de Uno, Javier Lopez, Madrid, Spain A Group of People, Air de Paris, Paris, France Nineteenfortysixxisytrofneetenin,  Aspen Art Museum, Aspen, CO, USA Övningskörning (Driving Practice), Milwaukee Art Museum, Milwaukee, WI, USA Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp, Berlgium (rider): law and creativity, Liam Gillick & Philippe Parreno, Lund Konsthall, Lund, Sweden   

2003
Hills And Trays An , Galerie Schipper & Krome, Berlin, Germany ...Punctuated Everydays, Galerie Max Hetzler, Berlin, Germany Por Favor Gracias de Nada, Kurimanzutto (with Gabriel Kuri), México City, Mexiko Exterior Days, Casey Kaplan, New York, NY, USA Communes, Bars and Greenrooms, The Powerplant, Toronto, ON, Canada Projects 79: Literally, Museum of Modern Art, New York, NY, USA A Film, a Clip and a Documentary (with Sean Dack), Corvi-Mora, London, UK  

2002  
Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany The Wood Way, The Whitechapel Art Gallery, London, UK  Light Technique, Galerie Meyer Kainer, Vienna, Austria  

2001
Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Liam Gillick, Galeria Javier Lopez, Madrid, Spain  Liam Gillick, Corvi-Mora, London, UK Annlee You Proposes, Tate Britain, London, UK Dedalic Convention, Salzburger Kunstverein, Salzburg, Austria 

2000
Applied Complex Screen, Hayward Gallery, London, UK Liam Gillick, Galleri Charlotte Lund, Stockholm, Sweden Liam Gilllick, Galerie Schipper & Krome, Berlin, Germany Consultation Filter, Westfälischer Kunstverein, Münster, Germany Schmerz in einem Gebäude, Fig 1, London, UK Woody, CCA Kitakyushu Project Gallery, Kitakyushu, Japan Liam Gillick, Casey Caplan,  New York, NY, USA Renovation Filter: Recent Past and Near Future, Arnolfini, Bristol, UK Literally No Place, Air de Paris, Paris, France  

1999 
David, Frankfurter Kunstverein, Frankfurt am Main, Germany Liam Gillick, Galerie Rüdiger Schöttle, Munich, Germany 
‚ÄčLiam Gillick, Kunsthaus Glarus, Switzerland  

1998  
Liam Gillick, Kunstverein in Hamburg, Hamburg, Germany Up on the twenty-second floor, Air de Paris, Paris, France When Purity was Paramount, British Council, Prague, Czech Republic Liam Gillick, Big Conference Center, Orchard Gallery, Derry, UK Liam Gillick, Robert Prime, London, UK Révision: Liam Gillick, Villa Arson, Nice, France When do we need more tractors?, Galerie Schipper & Krome, Berlin, Germany The Trial of Pol Pot (with Philippe Parreno), Le Magasin, Grenoble, France Liam Gillick, c/o Atle Gerhardsen, Oslo, Norway  

1997  
Discussion Island, Basilico Fine Arts, New York, NY, USA  Discussion Island – A What if? Scenario Report, Kunstverein Ludwigsburg, Ludwigsburg, Germany A House in Long Island, Forde Espace d'art contemporain, L'Usine, Geneva, Switzerland Another Shop in Tottenham Court Road, Transmission Gallery, Glasgow, UK McNamara Papers, Erasmus and Ikuba Realisations, The What if? Scenarios, Le Consortium, Dijon, France Reclutamento!, Galleria Emil Fontana, Milan, Italy  

1996  
Erasmus is Late 'versus' The What if? Scenario, Gaelrie Schipper & Krome, Berlin, Germany Liam Gillick, Raum Aktueller Kunst, Vienna, Austria The What if? Scenario, Robert Prime, London, UK Documents (with Henry Bond), Galerie Schipper & Krome, Cologne, Germany  

1995  
Ikuba! (Part 1), Air de Paris, Paris, France Ikuba! (Part 2), Künstlerhaus Stuttgart, Stuttgart, Germany Ikuba!, Galleria Emi Fontana, Milan, Italy Part Three, Basilico Fine Arts, New York, NY, USA Documents (with Henry Bond), Kunstverein Elsterpark, Leipzig, Germany  

1994  
McNamara, Galerie Schipper & Krome, Cologne, Germany  Document (with Henry Bond), Ars Futura, Zurich, Switzerland Liam Gillick, Interim Art, London, UK  

1993
Documents (with Henry Bond), CCA, Glasgow, UK An Old Song and a New Drink (with Angela Bulloch), Air de Paris, Paris, France  

1992
McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice, France  

1991
Documents (with Henry Bond), Karsten Schubert Ltd, London, UK Documents (with Henry Bond), A.P.A.C., Nevers, France Documents (with Henry Bond), Gio’ Marconi, Milan, Italy

1989 
84 Diagrams, Karsten Schubert Ltd, London, UK

Group Exhibitions

2018
Travellers: Stepping into the Unknown, The National Museum of Art, Osaka. 
The Log-O-Rithmic Slide Rule: A Retrospective, Trix and Robert Haussmann, KW Berlin. 
Art is work, Krokus Gallery, Bratislava. 
Twilight, Borusan Contemporary, Istanbul. 
Apartment of Mr. Reverend, Regina Gallery, Moscow. 
Architecture of Storage, German Center for Architecture Berlin, DAZ, Berlin. 
Best of 10 years, Kunsthalle Weishaupt, Ulm. 
1998, Air de Paris, Paris. 
Soziale Fassaden, MMK, Frankfurt.

