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The body is the oldest subject in art. Until the early 20th century, it was wrapped in certain ideas and conventions of representation that followed the themes of art: religion, mythology, everyday life, landscape, and portraiture. Time and again, the body was the projection surface of emotions such as pain, lust, passion, vulnerability, or willpower, predominantly defined and staged by male artists. It was not until the Surrealists that the door was opened to a psychologically more complex world, in which the body could completely shed the garb of reality—neither always clearly assigned a gender nor explicitly staged for the male or female gaze. From that moment on, the body became a symbol: of dreams, of the unconscious, of fantasies, and the psyche of modern man. Often maltreated by fears, it increasingly functions as the scene of a spectacle of the tortured soul. Abstracted, deformed, or mechanized, it is present in all genres. Female artists, in particular, prefer to thematize the body in the new media of photography, video, and performance.

In recent years, however, the body has reappeared in painting and sculpture to a greater extent—and now signals a new artistic self-understanding that negotiates questions of gender, identity, and assignment in a completely new way. The artists Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, and Tobias Pils embody a new, permeable generation that considers representation in new, often haunting, and visually demanding ways. There is often a startling fragility behind it. It captivates the gaze and opens up the view of the body—its freedom, fantasies, and fluidity.

TIS-1

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Installation view, Jean-Marie Appriou, Amy Feldman, Louisa Gagliardi, Kris Lemsalu, Conny Maier, Sofia Mitsola, Tobias Pils, Galerie Eva Presenhuber, Maag Areal, Zurich, 2022

Jean-Marie Appriou’s (born 1986 in Brest, FR) work is a menagerie of mythical creatures: hybrids of animal, human, and vegetable, demigods and the undead, suspended between past and future, morbid and mystical, mannered and melancholic, like figures from Ovid’s Metamorphoses. The body is the central organ in this system of references, which combines the Middle Ages, Art Nouveau, and science fiction to create fantasy worlds in which nothing is constant. The ocean, where Appriou grew up, is the all-pervading metaphor for his work: it stands for death and rebirth, for danger and mystery, for poetry and artistic inspiration.

Amy Feldman’s (born 1981 in New Windsor, NY, US) large scale gray-on-gray abstractions pose a salient conversation between physical gesture and the formal language of abstraction. While a subdued palette imbues her paintings with a neutral objective mode, the artist deploys signs and symbols that hint at the body and its charge. Feldman’s paintings resemble human organs, pulsating in space, working in sync to deliver only the essential through acute simplification of form. Her graphic cartoon-esque approach and distilled heroic gesture work in tangent, displaying complex humor to earnest intent.

JEAN-MARIE APPRIOU, The Murmur
JEAN-MARIE APPRIOU, The Murmur
JEAN-MARIE APPRIOU, The Murmur
JEAN-MARIE APPRIOU, The Murmur
JEAN-MARIE APPRIOU, The Murmur

JEAN-MARIE APPRIOU

The Murmur

2020
Patinated aluminum, bronze, glass
Unique
180 x 162 x 148 cm / 70 7/8 x 63 3/4 x 58 1/4 in
APPRI47993

JEAN-MARIE APPRIOU, Planet of the Apes (Blue Java and Nutmeg)
JEAN-MARIE APPRIOU, Planet of the Apes (Blue Java and Nutmeg)
JEAN-MARIE APPRIOU, Planet of the Apes (Blue Java and Nutmeg)
JEAN-MARIE APPRIOU, Planet of the Apes (Blue Java and Nutmeg)

JEAN-MARIE APPRIOU

Planet of the Apes (Blue Java and Nutmeg)

2022
Handblown glass
45 x 36 x 30 cm / 17 3/4 x 14 1/8 x 11 3/4 in
APPRI50870

JEAN-MARIE APPRIOU, Planet of the Apes (Anthocyanins and Chlorophyll)
JEAN-MARIE APPRIOU, Planet of the Apes (Anthocyanins and Chlorophyll)
JEAN-MARIE APPRIOU, Planet of the Apes (Anthocyanins and Chlorophyll)
JEAN-MARIE APPRIOU, Planet of the Apes (Anthocyanins and Chlorophyll)

JEAN-MARIE APPRIOU

Planet of the Apes (Anthocyanins and Chlorophyll)

