On the occasion of the 59th La Biennale di Venezia, the Scuola Grande di San Giovanni Evangelista hosts a major solo exhibition of work by the Swiss artist Ugo Rondinone, entitled burn shine fly. Curated by Javier Molins, burn shine fly presents both iconic works by Rondinone as well as a new body of work created specifically for this exhibition.
New York-based artist Adam Pendleton’s first solo exhibition in Canada, These Things We’ve Done Together, presents new monumental paintings from his series Untitled (WE ARE NOT) as well as drawings from his defining series Black Dada produced this year. The exhibition also includes a video portrayal of the avant-garde dancer, choreographer, and filmmaker Yvonne Rainer.
Bern celebrates the important Swiss artist Jean-Frédéric Schnyder with a hanging of the holdings in the collection of the Kunstmuseum Bern and a solo exhibition at the Kunsthalle Bern. At Kunsthalle Bern, new, rarely, or never-before-seen works from 1970 to the present are brought together, including those that were not necessarily planned as works of art, but resulted from daily activities.
Bern celebrates the important Swiss artist Jean-Frédéric Schnyder with a hanging of the holdings in the collection of the Kunstmuseum Bern and a solo exhibition at the Kunsthalle Bern. For the exhibition at the Kunstmuseum Bern, the artist himself has made a selection of 68 earlier paintings and sculptures and arranged them in an overall installation.
Ugo Rondinone has been appointed as the Guest Curator of Sculpture Milwaukee’s 2022 exhibition. The exhibition, entitled Nature Doesn’t Know About Us, will include “thirteen works by thirteen artists who combine skeptical clarity and at times humor-tinged desire to locate the intersection of spiritual and physical presence in our daily life,” according to Rondinone.
Adam Pendleton will participate in the Whitney Biennial 2022: Quiet as It's Kept. Established in 1932 to chart developments in art of the United States, the Whitney Biennial is the longest-running exhibition of its kind. A constellation of the most relevant art and ideas of our time, the 2022 exhibition will be the Biennial’s eightieth edition.
This major exhibition focuses on the importance of Steven Shearer’s archive of photographic and print material, collected over the past 25 years, and showcases how this pictorial reservoir continues to act as source material for works across a variety of media, including sculpture, prints, drawings, and painting.
Ugo Rondinone’s performatively costumed and made-up clowns stand in as those figures who remain outside society’s mainstream. In a time in which we have spent hours contemplating solitude, Rondinone offers the opportunity to explore notions of being through his community of jesters.
In this Sydney-exclusive exhibition, see Doug Aitken's installations, objects, photographs, and vast immersive multi-screen environments that will envelop you within a kaleidoscope of moving imagery and sound. Aitken's works lead us into a world where time, space, and memory are fluid concepts.
Valentin Carron's latest body of work examines figuration as a fundamental concern of art and translates this into a contemporary visual language. Through this supposedly worn-out motif, he explores the origins of artistic representation and uses his sculptures to relate to the first cultural expressions of man.
Shara Hughes’ latest landscape paintings transcend spirituality, which was inspired by physical nature, bridging utopia and reality. The Bridge not only is an epitome of Hughes’ creative breakthrough during the pandemic but extends to her profound understanding of life and death, man and universe, ephemerality and immortality.
For Oscar Tuazon, the artistic practice is a principle of life. His works are de facto inseparable from what can be called a life project, which includes living on the fringe of society, at the periphery of social codes, in pursuit of harmony with the environment that surrounds him.
Shara Hughes is often referred to as a landscape painter, but from the artist’s point of view, her paintings “are not really about landscapes” at all. Hughes' first major solo museum show in the US, On Edge includes more than 30 paintings, drawings, and prints.