2017
Readymade, House Eva Presenhuber, Vna, Switzerland
Du verbe à la communication, Le Carre d'art Nimes 
Elbphilharmonie Revisited, Deichtorhallen, Hamburg
Variable Dimensions: Artists and Architecture, MAAT, Lisbon
Arts Council 40th Anniversary Exhibition, Night at the Museum, The Attenborough Centre, Leicester 
Park, (organized by Kerlin Gallery) Holly’s Gallery, Guangzhou, China
Poïpoï, une Collection Privée à Monaco, NMNM-Villa Sauber
John Latham - A World View, Serpentine Gallery, London 
The Interior and The Carpet, Pacific Design Center, Los Angeles
Everything you need to know about: The FY Foundation - An Exhibition, March 20 - June 23, 2017
Colori, Castelo di Rivoli, Turin
Shanghai Project Chapter 2: Seeds of Time, Shanghai Himalayas Museum
The Carpet Kartell, Tanja Grunert, New York. Best of 10 Years, Kunsthalle Weishaupt
99 Cents, Museum of Contemporary Art Detroit
Mental Yellow (High Noon) Kunstmuseum Bonn
How to Live Together, Kunsthalle Wien
Gesture, Form, Technique, Taro Nasu, Tokyo
True Faith, Manchester City Art Gallery, Manchester
A&A, Taimatz, Tokyo
Arquitecturas y Espacios en la Colección Rac, CentroCentro Cibeles, Madrid
Wall to Wall: Carpets by Artists, Katonah Museum of Art
A Green and Pleasant Land Towner, Art Gallery, Eastbourne
Flatland/Abstractions Narratives, Mudam, Luxemburg
Gems and Ladders, London Calling, The Design Museum, London
Parapolitics: Cultural Freedom and the Cold War, HKW Berlin
Publishing as an Artistic Toolbox: 1989–2017, Kunsthalle Wien
Always Someone Awake and Someone Asleep, Galerie des Galeries, Paris

2016
All Systems Go, Cooper Gallery, DJCAD, Dundee
Fluidity, Kunstverein in Hamburg, Hamburg
Expanded Fields, Nymphius Projekte, Berlin
Moving Image Department – 4th Chapter: The Rhetoric of Time, Revisited, National Gallery, Prague
A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Nasher Museum of Art at Duke University, Durham
Film, Eva Presenhuber, Zurich
All Over, Galerie Des Galeries, Paris
A History. Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich
30th Anniversary Programme, Grazer Kunstverein, Graz
The Natural Order of Things, Museo Jumex, Mexico City
Still (the) Barbarians, EVA International, Ireland’s Biennial, Limerick
Tobias Rehberger presently, Neugerriemschneider, Berlin
140K, Kunstraum Ortloff, Leipzig
FIFTY CIGARS FOR THE LIGHT OF THE FUTURE, Kunstverein KISS Kunst im Schloss Untergröningen e.V. (AdKV) Temporäres Museum, Abtsgmünd
Béton, Kunsthalle Wien Museumquartier, Vienna
If All Relationships Were to Reach Equilibrium, Then This Building Would Dissolve, MIMA, Middlesbrough
Invisible Adversaries, CCS Bard Hessel Museum, Annandale-on-Hudson
Reading Context, The Collection Teaching Gallery, CCS Bard, Annandale-on-Hudson
Conversation autour d’une collection: Collection Jocelyne et Fabrice Petignat, Villa Bernasconi, Lancy
Night in the Museum: Ryan Gander Curates the Arts Council Collection, Long Side Gallery, Yorkshire Sculpture Park; Gas Hall, Birmingham; The Attenborough Centre, Leicester
Shanghai Project, Shanghai Himalayas Museum, Shanghai
For an Image, Faster Than Light, Yinchuan Biennale, Yinchuan
Wall to Wall: Carpets by Artists, Museum of Contemporary Art Cleveland, Cleveland
Dreamlands: Immersive Cinema and Art, 1905 – 2016, Whitney Museum of American Art, New York

2015
British Art Show 8, Leeds Art Gallery, Leeds
14th Istanbul Biennale, Istanbul
10th Kaunas Biennial, Kaunas
6th Moscow Biennale, Moscow
In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
Summer Show 2015, Royal Academy of the Arts, London, United Kingdom
Space Between, FLAG Art Foundation, New York, NY
Ist Chapter: The Importance of Being a (Moving) Image, Prague National Gallery, Prague
Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
Not: The Art of Resistance, Manchester School of Art Holden Gallery, Manchester
Adventures of the black square: Abstract art and society, Whitechapel Gallery, London

2014 
Blue Times, Kunsthalle Wien, Wien, Austria
Leben mit Kunst – Teil 2, 50 Jahre Sammlung Siegfried und Jutta Weishaupt, Kunsthalle Weishaupt, Ulm, Germany
1984-1999, The Decade, Centre Pompidou Metz, France
Confessions of The Imperfect. 1848-1989-Today, Van Abbemuseum, Eindhoven, The Netherlands
International Company of Wagons Lit etc. etc., (with Rachel Harrison), Meyer Kainer, Vienna
Solaris Chronicles, Luma Foundation, Arles

2013 
Adam Curtis, The desperate edge of now, Home Workspace Program, Beirut
The Lie and the Powerpoint, Falke Pisano, Liam Gillick, Benoit Maire, Shanaynay, Paris

2012
 Abstract Possible – The Stockholm Edition, Tensta Konsthall, Stockholm, Sweden  To the moon via the beach, (organised by Liam Gillick and Philippe Parreno), The Amphitheatre, Arles, France (curated by Beatrix Ruf, Hans Ulrich Obrist and Tom Eccles; produced by the Luma Foundation for the Parc des Ateliers in Arles)
Adam Curtis, The desperate edge of now, e-flux, New York, USA  
2011  Everything Must Go, Casey Kaplan, New York, NY, USA Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland Out of Storage. Provisoire & Définitif, Centre for Contemporary Culture, Maastricht, The Netherlands Without You I'm Nothing: Art and Its Audience, MCA Chicago, Chicago, IL, USA Dublin Contemporary 2011, Irish Biennale, Dublin, Ireland
Abstract Possible, Museo Tamayo, Mexiko How Soon Is Now,  The Garage Center for Contemporary  Culture Moscow, Moscow, Russia Someone Else’s Life, Kerlin Gallery, Dublin, Ireland
Liam Gillick and Lawrence Weiner, A syntax of dependency, MuKHA, Antwerpen, Belgium In Deed: Certificates of Authenticity in Art, Fondazione Bevilacqua, La Masa Traveled from De Vleeshal, Middelburg, Netherlands 
2010  Animism, MuKHA/Extra City, Antwerp, Belgium Interference: Fields of listening and Praxis, The Studio at Moderna Museet, Stockholm, Sweden It is it, Espacio 1414 Puerto Rico, Puerto Rico Shazam, c/o Gerhardsen Gerner, Berlin, Germany Les Ateliers de Rennes, Rennes, France The Promises of the Past, Centre Pompidou, Paris, France Humanity is not a complete project, Villa du Parc, Centre d’art Contemporain, Annemasse, France The Law of the Jungle, Lehmann Maupin, New York, NY, USA 8th Shanghai Biennale, Shanghai Biennale, Shanghai, China Shazam, Galleria Continua, Boissy-le-Châtel, France Corporate Everything, Centre d’art de Fribourg, Fribourg, Switzerland Without You I'm Nothing: Art and Its Audience, MCA Chicago, Chicago, IL, USA 