2022
Handblown glass
49 x 33 x 30 cm / 19 1/4 x 13 x 11 3/4 in
APPRI50869

JEAN-MARIE APPRIOU, Planet of the Apes (Beta Vulgaris Chioggia)
JEAN-MARIE APPRIOU, Planet of the Apes (Beta Vulgaris Chioggia)
JEAN-MARIE APPRIOU, Planet of the Apes (Beta Vulgaris Chioggia)
JEAN-MARIE APPRIOU, Planet of the Apes (Beta Vulgaris Chioggia)

JEAN-MARIE APPRIOU

Planet of the Apes (Beta Vulgaris Chioggia)

2022
Handblown glass
39 x 33 x 27 cm / 15 3/8 x 13 x 10 5/8 in
APPRI50868

AMY FELDMAN, Cold Stuff
AMY FELDMAN, Cold Stuff
AMY FELDMAN, Cold Stuff
AMY FELDMAN, Cold Stuff

AMY FELDMAN

Cold Stuff

2018
Acrylic, silkscreen ink, and spray paint on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48726

AMY FELDMAN, Good Grid
AMY FELDMAN, Good Grid
AMY FELDMAN, Good Grid
AMY FELDMAN, Good Grid

AMY FELDMAN

Good Grid

2020
Acrylic and silkscreen ink on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48733

AMY FELDMAN, Fog Face
AMY FELDMAN, Fog Face
AMY FELDMAN, Fog Face
AMY FELDMAN, Fog Face

AMY FELDMAN

Fog Face

2020
Acrylic, silkscreen ink, and impasto on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48734

JEAN-MARIE APPRIOU, The Murmur

JEAN-MARIE APPRIOU

The Murmur

2020
Patinated aluminum, bronze, glass
Unique
180 x 162 x 148 cm / 70 7/8 x 63 3/4 x 58 1/4 in
APPRI47993

JEAN-MARIE APPRIOU, Planet of the Apes (Blue Java and Nutmeg)

JEAN-MARIE APPRIOU

Planet of the Apes (Blue Java and Nutmeg)

2022
Handblown glass
45 x 36 x 30 cm / 17 3/4 x 14 1/8 x 11 3/4 in
APPRI50870

JEAN-MARIE APPRIOU, Planet of the Apes (Anthocyanins and Chlorophyll)

JEAN-MARIE APPRIOU

Planet of the Apes (Anthocyanins and Chlorophyll)

2022
Handblown glass
49 x 33 x 30 cm / 19 1/4 x 13 x 11 3/4 in
APPRI50869

JEAN-MARIE APPRIOU, Planet of the Apes (Beta Vulgaris Chioggia)

JEAN-MARIE APPRIOU

Planet of the Apes (Beta Vulgaris Chioggia)

2022
Handblown glass
39 x 33 x 27 cm / 15 3/8 x 13 x 10 5/8 in
APPRI50868

AMY FELDMAN, Cold Stuff

AMY FELDMAN

Cold Stuff

2018
Acrylic, silkscreen ink, and spray paint on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48726

AMY FELDMAN, Good Grid

AMY FELDMAN

Good Grid

2020
Acrylic and silkscreen ink on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48733

AMY FELDMAN, Fog Face

AMY FELDMAN

Fog Face

2020
Acrylic, silkscreen ink, and impasto on canvas
200.5 x 200.5 cm / 79 x 79 in
FELAM48734

Louisa Gagliardi (born 1989 in Sion, CH) is completely committed to the figure. Her scenes have something dark and cloudy about them, appearing like dream frequencies—people are often only seen spliced in, from behind, as legs or heads, as if they were mere ghosts or fragments of memories. With colors shimmering like the applied gel or nail polish, the images appear digital, overdrawn, and surreal without betraying the artist’s hand. The mood is cold and smooth yet fragile, like a broken display.

Kris Lemsalu (born 1985 in Tallinn, EE) builds sculptures out of porcelain and ceramics, often peppered with textiles, plastic, and other materials. They appear grotesque, theatrical, in short: nightmarish and present themselves quite offensively, dominating the space and creeping under the skin. Lemsalu presents her new work, Motherpeace: ceramic vulvas on an iron bed frame from which hang coats belonging to the artist’s mother and grandmother, porcelain hands reaching out: a sculpture as two portraits.