2009
Saints and Sinners, Rose Art Museum, Brandeis University, Waltham, MA, USA
Custom Car Commandos, Art in General, New York, NY, USA
Just what are the saying, Jonathan Ferrara Gallery, New Orleans, LA, USA
The human stain, CGAC, Santiago de Compostela, Spain
Espèces d´Espaces, Yvon Lambert, New York, NY, USA
International Photo Festival Knokke-Heist, Knokke-Heist, Belgium
Beaufort 03, Oostende, Belgium
Forms of Inquiry, Archizoom, Lausanne, Switzerland
Unbuilt Roads, E-flux, New York, NY, USA
A Factory, A Machine, A Body… Archaeology and Memory of Industrial Spaces, Centre d’art La Panera, Lleida, Spain
La Recherche, Air de Paris, Paris, France
Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami, FL, USA
Lapdogs of the Bourgeoisie, Arnolfini, Bristol, UK
Between Metaphor and Object, IMMA, Dublin, Ireland
Take the Money and Run, De Appel, Amsterdam, The Netherlands
UFO: Grenzgänge zwischen Kunst und Design, NRW–Forum, Düsseldorf, Germany
The Obstacle is Tautology, Tulips and Roses, Vilnius, Lithuania
Il Tempo del Postino, Theater Basel, Basel, Switzerland
LEARN TO READ ART: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe, Germany
Watou 2009, Watou, Belgium
Top 10 Allegories, curated by Hard Hat (Geneva), Galerie Francesca Pia, Geneva, Switzerland
T-tris, B.P.S. 22, Charleroi, Belgium
La Suite, Air de Paris, Paris, France
A Factory, A Machine, A Body..., MUCA, Mexico City, Mexico
We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France 
Gagarin: Artists in their own words, SMAK, Gent, Belgium
Queensland Art 2009, Pestorious Sweeney House, Brisbane, Australia  

2008
Images: A spike magazine project, Forde, Geneva, Switzerland
Mixed Emotions, Domus Artium, Salamanca, Spain
Lapdogs of the Bourgoisie, Tensta Konsthall, Stockholm, Sweden
MAXImin, A century of abstraction, Fondacion Juan March, Madrid, Spain
KW Hommage à Klaus Werner, Galerie für Zeitgenössische Kunst, Leipzig, Germany
The Brisbane Sound, Institute of Modern Art, Brisbane, Australia
Cube Passerby, Passerby, New York, NY, USA
Typed, Sadie Coles HQ, London, UK
Fantasy, MuKHA, Antwerp, Belgium
This is the gallery and the gallery is many things, Eastside Projects, Birmingham, UK
The Store, Tulips & Roses, Vilnius, Lithuania
Blasted Allegories. Werke aus der Sammlung Ringier, Kunstmuseum Luzern, Luzern, Switzerland
The Sydney Biennale, Sydney, Australia
Call it what you like!, Art Centre Silkeborg Bad, Silkeborg, Denmark
No so subtle subtitle, Casey Kaplan Gallery, New York, NY, USA
Vincent Award, Stedelijk Museum, Amsterdam, The Netherlands
Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin, Germany
Mondo e Terra: La collezione del FRAC Corsica, MAN - Nuoro - Museo d´arte Provincia di Nuoro, Nuoro, Italy
Shapes of Space 2, Mario Sequeira Gallery, Braga, Portugal
La Petite Histoire, Kunstraum Niederösterreich, Vienna, Austria
La Vitrina, Guadalajara, Mexico
100 Artists: Art on the Underground, A Foundation Gallery, London, UK
Moments and Murals, MD72, Berlin, Germany
Branding Democracy, New School, New York, NY, USA
Edition Schellmann Furniture, Edition Schellmann, Munich, Germany
Accessories to an artwork, Paul Stolper Gallery, London, UK
Theanyspacewhatever, Guggenheim Museum, New York, NY, USA
Made in Munich, Haus der Kunst, Munich, Germany
Fifty Percent Solitude, Kerlin Gallery, Dublin, Ireland
Rhythmus 21 - Positionen des Abstrakten, Lenbachhaus, Munich, Germany

2007
Lapdogs of the Bourgoisie, Platform Garanti, Istanbul, Turkey
Active Constellation,  Brno House of Art, Brno, Czech Republic
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan, Italy
Los Vinilos, El Basilico, Buenos Aires, Argentina
Modelle für Morgen: Köln, European Kunsthalle, Cologne, Germany
Pure, Sean Kelly, New York, NY, USA
Air de Paris, Centre Pompidou, Paris, France
The Redistribution of the Sensible, curated by Warren Neidich, Magnus Müller, Berlin, Germany
The Shapes of Space, The Solomon R. Guggenheim Museum, New York, NY, USA
Memorial to the Iraq War, ICA, London, UK
If Everybody Had an Ocean, Tate, St. Ives, UK
Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga, Latvia
How to improve the world, Birmingham Museum and Art Gallery, Birmingham, UK
Perspektive 07, Städtische Galerie im Lenbachhaus, Munich, Germany
Intocable (El ideal de la transparencia), The Museum of Contemporary Art, Valladolid, Spain
It starts from here, De La Warr Pavilion, Bexhill-on-Sea, UK
Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York, NY, USA
All you desire, PPOW, New York, NY, USA
Other Men's Flowers , Venetia Kapernekas Gallery, New York, NY, USA
Franchise, Assen, The Netherlands
I can’t live without, The Showroom, London, UK
L’ottava Tavola: An Etymology of Contemporary Codes, Cortona, Italy
The Showroom Talks, The Showroom, London, UK
Fourier, Centre d’art mobile, Besançon, France
If Everybody had an Ocean, Musée d´art contemporain, Bordeaux, France
Floating Territories, Various Locations (Venice, Istanbul,…)
Projektion, Lentos Kunstmuseum, Linz, Austria
Franz West: Soufflé, Kunstraum Innsbruck, Innsbruck, Austria
Tomorrow is Another Day, Artsonje Center, Seoul, South Corea
Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland
Fusion Now! More light, more power, more people, Rokerby Gallery, London, UK
Winter Palace, de Ateliers, Amsterdam, The Netherlands
Xmas Hysteria, Galerie Emi Fontana, Milan, Italy
Art Protects, Yvon Lambert, Paris, France
Il Tempo del Postino, Manchester International Festival/ Opera House, Manchester, UK
Door Cycle, Friedrich Petzel Gallery, New York, NY, USA
Before and After Palma de Mallorca, Fundacion Juan March, Palma de Mallorca, Spain

2006
A person alone in a room with coca-cola coloured walls, Grazer Kunstverein, Graz, Austria
Cinéma(s), Le Magasin, Grenoble, France
Fondos da Coleccion CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela, Spain
Slow Burn, Galerie Edward Mitterand, Geneva, Switzerland
Broken Surface, Galerie Sabine Knust, Munich, Germany
100 Artists See God, curated by John Baldessari & Meg Cranston, Cheekwood Museum of Art, Nashville, TN, USA
Minimal Illusions, Galerien der Stadt Esslingen, Germany
Under Construction, European Kunsthalle, Cologne, Germany
Ordnung und Verführung, Haus Konstruktiv, Zurich, Switzerland
Bühne des Lebens – Rhetorik des Gefühls, Kunstbau, Lenbachhaus, Munich, Germany
A short history of performance Part 4, Whitechapel Art Gallery, London, UK
Classical Modern, Daimler Chrysler Contemporary, Berlin, Germany
Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany
Supernova, Galerie Jana Koniarka, Trnava, Hungary
Grey Flags, Sculpture Center, New York, NY, USA
Thank You For The Music (London Beat), Sprüth Magers, London, UK
Thank You For The Music (London Beat), Simon Lee, London, UK
Untouchable (The ideal of Transparency), Villa Arson, Nice, France
Undisciplined: Attese Biennale of Ceramic Arts, Attese, Italy
Crytallizations, Andreas Murkudis Temporary, Munich, Germany
Sprung ins kalte Wasser, Shedhalle, Zurich, Switzerland
Turtle, Chelsea Space, London, UK
Dirty Words, Galeria Pedro Cera, Lisbon, Portugal
Abstraction Now, Wilhelm-Hack-Museum, Ludwigshafen, Germany
Modus, Kunst Halle St. Gallen, St. Gallen, Switzerland
Faster! Bigger! Better!, ZKM, Karlsruhe, Germany
Academy, Van Abbemuseum, Eindhoven, The Netherlands
Projektion, Kunstmuseum Luzern, Luzern, Switzerland
How to improve the World, Hayward Gallery, London, UK
Eye on Europe: Prints, Books and Multiples 1960 to now, Museum of Modern Art, New York/NY, USA
Klinik: Eine Pathologie der Gesten, Hebbel am Ufer, Berlin, Germany
Saigon: Open City, Saigon, Vietnam
All Hawaii Entrées/Lunar Reggae, Irish Museum of Modern Art, Dublin, Ireland
Draoeaux Gris, CAPC, Bordeaux, France

2005
Exit – Ausstieg aus dem Bild, ZKM, Karlsruhe, Germany
The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York, NY, USA
New Cohabitats, Galerie Ghislaine Hussenot, Cohabitats, Paris, France
Goodbye 14th Street, Casey Kaplan Gallery, New York, NY, USA
Good Titles for Bad Books, Kevin Bruk, Miami, FL, USA
The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussel, Belgium
Group Exhibition, Air de Paris, Paris, France
Anna Sanders Films, Cinema Svetozor, Prague, Czech Republic
Supernova, Bunkier Sztuki, Krakow, Poland
Icestorm, Kunstverein München, Munich, Germany
La La Land, The Project, Dublin, Ireland
Post Notes, Midway Contemporary Art, Minneapolis, MN, USA
Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Torino, Italy
100 Artists See God, Contemporary Art Center of Virginia, curated by John  Baldessari & Meg Cranston,
Virginia Beach, VA, USA
I Reall
Go-Between, Bregenzer Kunstverein, Bregenz, Austria
Nach Rokytnik. Die Sammlung der EVN, MUMOK, Vienna, Austria
Extreme Abstraction, Albright Knox Art Gallery, Buffalo, NY, USA
100 Artists See God, Albright College Freedman Art Gallery, curated by John Baldessari & Meg Cranston, Reading, PA, USA
General Ideas: Rethinking conceptual art 1987–2005, CCA Wattis, San Francisco, CA, USA
Etc., Le Consortium, Dijon, France
Passion Beyond Reason, Wallstreet One Gallery, Berlin, Germany
En Route: Via Another Route, An exhibition on Board the Trans-Siberian Train, Moscow to Beijing
Snow Black, Yvon Lambert, New York, NY, USA
Reception, Büro Friedrich, Berlin, Germany
Rundlederwelten, Martin Gopius Bau, Berlin, Germany
Ambiance, K21, Düsseldorf, Germany
Strictement Confidentiel, CIAP, Ile de Vassiviere, France
Thank you for the Music, Sprüth Magers, Munich, Germany
Im Bild Sein, Galerie der HGB Leipzig, Leipzig, Germany
The Party, Casey Kaplan Gallery, New York, NY, USA
Supernova, Contemporary Art Centre, Vilnius, Lithuania
Minimalism and after, Daimler Chrysler Collection, Berlin, Germany