LOUISA GAGLIARDI, Undercover
LOUISA GAGLIARDI, Undercover
LOUISA GAGLIARDI, Undercover

LOUISA GAGLIARDI

Undercover

2022
Gel medium, nail polish, ink on PVC
170.5 x 240.5 x 5 cm / 67 1/8 x 94 5/8 x 2 in
GAGLI50601

LOUISA GAGLIARDI, Stage Fright
LOUISA GAGLIARDI, Stage Fright
LOUISA GAGLIARDI, Stage Fright

LOUISA GAGLIARDI

Stage Fright

2021
Gel medium, ink on PVC
140.5 x 195 x 5 cm / 55 3/8 x 76 3/4 x 2 in
GAGLI50834

LOUISA GAGLIARDI, Hot Threads
LOUISA GAGLIARDI, Hot Threads
LOUISA GAGLIARDI, Hot Threads

LOUISA GAGLIARDI

Hot Threads

2020
Gel medium, nail polish, ink on PVC
160.5 x 105 x 5 cm / 63 1/4 x 41 3/8 x 2 in
GAGLI50414

KRIS LEMSALU, Mama is in your bed
KRIS LEMSALU, Mama is in your bed
KRIS LEMSALU, Mama is in your bed
KRIS LEMSALU, Mama is in your bed
KRIS LEMSALU, Mama is in your bed
KRIS LEMSALU, Mama is in your bed
KRIS LEMSALU, Mama is in your bed

KRIS LEMSALU

Mama is in your bed

2022
Ceramics, fabric, metal
Approx. 110 x 217 x 117 cm / 43 1/4 x 85 3/8 x 46 1/8 in
LEMSA50773

KRIS LEMSALU, Crybaby I
KRIS LEMSALU, Crybaby I
KRIS LEMSALU, Crybaby I
KRIS LEMSALU, Crybaby I
KRIS LEMSALU, Crybaby I

KRIS LEMSALU

Crybaby I

2022
Ceramics, fabric, metal
140 x 90 x 80 cm / 55 1/8 x 35 3/8 x 31 1/2 in
LEMSA50774

KRIS LEMSALU, Crybaby II
KRIS LEMSALU, Crybaby II
KRIS LEMSALU, Crybaby II
KRIS LEMSALU, Crybaby II
KRIS LEMSALU, Crybaby II

KRIS LEMSALU

Crybaby II

2022
Ceramics, fabric, metal
140 x 90 x 80 cm / 55 1/8 x 35 3/8 x 31 1/2 in
LEMSA50775

LOUISA GAGLIARDI, Undercover

LOUISA GAGLIARDI

Undercover

2022
Gel medium, nail polish, ink on PVC
170.5 x 240.5 x 5 cm / 67 1/8 x 94 5/8 x 2 in
GAGLI50601

LOUISA GAGLIARDI, Stage Fright

LOUISA GAGLIARDI

Stage Fright

2021
Gel medium, ink on PVC
140.5 x 195 x 5 cm / 55 3/8 x 76 3/4 x 2 in
GAGLI50834

LOUISA GAGLIARDI, Hot Threads

LOUISA GAGLIARDI

Hot Threads

2020
Gel medium, nail polish, ink on PVC
160.5 x 105 x 5 cm / 63 1/4 x 41 3/8 x 2 in
GAGLI50414

KRIS LEMSALU, Mama is in your bed

KRIS LEMSALU

Mama is in your bed

2022
Ceramics, fabric, metal
Approx. 110 x 217 x 117 cm / 43 1/4 x 85 3/8 x 46 1/8 in
LEMSA50773

KRIS LEMSALU, Crybaby I

KRIS LEMSALU

Crybaby I

2022
Ceramics, fabric, metal
140 x 90 x 80 cm / 55 1/8 x 35 3/8 x 31 1/2 in
LEMSA50774

KRIS LEMSALU, Crybaby II

KRIS LEMSALU

Crybaby II

2022
Ceramics, fabric, metal
140 x 90 x 80 cm / 55 1/8 x 35 3/8 x 31 1/2 in
LEMSA50775

Conny Maier (born in Berlin, DE) reduces her figures to the essential, almost bursting the pictorial space. Their roundish proportions are not right—hands too large, bodies serpentine, faces often disappearing behind hair and headgear. Maier’s figures often appear tormented, angry and groping, overwhelmed by the world, by their role in it, by their very limbs. Domestic objects such as vases and bowls appear, serving as empty allegories of the figures’ bodies.