2004
Singular Forms (Sometimes Repeated): Art from 1915 to the Present, Guggenheim Museum, 
New York/NY, USA
Establishing Shot, Artist’s Space, New York, NY, USA
100 Artists See God, curated by John Baldessari & Meg Cranston, The Contemporary Jewish Museum, San Francisco/CA, USA
The Drawing Project, Vamiali’s, Athen, Greece
Before the End, curated by Stéphanie Moisdon and Olivier Mosset, Le Consortium, Dijon, France
How to learn to love the bomb and stop worrying about it, Central de Arte en WTC, Guadalajara, Mexico
Tonight, curated by Paul O’Neill, Studio Voltaire, London, UK
Russian Doll, MOT, London, UK
Across the Border, MDD – Museum Dhondt-Dhaenens, Deurle, France
9 Mütter XX04, Mütter Museum, Philadelphia, PA, USA
Drunken Masters, Fortes Vilaca, Sao Paulo, Brasil
Sadie Hawkins Dance, Southfirst, Brooklyn, NY, USA
Artists’ Favourites, ICA Institute of Contemporary Arts, London, UK
Emotion Eins, Ursula Blickle Stiftung; Frankfurter Kunstverein, Kraichtal and Frankfurt am Main, Germany
Em Jogo, CAV, Coimbra, Portugal
Czech Made, Display, Prague, Czech Republic
Off the Records/Sound Art, ARC Musée d’art moderne de la Ville de Paris, Paris, France
Open, Arcadia University Art Gallery, Glenside, PA, USA
Marks in Space, Usher Gallery, Lincoln, UK
Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin, Germany
Strike, Basekamp, Philadelphia, PA, USA
The Trailer Special Project, Curzon Cinemas, London, UK
100 Artists See God, curated by John Baldessari & Meg Cranston, Laguna Art Museum, Laguna Beach, FL, USA
Trailer, Man in the Holocene, London, UK
Nothing Compared To This: Ambient, Incidental and New Minimal Tendencies in Current Art, CAC, Cincinnati, OH, USA
Utopia Station, Haus der Kunst
Law & Creativity, Lunds Konsthall, Lund, Sweden
Magasin, Centre National d’Art Contemporain, Grenoble, France
platform art, London Underground, London, UK
Drunkenmasters, CAV Centro De Artes Visuais, (with Henry Bond, cur. by Albano Silva Pereira, Miguel Armado), Coimbra, Portugal
Drunkenmasters, Galeria Fortes Vilaca, Sao Paulo, Brasil
Specific Objects, Galerie Mehdi Chouakri, Berlin, Germany
Frac Nord-Pas de Calais et le MDD, Across The Border, Museum Dhondt-Dhaenens, Deurle, Belgium Utopia Station, Haus der Kunst München, Munich, Germany
100 Artists See God, A Institute of Contemporary Arts, London, UK

2003
Cool Luster, Collection Lambert en Avignon, Avignon, France
I Moderni/The Moderns Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
Perfect Timeless Repetition, C/O Atle Gerhardsen, Berlin, Germany
No Ghost Just a Shell’, Van Abbemuseum, Eindhoven, The Netherlands
Re-Produktion 2’Galerie Georg Kargl, , Vienna, Austria
JRP Editions, Galerie Edward Mitterand, Geneva, Switzerland
Animations Kunstwerk, Berlin, Germany
Breathing the Water, ’Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
This was tomorrow, New Art Centre, Salisbury, UK
JRP Editions’Galeria Javier Lopez, Madrid, Spain
50th Venice Biennale, Vienna, Italy
Utopia Station, Galleria Emi Fontana, Imperfect Marriages, Milan, Italy
25th International Graphic Biennial, Ljubljana, Slovenia
C’est arrivé demain’7 e Biennale de Lyon, Lyon, France
Abstraction Now, Künstlerhaus Wien, Vienna, Austria
Family Likenesses,  nstitute of Visual CultureCambridge, UK
Everything Can Be Different, Maryland Institute College of Art, Baltimore, MD, USA
Adorno. Die Möglichkeit des Unmöglichen’, Frankfurter Kunstverein, Frankfurt am Main, Germany
A film, a clip, a documentary, Corvy-Mora, London, UK 
Bad Behaviour: Works from the Arts Council Collection`, Yorkshire Sculpture Park, Yorkshire, UK
3D, Friedrich Petzel, New York, NY, USA
ill communication, Dundee Contemporary Arts, Dundee, UK
20th Anniversary Show, Monika Sprüth – Philomene Magers, , Cologne, Germany

2002
Urgent Painting, ARC Musée d’Art Moderne de la Ville da Paris, Paris, France
Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo, Norway
Nothing Mead Gallery, UK
Minimal Maximal’, Seoul National Museum of Contemporary Art, South Korea
Do it, Museo de Arte Camillo Gil, San Angel, TX, USA
J’en ai pris des coups mais j’en ai donnés aussi, Galerie chez Valentin, Paris, France
Art & Economy, Deichtorhallen, Hamburg, Germany
Monika Sprüth Philomene Magers, Munich, Germany
Everything can be different, University of Memphis, Tennesee, NM, USA
Void’, Tokyo CCA Kitakyushu, Rice Gallery, Japan
Startkapital K21,Dusseldorf, Germany
Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria, UK
Private Views’Printed Space, London, UK
The Ink Jetty, Neon Gallery, London, UK
Inframince Cabinet Gallery,  London, UK
Dark Spring, Ursula Blickle Stiftung, Kraichtal, Germany
Flash two: JRP Editions, Cbb.chouakri brahms, Berlin, Germany
Häuser für Leipzig. KüstlerInnen als ArchitektInnen, Galerie für zeitgenössische Kunst, Leipzig, Germany
Liam Gillick, Ann Lee Proposes, Fondation Mamco, , Geneva, Switzerland
Happy Outsiders from Scotland and London, ’Zachetal, Warsaw & City Gallery, Katovice, Warsaw & Katovice, Russia
The Object Sculpture, Henry Moore Institute, Leeds, UK
Sans Consentement, CAN Centre d’Art Neuchâtel, Neuchâtel, Switzerland
The Movement Began with a Scandal, Lenbachhaus, Munich, Germany 
JRP Editions, RAK, Vienna, Austria
Collected Contemporaries, Moderna Museet, Stockholm, Sweden
Summer Cinema, Casey Kaplan Gallery, New York, NY, USA
Multiples X, London, Print Studio, London, UK
No Ghost Just a Shell, Kunsthalle Zürich, Zurich, Switzerland
Société Perpenidculaire: La Tapisserie, FRAC Provence-Alpes-Côte d’Azur, France
Collections, ZKM, , Karlsruhe, Germany
Strike, Wolverhampton Art Gallery, Wolverhampton, UK
The Unique Phenomena of a Distance, Magnani, London, UK
The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London, UK 
Touch: Relational Art from the 1990’s to now, San Francisco Art Institute, San Francisco, CA, USA
Prize, Tate Gallery,Turner, London, UK
This Paly 31, La Coleccion Jumex, Mexico
L’Image Habitable (The Living Image), MAMCO, Geneva, Switzerland
It’s Unfair, Museum de Paviljoens, Almere, The Netherlands
No Ghost Just a Shell, Institute of Visual Culture, Cambridge, UK

2001
Century City, Tate Modern, London, UK 
Demonstration Room: Ideal House, Apex Art, , New York, NY, USA 
Histoire de Coeur, Collection Michel Poitevin, Fondation Guerlain, Les Mesnuls, France 
There’s gonna be some trouble, a whole house will need rebuilding, Rooseum, Malmö, Sweden 
Stop and Go, FRAC Nord-Pas de Calais, Dunkerque, France 
Future Perfect, Orchard Gallery, Derry, UK 
Minimal-Maximal, City Museum of Art, Chiba & National Museum of Art, Kyoto, Chiba & Kyoto, Japan 
Nothing, Northern Gallery for Contemporary Art, Sunderland & Contemporary Art Centre, Vilnius, Sunderland & Vilnius, Lithuania 
2nd Berlin Biennale, Berlin, Germany 
Contemporary Utopia, Latvian Centre for Contemporary Art, Riga, Lettland 
Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York, NY, USA 
International Language, Grassy Knoll Productions, various sites, Belfast, UK 
Strategies against Architecture II, Laboratorio per l’Arte Contemporanea, Fondazione Teseco, Pisa, Italy 
Musée d’art contemporain, Lyon Biennale, Lyon, France 
The Wedding Show, Casey Kaplan Gallery, New York, NY, USA 
A New Domestic Landscape, Galeria Javier Lopez, Madrid, Spain 
Geometry and Gesture, Thaddeus Ropac, Salzburg, Austria 
London Print Studio, London, UK 
Dedalic Convention,  MAK-Galerie, Vienna, Austria 
Le spot, Stéphane Dafflon, Liam Gillick, Xavier Veilhan, Le Havre, France 
The Communications Departement,  Anthony Wilkinson Gallery, London, UK 
Ambiance Magasin, Meymac Centre d’art Contemporain, Meymac, France 
Beautiful Productions: Parkett, Whitechapel Gallery, London, UK 
Demonstration Room: Ideal House, NICC,  Antwerp, Belgium 
Open Plan P3 – The Marathon, Alphadelta Gallery, Athens, Greek 
Jean Paul Slusser Gallery, University of Michigan School of Art, Ann Arbor & University of Memphis, Everything Can Be Different, Maryland Institute College of Art, Baltimore, Ann Arbor & Baltimore, MB, USA 
Raffinerie, ’Rumour City’, Brussels, Belgium 
En/Of, Schneiderei, Cologne, Germany 
The End of All Things, Gallerie Massimo de Carlo, Milan, Italy 
Stadt unter dem Himmel/City under the Sky, Part 3, Büro Friedrich, Berlin, Germany 
MEGA-WAVE-Towards a New Synthesis, International Triennale of Contemporary Art, Yokohama 
Strategies against Architecture II, Laboratorio per l’Arte Contemporanea, Pisa & Rooseum, Malmö, Pisa, Italy and Malmö, Sweden 
I love Dijon, Le Consortium, Dijon 
...if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine, Air de Paris, Paris, France

2000
29th International Film Festival, Rotterdam, The Netherlands 
Continuum 001, CCA, Glasgow, Scotland 
Stortorget i Kalmar, Stadens Konstrads Galleri, Kalmar Media City, Seoul, South Korea 
Group Show, Casey Kaplan Gallery, New York, NY, USA 
Wider Bild Gegen Wart. Positionen zu einem politischen Diskurs, RAK, Vienna, Austria 
14 + 1. Kunst aus den EU Ländern, Feichtner & Mizrahi, Vienna, Austria 
Decompressing History, Galeri Enkehuset, Stockholm, Sweden 
Viva Maria, Galerie Admiralitätsstrasse, Hamburg, Germany 
British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham, UK 
Dire Aids. Arte nell’epoca dell’Aids, Palazzo della Promotrice delle Belle Arti, Torino, Italy 
Working Title, Stanley Picker Gallery, Kingston University 
What If. Art on the Verge of Architecture and Design, Moderna Museet, Stockholm 
Etat des lieux #2. préfiguration du Museum of Contemporary Art, Tucson (AZ), Collection JRP, FriArt, Centre d’art contemporain, Fribourg, Switzerland 
Interplay, The National Museum of Contemporary Art, Oslo, Norway 
Paula Cooper Gallery, New York, NY, USA 
Future Perfect, Center for Visual Arts, Cardiff, UK 
Haute de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême, France 
Vicinato 2, Fig 1, London, UK 
Vicinato 2, Galerie neugeriemschneider, Berlin, Germany 
Werkleitz Biennale, Tornitz, Germany 
Wider Bild Gegen Wart. Positions to a Political Discourse, Nieuw Internationaal Kultureel Centrum, Antwerp, Belgium 
Perfidy, Le Corbusier Chapel, La Tourette, France 
Protest and Survive, Whitechapel Gallery, London, UK 
e-moma, The Museum of New Art, Detroit, MI, USA 
Aussendienst. Kunstprojekte im öffentlichen Räumen Hamburgs, Kunstverein in Hamburg, Hamburg, Germany 
Indiscipline, Roomade, Brussel, Belgium 
Que saurions-nous construire d’autre? (What else could we build?), La Villa, Noailles, France 
Casa Ideal, Museo Alejandro Otero, Caracas, Venezuela 
Intelligence ,Tate Britain, London, UK 
Perfidy, Kettles Yard, Cambridge, UK 
How do you change an appartment that has been painted brown? Certainly not by painting it white, Institute of Visual Culture, Cambridge, UK 
Ausstellung der Jahresgaben, Westfälischer Kunstverein, Münster, Germany 
Corvi-Mora, London, UK 
Future Perfect, Cornerhouse, Manchester, UK