Sofia Mitsola (born 1992 in Thessaloniki, GR) paints primarily female, invented characters and the atmospheres they inhabit using vibrant colors and a monumental scale. The female body is a recurring motif that allows her to play with ideas of confrontation, power, and control. Her protagonists’ coquettish gazes are always directed at the viewer—inviting, controlling, and consuming them. Appearing as individuals or in groups, her subjects are composed using radiant opaque colors and translucent layers that mimic water, an element that symbolizes transformation and catharsis. 

CONNY MAIER, Füllen
CONNY MAIER, Füllen
CONNY MAIER, Füllen
CONNY MAIER, Füllen

CONNY MAIER

Füllen

2021
Oil, pigment, oilstick on canvas
Image 300 x 200 cm / 118 1/8 x 78 3/4 in
Frame 302.5 x 202.5 x 5 cm / 119 1/8 x 79 3/4 x 2 in
MAIER50448

CONNY MAIER, Baden
CONNY MAIER, Baden
CONNY MAIER, Baden
CONNY MAIER, Baden

CONNY MAIER

Baden

2021
Oil, pigment, oilstick on canvas
Image 175 x 300 cm / 68 7/8 x 118 1/8 in
Frame 177.5 x 302.5 x 5 cm / 69 7/8 x 119 1/8 x 2 in
MAIER50447

CONNY MAIER, Angebot
CONNY MAIER, Angebot
CONNY MAIER, Angebot

CONNY MAIER

Angebot

2021
Oil, oilstick on canvas
Image 180 x 140 cm / 70 7/8 x 55 1/8 in
Frame 183 x 142.5 x 5 cm / 72 x 56 1/8 x 2 in
MAIER50446

CONNY MAIER, Balanced
CONNY MAIER, Balanced
CONNY MAIER, Balanced

CONNY MAIER

Balanced

2021
Oil, oilstick on canvas
Image 180 x 140 cm / 70 7/8 x 55 1/8 in
Frame 183 x 143 x 5 cm / 72 x 56 1/4 x 2 in
MAIER50445

SOFIA MITSOLA, La Grande Baigneuse
SOFIA MITSOLA, La Grande Baigneuse
SOFIA MITSOLA, La Grande Baigneuse
SOFIA MITSOLA, La Grande Baigneuse

SOFIA MITSOLA

La Grande Baigneuse

2022
Oil on canvas
250.5 x 210.5 x 4 cm / 98 5/8 x 82 7/8 x 1 5/8 in
MITSO50607

SOFIA MITSOLA, Sarcotub
SOFIA MITSOLA, Sarcotub
SOFIA MITSOLA, Sarcotub
SOFIA MITSOLA, Sarcotub

SOFIA MITSOLA

Sarcotub

2022
Oil on linen
220.5 x 190.5 x 4 cm / 86 3/4 x 75 x 1 5/8 in
MITSO50606

SOFIA MITSOLA, Mirror and Fans
SOFIA MITSOLA, Mirror and Fans
SOFIA MITSOLA, Mirror and Fans

SOFIA MITSOLA

Mirror and Fans

2022
Oil on canvas
60.5 x 80 x 4 cm / 23 7/8 x 31 1/2 x 1 5/8 in
MITSO50620

SOFIA MITSOLA, Sarcotub mini
SOFIA MITSOLA, Sarcotub mini
SOFIA MITSOLA, Sarcotub mini

SOFIA MITSOLA

Sarcotub mini

2022
Oil on canvas
60 x 50.5 x 4.5 cm / 23 5/8 x 19 7/8 x 1 3/4 in
MITSO50772

CONNY MAIER, Füllen

CONNY MAIER

Füllen

2021
Oil, pigment, oilstick on canvas
Image 300 x 200 cm / 118 1/8 x 78 3/4 in
Frame 302.5 x 202.5 x 5 cm / 119 1/8 x 79 3/4 x 2 in
MAIER50448

CONNY MAIER, Baden

CONNY MAIER

Baden

2021
Oil, pigment, oilstick on canvas
Image 175 x 300 cm / 68 7/8 x 118 1/8 in
Frame 177.5 x 302.5 x 5 cm / 69 7/8 x 119 1/8 x 2 in
MAIER50447