1999
Playtimes, Centre National d’Art Contemporain de Grenoble, Grenoble, France 
Oldnewtown, Casey Kaplan Gallery, New York, NY, USA 
Konstruktionszeichnungen, Kunst-Werke, Berlin, Germany 
Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York, NY, USA 
Nur Wasser lässt sich leichter schneiden, Hedrichsmühle, Hamburg, Germany 
12 artists, 12 rooms, Galerie Thaddeus Ropac, Salzburg, Austria 
Air de Paris. Works by AND/OR informations about, Grazer Kunstverein, Graz, Austria 
Tang, Turner and Runyon, Dallas, TX, USA 
Plug-ins, Salon 3, London, UK 
Etcetera, Spacex Gallery, Exeter, UK 
Laboratorium, Provincial Museum voor Fotografie and different locations in the city, Antwerp, Belgium 
Out of Sight – a cross-reference exhibition, Büro Friedrich, Berlin, Germany 
Essential Things, Robert Prime, London, UK 
In the Midst of Things, University of Central England, Bourneville, France 
Le Capitale, Centre regional d’art contemporain, Sete, France 
The Space Here is Everywhere, Villa Merkel, Esslingen am Neckar, Germany 
Objecthood 0 0, Athens, Greek 
Tent, Centrum Beeldende Kunst, Rotterdam, The Netherlands 
Constructivism. Life into Art,  Brisbane, Australia 
Shopping, FAT, London, UK 
Fantasy Heckler, Liverpool Biennial, Liverpool, UK 
Art Lovers, Liverpool Biennial, Liverpool, UK 
Transmute, MCA Chicago, cur. by Joshua Decter, Chicago, IL, USA 
Get together – Kunst als Teamwork’ (with Henry Bond), Kunsthalle Wien, Vienna, Austria, 
Johnathan Monk featuring Delay Screen by Liam Gillick, Casey Kaplan, New York, NY, USA  
Une histoire parmi d’autres. Collection Michel Poltevin, FRAC Nord-Pays de Calais, Calais, France 
Let’s Get Lost, Central St. Martins College of Art and Design, London, UK 
Tendenzen der 80-er und 90-er Jahre, Museum für neue Kunst, Karlsruhe, Germany

1998
Fast Forward, Kunstverein Hamburg, Hamburg, Germany 
Liam Gilick, John Miller, Joe Scanlan, Raum Aktueller Kunst, Vienna, Austria 
Artist/Author: Contemporary Artists, Books, American Federation of Arts touring show, Watherspoon Art Gallery, Greensborough/The Emerson Gallery, Clinton/The Museum of Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amherst, MA, USA 
Interactive. An Exhibition of Contemporary British Sculpture, Amerada Hess, London, UK 
A to Z, The Approach, (cur. by Matthew Higgs), London, UK 
Arena, Sport & Kunst, Ausstellungshalle im Rathaus, Munich, Germany 
Construction Drawings, PS1, (cur. by Klaus Biesenbach), New York, NY, USA 
Kamikaze, Galerie im Marstall, Berlin, Germany 
Ingelnlook, Feigen Contemporary, (cur. by Evette Bachman), New York, NY, USA 
London Calling, The British School at Rome & Galleria Nazionale d’Arte Moderna, Rome, Italy 
Fuori Uso 98, Mercati Ortofrutticoli, Pescara, Italy 
The Erotic Sublime, Galerie Thaddeus Ropac, (Slave to the Rhythm), Salzburg, Austria 
Videostore, Brick and Kicks, (organised by Nicolas Tremblay and Stephanie Moisdon), Vienna, Austria 
UK – Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna, Austria 
weather everything, Galerie für zeitgenössische Kunst, Leipzig, Austria 
Entropy, Ludwigforum, (cur. by Wilhelm Schurmann), Aachen, Germany 
Places to Stay 4 P(rinted) M(atter), Büro Friedrich, Berlin, Germany 
Odradek, Bard College, (cur. by Thomas Mulcaire), New York, NY, USA 
Mise en Scène, Grazer Kunstverein, Graz, Austria 
Minimal-Maximal, Neues Museum Weserburg, Bremen, Germany 
Ghosts, Le Consortium, Dijon, France 
Dijon/Le Consortium.coll, Centre Georges Pompidou, Paris, France 
Cluster Bomb, Morrison Judd, London, UK 
The Project of the 2nd December, Salon 3, London, UK 
3+1=4*1, Galerie für zeitgenössische Kunst, Leipzig, Germany 

1997
Life/live, Centro Cultural de Belém, Lisbon 
Temps de Pose, Temps de Parole,  Musée de l’achevinage, Saintes, France 
Des Livres d’artistes, L’Ecole d’Art de Grenoble, Grenoble, France 
Ajar , Galleri F15, Jeloy, Oslo, Norway 
Enter: Audience, Artist, Institution, Kunstmuseum Luzern, (cur. by Barbara Steiner), Lucerne, Switzerland 
4 projects/4 Events, Transmission Gallery, Glasgow, Scotland 
Space Oddities, Canary Wharf Window Gallery, London, UK 
Moment Ginza, Le Magasin, (co-ordinated by Dominique Gonzalez-Foerster), Grenoble, France 
I Met A Man Who Wasn’t There, Basilico Fine Arts, New York, NY, USA 
504, Kunsthalle Braunschweig, (cur. by John Armleder), Braunschweig, Germany 
documenta X, Kassel, Germany 
Enterprise , ICA, Boston, MA, USA 
Group Show, Robert Prime, London, UK 
Ireland and Europe, Sculptors Society of Ireland, Dublin, Ireland  
Group Show, Vaknin Schwartz, Atlanta, GA, USA 
Heaven – a private View, PS1, New York, NY, USA 
Kunst..Arbeit, Südwest LB, Stuttgart, Germany 
Hospital, Galerie Max Hetzler, (cur. by Sarah Morris), Berlin, Germany

1996
Co-operators, Southampton City Art Gallery, Southampton, UK 
Traffic, CAPC, (cur. by Nicholas Bourriaud), Bordeaux, France 
Kiss This, Focalpoint Gallery, Southend, UK 
March à l’ombre, Air de Paris, Paris, France 
Departure Lounge, The Clocktower, New York, NY, USA 
Everyday Holiday, Le Magasin, Grenoble, France  
Der Umbau Raum, Künstlerhaus, Stuttgart, Germany  
Dinner, Cubitt Gallery, (organised by Giorgio Sadotti), London, UK 
Nach Weimar, Landesmuseum, (cur. by N. Schafhausen and K. Biesenbach), Weimar, Germany 
How Will We Behave, Robert Prime, London, UK 
Escape Attempts, Globe, Copenhagen, Denmark 
Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris, France 
Such is Life, Serpentine Gallery, London /Palais des Beaux Arts, Brussels, London, UK and Brussel, Belgium 
Itinerants Texts, Camden Arts Center, London, UK 
Lost For Words, Coins Coffee Store, London, UK 
All in One, Schipper & Krome, Cologne, Germany 
A Scattering Mix, Richard Heller Gallery, (cur. by Jane Hart), Los Angeles, CA, USA 
Found Footage, Tanja Grunert & Klemens Gasser, Cologne, Germany 
Glass Shelf Show, ICA, London, UK 
Supastore de Luxe, Up & Co, New York, NY, USA 
Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York, NY, USA