CONNY MAIER, Angebot

CONNY MAIER

Angebot

2021
Oil, oilstick on canvas
Image 180 x 140 cm / 70 7/8 x 55 1/8 in
Frame 183 x 142.5 x 5 cm / 72 x 56 1/8 x 2 in
MAIER50446

CONNY MAIER, Balanced

CONNY MAIER

Balanced

2021
Oil, oilstick on canvas
Image 180 x 140 cm / 70 7/8 x 55 1/8 in
Frame 183 x 143 x 5 cm / 72 x 56 1/4 x 2 in
MAIER50445

SOFIA MITSOLA, La Grande Baigneuse

SOFIA MITSOLA

La Grande Baigneuse

2022
Oil on canvas
250.5 x 210.5 x 4 cm / 98 5/8 x 82 7/8 x 1 5/8 in
MITSO50607

SOFIA MITSOLA, Sarcotub

SOFIA MITSOLA

Sarcotub

2022
Oil on linen
220.5 x 190.5 x 4 cm / 86 3/4 x 75 x 1 5/8 in
MITSO50606

SOFIA MITSOLA, Mirror and Fans

SOFIA MITSOLA

Mirror and Fans

2022
Oil on canvas
60.5 x 80 x 4 cm / 23 7/8 x 31 1/2 x 1 5/8 in
MITSO50620

SOFIA MITSOLA, Sarcotub mini

SOFIA MITSOLA

Sarcotub mini

2022
Oil on canvas
60 x 50.5 x 4.5 cm / 23 5/8 x 19 7/8 x 1 3/4 in
MITSO50772

Tobias Pils (born 1971 in Linz, AT) works exclusively in shades of grey. At first, one thinks his figures lean on the visual language of modernism—cubism and surrealism resonate, only to be catapulted into the present with a comic-like twist. The artist’s versatility becomes clear: bodies become non-representational, abstractions transform into eyes, noses, and mouths, lines become landscapes. His canvases never rest—the bodies burst with nervousness and energy, like living psychograms.

TOBIAS PILS, Women
TOBIAS PILS, Women
TOBIAS PILS, Women

TOBIAS PILS

Women

2016/17
Mixed media on canvas
195.5 x 434 x 4 cm / 77 x 170 7/8 x 1 5/8 in
PILST43720

TOBIAS PILS, Woman 4 (birth)
TOBIAS PILS, Woman 4 (birth)
TOBIAS PILS, Woman 4 (birth)

TOBIAS PILS

Woman 4 (birth)

2017
Mixed media on canvas
373 x 199 cm / 146 7/8 x 78 3/8 in
PILST43719

TOBIAS PILS, The Communication
TOBIAS PILS, The Communication
TOBIAS PILS, The Communication

TOBIAS PILS

The Communication

2021
Oil on canvas
Image 236 x 198 cm / 92 7/8 x 78 in
Frame 241.5 x 204 x 6 cm / 95 1/8 x 80 3/8 x 2 3/8 in
PILST50399

TOBIAS PILS, Juggling
TOBIAS PILS, Juggling
TOBIAS PILS, Juggling

TOBIAS PILS

Juggling

2021
Oil on canvas
Image 130 x 90 cm / 51 1/8 x 35 3/8 in
Frame 134 x 94 x 4.5 cm / 52 3/4 x 37 x 1 3/4 in
PILST50412

TOBIAS PILS, Women

TOBIAS PILS

Women

2016/17
Mixed media on canvas
195.5 x 434 x 4 cm / 77 x 170 7/8 x 1 5/8 in
PILST43720

TOBIAS PILS, Woman 4 (birth)

TOBIAS PILS

Woman 4 (birth)

2017
Mixed media on canvas
373 x 199 cm / 146 7/8 x 78 3/8 in
PILST43719

TOBIAS PILS, The Communication

TOBIAS PILS

The Communication

2021
Oil on canvas
Image 236 x 198 cm / 92 7/8 x 78 in
Frame 241.5 x 204 x 6 cm / 95 1/8 x 80 3/8 x 2 3/8 in
PILST50399

TOBIAS PILS, Juggling

TOBIAS PILS

Juggling

2021
Oil on canvas
Image 130 x 90 cm / 51 1/8 x 35 3/8 in
Frame 134 x 94 x 4.5 cm / 52 3/4 x 37 x 1 3/4 in
PILST50412