1995
Möbius Strip, Basilico Fine Arts, New York, NY, USA 
Bad Times, CA, (cur. by Jonathan Monk), Glasgow, Scotland 
In Search of the Miraculous, Starkmann Library Services, London, UK 
Faction, Royal Danish Academy of Arts, Copenhagen, Danmark 
La Labyrinthe Moral, Le Consortium, Dijon, France 
Stoppage, CCC, Tours, France 
Stoppage, Villa Arson, Nice, France 
Summer Fling, Basilico Fine Arts, New York, NY, USA 
Collection fin XX, FRAC Poitou Charentes, Angouleme 
Karaoke, South London Art Gallery, (cur. by Georg Herold), London, UK 
Ideal Standart Summer Time, Lisson Gallery, London, UK 
Reserve-Lager-Storage, Oh!, Bruxelles, Belgium 
Filmcuts, Neugerriemschneider, Berlin, Germany 
New British Art, Museum Sztuki, Lodz, Polen 
Brilliant, Walker Art Centre, (cur. by Richard Flood), Minneapolis, MN, USA 
Trailer, Mediapark, (cur. by Barbara Steiner), Cologne, Germany

1994
Don’t Look Now, Thread Waxing Space, (cur. by Joshua Decter), New York, NY, USA 
Backstage, Kunstmuseum Luzern, Lucerne, Switzerland 
Surface de Réparations , FRAC, (cur. by Eric Troncy), Dijon, France 
Cocktail, Kunstverein in Hamburg, Hamburg, Germany 
Public Domain, Centro, Santa Monica, (cur. by Jorge Ribalta), Barcelona, Spain 
Grand Prix, (cur. by Axel Huber), Monaco 
Rue des Marins, Air de Paris, Nice, France 
Mechanical Reproduction, Galerie van Gelder, (cur. by Jack Jaeger), Amsterdam, The Netherlands 
WM/Karaoke, Portikus, (cur. by Georg Herold), Frankfurt, Germany 
Other Men’s Flowers, Hoxton Square, (cur. by Joshua Compston), London, UK 
Miniatures, The Agency, London, UK 
Das Archiv, Camera Austria/Forum Stadtpark, Graz, Austria 
Lost Paradise, Kunstraum, (cur. by Barbara Steiner), Vienna, Austria 
Surface de Réparations II, FRAC, Dijon, France 
The Institute of Cultural Anxiety, CA, (cur. by Jeremy Millar), London, UK

1993
Terratotio Italiano, (cur. by Giacinto di Pietrantonio), Milan, Italy 
Gesellschaft für Aktuelle Kunst, (cur. by Tom Eccles), Bremen, Germany 
Travelogue, Hochschule für Angewandte Kunst, (cur. by Jackie McAllister), Vienna, Austria 
Los Angeles International, Esther Schipper/Christopher Grimes, Los Angeles, CA, USA 
July Wonderful Life, Lisson Gallery, London, UK 
Group Show, Esther Schipper, Cologne, Germany 
The London Photo Race, riesenwall 120, Cologne, Germany 
Futura Book, Air de Paris, Nice, France 
Points de Vue, Galerie Pierre Nouvion, Monaco 
Manifesto, Hohenthal & Bergen, (cur. by Benjamin Weil), Munich, Germany 
Backstage, Kunstverein Hamburg, (cur. by Stephan Schmidt-Wulffen & Barbara Steiner), Hamburg, Germany 
Two out of four dimensions, Centre 181, London, UK 
Dokumentation über, Arbeiten von, Esther Schipper, Cologne, Germany 
Unplugged, (cur. by Nicolas Bourriaud), Cologne, German

1992
Tatoo, Air de Paris/Urbi et orbi, Paris/Daniel Buchholz, Cologne/Andrea Rosen, New York, NY, USA, Paris, France, Cologne and New York, NY, USA 
Molteplici Culture, (selected by Giorgio Verzotti), Rome, Italy 
Living on top of a building..., Monika Sprüth, Cologne/Esther Schipper, Cologne/Le Case d’Arte, Milan, Cologne, Germany and Milan, Italy 
Daniel Buchholz, Cologne/Castello di Rivera, Turin/Wacoal Ars Centre, Tokyo/Urbi et Orbi, Paris, France, Manifesto (cur. by Benjamin Weil), Cologne, Turin, Tokyo, Japan and Paris, France 
Etats Specifique, Musée d’art moderne, le Havre, France 
The Speaker Project, ICA, London, UK 
12 British Artists, Barbara Gladstone/SteinGladstone, New York, NY, USA 
Group Show, Esther Schipper, Cologne, Germany 
Instructions, Gio Marconi, Milan, Italy 
ON, Interim Art, London, UK

1991
No Man’s Time, CNAC, Villa Arson, Nice, France 
Air de Paris à Paris, Air de Paris, Paris, France 
The Multiple Projects Room, Air de Paris, Nice, France 

Awards

2008

The Vincent Award, Stedelijk Museum, Amsterdam, The Netherlands

2002

Turner Prize Nomination, London, Great Britain

1998

Paul Cassirer Award, Berlin, Germany

Public Projects

2011-12

Gernika, Spain
Lund, Sweden
Houston, Texas
Geneva, Switzerland
Paris, France
Bordeaux, France

2010

Aix Pavilion, Chateau la Coste, Aix en Provence
Centene Plaza, St. Louis, MO

2009

Fairmont Pacific Rim, Vancouver

2008

Dynamica Building, Guadalajara

2007

Anyang Public Art Project, Anyang, Korea
Factory in the Snow, Tierra y ammonia, Guadalajara.
Lufthansa, Frankfurt

2006

Maharam, Chicago/IL, USA

2005

Dior Homme, Shanghai (with Sean Dack)
BSI, Lugano, Switzerland
Ft. Lauderdale/Hollywood International Airport

2004

Museum in Progress, Rolling Boards, Vienna, Austria
Swiss Re, London, Great Britain

2003

The Home Office, London (until 2005)
Regents Place – British Land, London
Headache, phone card, soda, donuts, stereo, London Underground/Frieze Art Fair, London, Great Britain
Ft. Lauderdale/Hollywood International Airport, USA

2002

Dekabank, Frankfurt, Germany
Alcobendas, Madrid, Spain
Kirchdorf School, Germany
Mercat, Alicante, Spain
Olnick Corporation, New Jersey/NY, USA

2001

Telenor, Oslo, Norway

1999

BIC Technologiezentrum, Leipzig, Germany